William Shakespeare 's The Absurd Theatre

People tend to judge others based on many aspects. Sometimes they may try to force people to act upon certain rules that define their place in society. They often try to meet expectations that society has made for them based on gender and social status. William Shakespeare reinforces these ideas in his play Twelfth Night, which introduces many meaningful messages about situations that still occur in society today. He clearly develops important themes worthy of analysis. A few of these strong themes are about stereotypes and society’s expectations and rules, which he proves to be irrelevant most of the time. Many situations in the play falsify commonly held stereotypes about gender and social status by showing how they are sometimes invalid. He also shows how these stereotypes can affect the way people behave towards and judge others.

Back in Shakespeare's day theatre was different in many ways but also some parts were the same. How is it different? Well, obviously everything was cheap. Pennies for the pit seats, a few more for the galleries, and then the boxes were the most expensive which were probably not as expensive today. Another thing is, they had posters but they weren't really posters or like programs. They contained no lists of actors, and there were no programs, ushers, or tickets or any of the stuff we have today. The name was announced when you got to the actual play. Their playhouses were not sheltered. They were outside, unlike today how we have a building with a roof over our head for plays. They even had vendors walking around giving out food, like at a stadium!

Imagine watching the famous plays of William Shakespeare being performed right in front of yours eyes at the amazing Globe Theater. William Shakespeare was part owner of The Globe Theater. The famous Globe Theater was a place where outstanding plays were performed. This theater held people from all over the world to watch performances. In the article “The Elizabeth Era” states that “often the Queen would come to the Globe Theater to watch Shakespeare’s work “(Alchin). The Globe Theater has great significance to British history because of the building structure, the actors, the performances, the fire accident, and its impact on England and its people.

Neil Degrasse Tyson points out in his article “Cosmic Perspective”, first published in the Natural Magazine in 2007, that if every human were to truly comprehend how stupendous and interraled the universe is to us, our perspective on humanity would shift from a focus on our distinctions to our connections. Tyson explores through many examples of the “cosmic perspective” to prove just how closely associated we are with the universe.

“When Men are oppressed it’s a tragedy; when Women are oppressed, it’s a tradition” (Pogrebin). A tradition so universal that it has spawned a multitude of anthropological theories concerning its origin. Social anthropologist Gayle Rubin identifies “a systematic social apparatus which takes up females as raw materials and fashions domesticated women as products” and notes that “the exchange of women is a profound perception of a system in which women do not have full rights to themselves” (Rubin). This tradition represents such an ubiquitous phenomenon that the narrative women exists throughout the Western canon. Historically and in literature, the oppression of women, particularly the sexual repression, often results in symptoms viewed as

A Midsummer Night’s Dream is a masterful piece of literature that both directly and indirectly comments on the reality of control and power in Western cultures. Shakespeare’s ability to depict human nature gives us insight into how English society functioned in his lifetime, but more importantly allows us to analyze our own perspective of ourselves and the world around us. One way Shakespeare articulates his ideas is through well constructed metaphors and similies, resulting in more powerful writing. One very significant metaphor is spoken by Theseus early on in Act 1, scene 1. Egeus has brought his daughter, Hermia, to the royal court to for Theseus’s opinion on Hermia’s marriage. Egeus has arranged for Hermia to marry Demetrius, a very worthy suitor, but Hermia is truly in love with another man, Lysander. This dilemna is explained to Theseus and he states, “To you your father should be as a god;/ One that composed your beauties, yea, and one/ To whom you are but as a form in wax/ By him imprinted and within his power/ To leave the figure or disfigure it” (I.i.51-55). In summary, Theseus is defending Egeus by saying Hermia was created by Egeus and his will determines her fate. Behind this metaphor is a simple idea that proves how a desire to control can have many unintended consequences as well as negative effects. In order to understand this concept more effectively, it is crucial to analyze how influence is structured socially. The quote demonstrates

William Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerous misunderstandings that occur within the mystical woods, I argue that Shakespeare 's A Midsummer Night 's Dream portrays the characters’ young love as a foolish fantasy with drastic consequences.

