William Shakespeare 's Sonnet 30

One way the poets explore the idea of love and loss is through the use of language. Christina rossetti starts her poem of with the use of the word “remember”, which evokes the sense that she will be gone and gives her lover the instructions to have her in mind when she is gone which highlights the loss that is occurring between the lovers. The use of the word “remember” creates a sense that an eternal loss is taking place between the lovers as it seems like she will become a past memory which her lover will only “remember.” the word “remember” also runs , like a refrain, throughout the sonnet through the use of repetition and seems as if the power decreases throughout the poem which portrays an image as if the voice and memory of the speaker is fading from life, further portraying the idea of loss that is occurring between the lovers.the repetition of the word “remember” also allows the reader to pay close attention to

Sonnet 30 brings to mind an image of a man reminiscing the experiences of his past. Soon after the setting shifts from silence to grief and regret for ventures never completed and desires never fulfilled. The fear of this is clearly visible in the poet’s present consciousness as he experiences and suffers an intense nostalgic pain for time he may no longer reclaim. The idea of this sonnet is expanded with the second quatrain. The poet further expands his pain reminiscing about people who had once walked in his life but never will. As he flips through memories, the pain of loss is once more relived. These sights that he refers to are friends who have given into death; and the emptiness of love makes reference to places, possessions, and events that can never be re-experienced. The third quatrain, although not contributing new content, increases the significance of the poem’s central idea. The act of remembering and recalling memories that once cause sorrow initiate the feeling to be reborn into the present rather than stay in the past. They become just as painful as they initially once were. Although the octet, first eight lines of the sonnet, develops the subject while the sestet, the last six lines, leads to a climax or in other words a solution, Shakespeare does not follow this traditional form. His first twelve lines of the sonnet introduce the poet’s

1. In the introductory clause of the sonnet, the speaker makes it clear that he envies those with “hope.” By this, the speaker means that he resents those who have a clear, bright future ahead of them, a future made possible by the qualities he goes on to describe. These qualities are friendships, skill in art, and power (lines 6-7), and the speaker makes it clear that he envies these people by explicitly stating that he desires what they have.

Shakespeare examines love in two different ways in Sonnets 116 and 130. In the first, love is treated in its most ideal form as an uncompromising force (indeed, as the greatest force in the universe); in the latter sonnet, Shakespeare treats love from a more practical aspect: it is viewed simply and realistically without ornament. Yet both sonnets are justifiable in and of themselves, for neither misrepresents love or speaks of it slightingly. Indeed, Shakespeare illustrates two qualities of love in the two sonnets: its potential and its objectivity. This paper will compare and contrast the two sonnets by Shakespeare and show how they represent two different attitudes to love.

After reading the Carlos Salgado (2013) essay about the two sonnets the areas of needed improvement is visible. Carlos’s essay is well organized, talking about Shakespeare’s “Sonnet 30” and then talking about Millay’s “Sonnet”. The order of organization provides a better impact and flow to the overall essay. Salgado talks about the main concept, “time as one filled with much sorrow and loss”, of Shakespeare’s “Sonnet 30” in the first body paragraph and then talks about Millay’s “Sonnet” in the second body paragraph. Salgado also does a good job of using quotes as evidence and backup. When describing “Sonnet 30,” the writer says, “The speaker recounts his, “remembrance of things past,” (2) saying he has, “the lack of many a thought”. Both quotes are well integrated into one sentence demonstrating that the level of support for the essay is critical. From the essay written by Carlos Salgado, it shows the absence of a well thought out layout and quoted material in Similarity and Differences in Shakespeare and Millay Sonnets.

William Shakespeare was a playwright and author in the 16th and 17th centuries, with at least 37 plays and 154 sonnets to his name. His many works span in genre and form, from the tragedy of ‘Romeo and Juliet’ to the poem of a father’s unconditional love and eventual acceptance of a loved one’s death. Through a vast variety of linguistic and structural techniques, he is able to promote, develop and explain his personal ideology of love. Evidence of this is seen through the character of ‘Romeo’ in ‘Romeo and Juliet’ and the narrative voice in a selection of sonnets.

