William Shakespeare 's Romeo And Juliet

Once in our lifetimes we all go through a tragedy, but who is responsible? In Romeo and Juliet by William Shakespeare, several characters are responsible for the deaths in the play. The characters; the Capulets, Friar Laurence, and Tybalt are the ones most responsible.

SAMPSON A dog of that house shall move me to stand. I will take the wall of any man or maid of Montague’s.

Young lovers defy their families’ long-established vendetta and jeopardize all they have to continue their relationship. The violent commotion between the two lovers, Romeo and Juliet, finally bring peace to their feuding families, with their own death. Like with many suicide cases, there are challenges and decisions being made that lead up to this decision. Often times, we question who contributed to the suicide. Regardless, others argue that Romeo and Juliet should be held accountable for their ultimate decision. Then again, there is no definite reason to assign fault to Romeo and Juliet. Not only are their brains not fully developed, but pressures from outside forces caused such stress within the relationship.

Love is like a flame, it provides you with warmth, but too much of it can also burn you. Such is the plot of the play, Romeo and Juliet by William Shakespeare. It is a tragedy about two lovers, Romeo and Juliet, who unfortunately, belong to families who bear an ancient grudge against each other. In the play, Romeo and Juliet fall in love and quickly decide to marry each other. At the end, Romeo and Juliet’s decisions cause their untimely death, but in reality, there were other people who also contributed to the lover’s death. Friar Laurence, the Nurse and Lord Capulet are responsible for the tragic deaths of Romeo and Juliet.

In Romeo and Juliet, love is depicted in several ways. Both Luhrman and Shakespeare represent love in different ways in different contexts to both the Elizabethan era and the contemporary audience. Both the original and later manifestations of the text are valued because they both communicate to the audience on the values of love and society by employing a variety of devices.

I have resided in Verona for the better part of forty years and never have I seen such a mishandled case as this. Firstly, the tragedy of Romeo and Juliet is the tragedy of Verona. Their story comes only as a result of a deep seated hatred that in the past you have not condoned. Yet your strict attitude cost a man his life. Now three bodies have been laid to rest as a result of Romeo 's banishment. You should have allowed Romeo to remain in Verona following Mercutio and Tybalt 's deaths. The punishment may fit the crime, but not the circumstances. Romeo 's banishment was unjust.

Originating from Latin America, the name Tybalt signifies “he who sees.” However, in the play, Tybalt fails to see how his actions lead to conflicts and ultimately the downfall of certain characters. Being part of the Capulet family, which is one of the most powerful families in Verona, Tybalt has a close relationship with Juliet and also loathes all the Montagues, for the Montagues are the rivals of the Capulets. Tybalt, throughout the story, tries to fight the Montagues, which sometimes result to unfortunate events. At the end of the story, Romeo decides to commit suicide when he is made to believe that Juliet is dead, but Juliet awakens from her made up

One emotion that is evident throughout the texts is that consequence. In the play Romeo has previously abstained from becoming embroiled in the violence that tybalt is trying to get him Engadget in but mercuito Romeo best friend steps in to protect his friend and take his place and fight tybalt from the house of capulet. From all the bravery and loyalty the mercuito showed for Romeo he was slain when Romeo tried to stop the fight between him and tybalt, and mercuito ends up dying. In mercuito last word he stated "A plague on both your houses" Is a blanc verse the reason for that is their is no rhythm which makes it iambic pentameter. Mercurio uses a metaphor after cursing the two households, Montague 's and the Capulet 's, and shows the reader that he blames both of the households in part for causing his death. Shakespeare allowed this quote to have no rhyme because it 's a foreshadowing quote which is a turning point in the story which highlight to the audience that the two house capulet and montage will suffer from what had happened in that scene because of the death of tybalt from the opposite house the capulets. The others don 't know about the love story between Romeo and Juliet and their intentions to ignore their tradition and their family 's name for the sake of getting married and perusing their love together. But the Word "Plague" it 's meaning is epically repaired to Romeo because he had killed a capulet it 's as almost as soon as he had killed tybalt from the

Love and hate have been long-standing rivals since the dawn of time. People will often say ‘love conquers all.’ However, in Shakespeare’s fictitious play, Romeo and Juliet, that is, unfortunately, far from the actual case. In Verona, Italy, the Capulets and the Montagues have a deep-seated hatred, however, the prologue tells the reader that from these two families full of bitter hate, a pair of lovers will come. But it is also already foretold that they were not destined to survive. Hate can be an all-consuming force, and that is not only true, but very evident throughout the play. The rancorous family feud develops much of the action and manifests more feuds as the plot continues on, these being the quarrel between the two families’ servants, Mercutio against Tybalt, and Romeo against Tybalt.