In this drama study, an analysis of the racial xenophobia and anxiety of Anglo-Saxon culture in the 17th century performance of Othello at the Globe Theater. Othello, published in 1604, was performed at the Globe Theater in England, which provides a racially xenophobic cultural setting based on English class values as a basis for the play. Early 17th century England was an isolated island that interpreted privilege and class status on white racial perceptions that often demonized or subjugated people of the African race. The major source of xenophobia is directly related tor racial purity in the threat the Othello presents to audiences in the Elizabethan era. The Globe Theater was a place in which Anglicized versions of European plays with Italian motifs could be presented through the cultural framework of English xenophobia. The text-based language of the Othello exposes xenophobic views of “strangers” and "foreigners”, such as the Moor, to exemplify the fear of disrupting English racial and cultural values. This form of “cultural anxiety” is part of the early 17th century performance at the early Globe Theater, which Othello brought fourth for English audiences at the time. In essence, an analysis of the racial xenophobia of Elizabethan anxiety will be defined in the early 17th century performance of Othello at the Globe Theater.

Christopher Marlowe or De vere could have been the author of Shakespeare's carrier. There is a controversy over the existence of William Shakespeare. In the article , “Was William shakespeare just a pseudonym”. Henry James once stated “I am… haunted by the conviction that the divine William is the biggest and most successful fraud ever practice on a patient world.”. There is two sides of the controversy that William was not what he said he was. In conclusion I agree with the Oxfordians that Shakespeare was just an actor not a poet and playwright.

We all live in a separate world from one another. While we all physically inhabit the same celestial body, we dwell in a mental and emotional realm distinct to ourselves. We’re drastically separated by our individual, diverse realities; each person's world their own intricate puzzle; seldom akin, all difficulty decipherable, and all a layered mystery thats solution is seemingly unobtainable.

Shakespeare, the favorite dramatist of all time fascinates himself with the usage of the language of Elizabethan poetic drama. His plays were lived to a full appreciation and pleasure. One of his most common plays full of comedies, twelfth night published in 1623, was written with a well hatched plot where the analysis on love is brought in both comic and tragic situation. The reader will note the three very different story lines within these paragraphs. The following prognostications will outline the final act.

The play, A Midsummer Night’s Dream, involves several different couples; Theseus and Hippolyta, Lysander and Hermia, Helena and Demetrius, Titania and Bottom, and Titania and Oberon. What aspects of love are explored in each of these relationships and what point is Shakespeare trying to make about love. Shakespeare shows love in multiple ways, whether its mature, forbidden, married, spell-bound, or unrequited. By doing this Shakespeare is trying to suggest that love really is an obstacle course that turns us all into madmen.

Our group focused on a chapter from Shakespeare’s Festive Comedy, “May Games and Metamorphoses on a Midsummer Night” by Barber, C.L. From this section of the book, it gave me a new insight regarding to Shakespeare’s play The Midsummer 's Night Dream. Barber did a great job in his explanation on the romance part of the play and also on the metamorphoses part, however he was unorganized and the methods he used to explain his ideas were confusing.

Drama changed literature and theater into what it is today. I. History of Elizabethan Theater a. forming of theater 1. medieval church 2. mystery and morality b. actors 1. rogues and thieves 2. acting guilds II. Influences and people a. commanding actors 1. Shakespeare 2. Burbage b. other 1. wars of the roses (other historical influences) 2. laws restricting theater III. The theaters a. prices 1. seating 2. stage b. the theater and the globe 1. locations and characteristics 2. Burbage and other accomplishment Elizabethan Drama During the reign of Queen Elizabeth I, England underwent a dramatic change in priorities. The importance of art and literature became highly prevalent. The impact of the Elizabethan drama and

“In roughly built playhouses and cobblestone inn yards, an extraordinary development took place in England in the 1500s.” (Yancey, 8). At that time, an opportunity combined to produce literature achievement never before witnessed in the history of drama and theater. The renaissance, helped spark this movement by inspiring scientific and artistic creativity throughout the land. Models began writing dramas that portrayed life in both realistic and imaginative ways. This created work later captured the attention of the world that changed the English drama. The many aspects of Elizabethan theater helped to shape the acting and theater world forever.