A sonnet is a poem of fourteen lines that rhyme in a particular pattern. William Shakespeare’s sonnets were the only non-dramatic poetry that he wrote. Shakespeare used sonnets within some of his plays, but his sonnets are best known as a series of one hundred and fifty-four poems. The series of one hundred and fifty-four poems tell a story about a young aristocrat and a mysterious mistress. Many people have analyzed and contemplated about the significance of these “lovers”. After analysis of the content of both the “young man” sonnets and the “dark lady sonnets”, it is clear that the poet, Shakespeare, has a great love for the young man and only lusts after his mistress.

“the sonnet-ballad” by Gwendolyn Brooks is a Shakespearean sonnet that uses imagery to paint a picture of death/war stealing a lover’s happiness by portraying that the man is seduced away. This passage portrays that the lover cannot be happy for her significant other has been taken away by death/war. War has a negative effect on women, and the relationships with their lovers. When death takes away a woman’s lover, they must overcome sorrow and anguish of their loss.

Edna St. Vincent Millay’s “Sonnet IV” follows many of the conventions of the traditional Petrarchan sonnet. It follows the traditional rhyming scheme and octet, sestet structure. However it challenges the conventions of the typical subject of the Italian sonnet, unrequited love. In the octet at the beginning of the poem Millay uses images that give a sense of transience and in the ending sestet of the sonnet she contrasts the sense of impermanence given earlier with the idea that the speaker cannot forget the smiles and words of their ex-lover. This contrast between permanence and transience illustrates Millay’s interest in a fugacious relationship with everlasting memories. After further analysis of Millay’s highly structured rhyming scheme which puts emphasis on the last words of each line. She uses these words to further express her interest in exploring impermanent relationships by using words that are associated with an end or death.

The only true love story which William Shakespeare wrote was the epic and tragic love story, Romeo and Juliet and according to history was his first play and deserves to be acclaimed as magnificent. Within the lines of Romeo and Juliet, there is an innocent and youthful spirit coupled with hope, despair, loyalty, virtuousness and the misguided thoughts of perfection and the end resulted in death, with no true meaning due to the misguided and misdirected affections of two young lovers who ultimately were the pawns of a family feud. Whenever a tragedy occurs, it is human nature for people to know what went wrong, where lies the problem and looks to the main characters trying to find fault in why it went awry. Shakespeare is not that simple and leaves one to wonder.

Poets and authors alike evoke emotion and pictures from one single word. The imagery and thoughts put into the readers’ heads by these different writers are the base of one’s creativity and imagination while reading the author’s work of art. William Shakespeare is one of the most well-known poets of all time that is able to elicit these emotions from the reader to allow the reader to fully understand what Shakespeare is trying to accomplish with his poems. Shakespeare keeps his audience entertained with a whopping 154 sonnets, each having a different meaning and imagery associated with it. Sonnet 18, “[Shall I Compare Thee to a Summer’s Day]”, and Sonnet 55, “[Not Marble, nor the Gilded Monuments]”, are both one of Shakespeare’s most famous works. Shakespeare uses these sonnets to explore the powerful relationship between humanity, art, and time.

William Shakespeare’s Sonnet #55 is a Shakespearian sonnet. It contains three quatrains, or four line stanzas, and ends with a couplet. The poem is written in iambic pentameter William Shakespeare’s Sonnet #55 is a Shakespearian sonnet. It contains three quatrains, or four line stanzas, and ends with a couplet. The poem is written in iambic pentameter.

Shakespeare’s Sonnet 27 describes how despite the speaker’s physical exhaustion, he cannot sleep because his mind remains active with thoughts of his lover. In this sonnet, Shakespeare uses diction, imagery, and metaphor in order to express his complete devotion to his sweetheart.

Many poets through history have written about love, this essay will examine how love is presented in 2 poems.

Shakespeare, who wrote the sonnets in 1609, expresses his own feelings through his greatest work of literature. The theme of love in the poems reflect thoughts from the Renaissance period. Love is one of many components of Shakespeare’s life shown in the sonnets. Love can be defined in many ways other than a strong affection for a lover. In Shakespeare’s sonnets, the concept of love can be seen through many uncommon means such as the love of life before death in “Sonnet 73,” love in marriage in “Sonnet 116,” love through sexual desire in “Sonnet 129,” and love through nature in “Sonnet 130,” proving that love can be expressed through many different feelings and emotions.