One of Shakespeare’s most eminent plays, Romeo and Juliet is a tale revolving around a pair of star-crossed lovers whose premature relationship must go undiscovered because of their feuding families. However, in the arduous process of protecting its secrecy, several essential figures including Romeo, Friar Lawrence and the theme of fate play decisive roles that hold responsibility in the turnout of events that lead to a tragic conclusion. Romeo, the lover himself is rebellious and desperate for love. His impulsive personality towards love and marriage establishes danger not only upon himself but as well as his partner Juliet. Friar Lawrence is well-regarded, but his rashness, ignorance, and ill-advised thinking place both lovers in

Regarding the status updates in which he incorporates talk about adversity and about what it means to be a man, he, once again, puts himself in positions of power. Evident through his self-portrayal as a conqueror and his use of the word “man,” in image 4, he claims power on the basis of the close association between power and masculinity. Depicting himself as powerful, self-governing, and pushing past his limits, Romeo conveys the idea that, he is determined to overcome the unfavorable circumstances to which he refers to by using the word, “insanity.” Along the same lines, the use of the word, “insanity” helps him maintain an element of privacy. Accordingly, when asked what he considers to be appropriate or inappropriate publishing content, he responded that, as a man, one must keep certain matters private. That is not to say that, sharing feelings is unacceptable. On the contrary, he encourages that. What he thinks is inappropriate, is for men to share the specifics of the situation at hand, for that seems effeminate. Clearly, Romeo uses linguistic features such as, ‘manly talk’ or ‘adversity talk’ to index stances of strength and self-control. These stances hint at an even bigger picture of gender performance. Through his gender performance, Romeo controls both what he does and does not disclose and his responses to unfavorable situations. His in control masculine stances further support Ainsworth-Vaughn’s postulate, previously discussed. By claiming power, Romeo

The world is driven by two opposing forces: desire and disdain. These emotions, although counteractive, often serve as causations, creating either a hateful love or, more dominantly, a loving hate. Whether it be a passion for a physical entity or a longing for an intangible construct, love can instill a most despising hate that, when severe, can lead to violence or even death. The idea that hate is formed from love is developed in Romeo and Juliet, William Shakespeare’s most famous tragedy. The story details the feud between the ancient enemy households of the Capulets and Montagues and the product of their hate: the downfall of two eponymous star-crossed lovers, Romeo and Juliet. Through the characters’ apparent love for their kin, Shakespeare illustrates how familial affection ignites an inexplicable hate based on trivial differences and selfish desires, for which the innocent are sacrificed.

William Shakespeare’s famous play Romeo and Juliet is filled with serious decisions. The two title “star-crossed lovers,” Romeo Montague and Juliet Capulet, not only decide to get married mere days after their first meeting, but also choose to carry out a ridiculous plan to avoid an unwanted marriage and eventually kill themselves (prologue). Although such subject matter is not often found in young adult novels, the impulsivity of this behavior is a mark of Romeo and Juliet’s teenage inexperience. Their immaturity ultimately results in drastic consequences— namely, their own deaths; however, their naiveté was not a hazard for the entirety of the play. The way it affects their decisions and relationships with others changes over time, different at the start of the book before they meet than at the end, when they both finally make the monumental decision to commit suicide. Before they first encounter each other, Romeo and Juliet’s immaturity is harmless, but after their first meeting and as their relationship develops, it begins to prove dangerous.

Act 1, Scene 5 of Romeo and Juliet involves five drastically different characters, all with varying goals and personality traits: Tybalt, Lord Capulet, Romeo, Juliet, and the Nurse. Tybalt’s defining traits are his hot-headedness and hatred of peace. His temper and protectiveness lead to a desire to protect the Capulets from any Montague intrusion. His arrogance also plays a large role; by challenging someone to a fight, he can display his skills in combat. To outsiders, Lord Capulet may seem vastly different from Tybalt, seeming jovial, but within his family, he is similarly short-tempered. While he wants his guests to enjoy themselves in order to be a polite host, he also wants to avoid breaking the law against public fighting. Therefore, when Tybalt readies himself to fight Romeo, Capulet steps in and admonishes him in order to avoid tarnishing his reputation. Romeo, on the other hand, is quick to love and quick-- almost hasty- in acting. He longs for something (such as the party) to take his mind off Rosaline, but his belief in fate does not entirely allow him to do so, as he had previously believed horrible events would take place if he went to the party. This belief causes him to exit abruptly, despite having just met Juliet. Juliet herself is lonely and simultaneously standoffish and naive. She wishes to find someone she truly loves, and finds this in Romeo. Although her defensive nature makes her reject him at first, her naivety eventually leads her

Friar Lawrence plays a major role in the play “Romeo and Juliet”, and he is one of the key characters that make this play by William Shakespeare the renowned romantic tragedy that it is. In Italy during the 1400’s – 1500’s religion played a strong and influential part of society. Holy men known as Friars were therefore very trusted and respected. Anointed by God they lead a life of permanent commitment and were bound by vows of poverty, obedience, chastity and a life of prayer. The Franciscan Friar, in the play, is shown to be an expert of plants and remedies and it is this characteristic which enables him to make the beneficial comparisons between the healing and harming side of plants and herbs, a key importance to the play. The Friar’s role as friend and advisor to Romeo and Juliet highlights the conflicts between parents and their children. The centrality of the Friar’s role suggests a notable failure in parental love and this is why in their isolation Romeo and Juliet turn to the Friar for neutral advice. To begin with the Friar can’t believe how Romeo has abandoned Rosaline, his once beloved, and quickly fallen in love with Juliet. However he agrees to marry Romeo and Juliet in the hope marriage will end the feud between the Montague and Capulet households. Ironically, his intentions were never truly fulfilled because the circumstances surrounding the marriage made it almost impossible for peace to occur. Thus emphasising the Friar’s naive underestimations of fate.