William Shakespeare 's The Merchant Of Venice

Throughout the education system, there seems to be an unofficial consensus that pieces of literature that are deemed “controversial” should not be taught in school. The Merchant of Venice falls into this category due to the Anti-Semitism which exists within the play making it “controversial” therefore, banned. On the contrary, this play should not be considered controversial and it should not be banned due to the learning experiences and knowledge that can be gained by reading this play. The contrastive style of literature will provide students and teachers alike who read this play the chance to expand their horizons when it comes to their English skills. With this in mind, The Merchant of Venice written by William

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Shylock is a character famously known as being the antagonist of Shakespeare’s play merchant of Venice. In this play, Shakespeare portrayal of Shylock the moneylender is one of anti-Semitic stereotype. Shylock is depicted as a typical bloodthirsty Jew who lives a life void of any depth or meaning. His sole purpose for living seems to be to amass wealth and vengeance as seen from his adamant claim for his “pound of flesh”. Despite Shakespeare’s attempts to humanize Shylock at points in the story, it appears that his primary focus is to steer the audience against Shylock, painting him as being a cruel, bitter and inaffable figure. It is clear that in both Shakespeare’s merchant of Venice and Grace Tiffany’s Turquoise Ring, Shylock exposes

In the year of 1492, most people instantly think of the Columbus’ discovery of the New World. But in the joy of the discovery of the New World also comes the tragedy of the Old World. The Spanish Inquisition was one of the darkest periods of time in Jewish history. Christianity’s view of other religions as inferior is portrayed in many well-known pieces of literature, including one of William Shakespeare’s most famous plays, The Merchant of Venice. Towering over Shakespeare’s romantic comedy The Merchant of Venice is the tragic figure of Shylock, a man who represents the treatment of the Jewish people in his time period. Before beginning to understand Shylock, it is vital to understand the historical and dramatic influences under

Stereotypes for every different religion, ethnicity, culture, and gender exist among the minds of the human race. These typecasts have ruled this world for as long as there has been diversity among people. In Shakespeare’s comedic tragedy, The Merchant of Venice, one prejudice is very central to the theme. The play is dominantly set in Venice, one of the most liberal cities of the Renaissance era. In this place and time period, anti-Semitism is very much in force. The Jewish people are discriminated against and treated terribly by the Christians living in Venice. Shylock, a wealthy Jew, is mercilessly spurned many times by men like Antonio, a Venetian merchant. In contrast to this blind hatred is the longing and lust associated with

As many of the Venetians “[are] Christian” (MV 1.3.39), Shylock is subjected to religious discrimination because he “[is] a Jew” (3.1.54). This is significant because Shylock is forced to face a number of abuses at the Venetian elite. For this reason alone, Shylock is “spit on” (1.3.123) and “called [a] dog” (3.1.125) just because of the religious beliefs he adheres to conflicts with the beliefs of the Venetian elite. Where Shylock is constantly “laughed at” (3.1.51) and “mocked at” (3.1.51) by Antonio, a member of the accepted Venetian elite, for being a religious outsider, this indicates that the Venetians view Shylock and, by extension, the entire Jewish religion as an embodiment of the devil. As the Venetian elite believe Shylock is “an evil soul producing holy witness / Is like a villain with a smiling cheek” (1.3.97-98) that disrupts the accepted religion in Venice, this demonstrates that a religion difference is justifiable reason to discriminate Shylock. The extreme instances of unfair treatment that Shylock withstands from the Venetians because of his religious beliefs denotes him — like Othello — as an outsider in Venice. The dualities of acceptance extends only to those individuals who do not threaten the scarcity of that which the Venetian elite hold most dear to them: purity and Christianity. As Othello and Shylock both threaten these aspects, the illusion of acceptance bestowed upon them by the Venetian elite shatters and leads to the harsh discrimination and denotation as outsiders in Venice. Incidentally, where the Venetian elite believe that Othello and Shylock are outsiders for their racial and religious identities, Othello and Shylock sustain this belief by depicting themselves as the stereotypes that are associated with them,

In the play Merchant of Venice by William Shakespeare, Shylock, a jew, is an evil man with only hate, money, and revenge on his mind. Shylock is a money lender in the city of Venice during the sixteenth century. Looked down upon by society, Shylock despises most of the people of Venice, but he is an accepted part of society only because of his practice of money lending. Antonio, a merchant in Venice, allows his cousin Bassanio to take out a loan from Shylock in Antonio’s name. When Bassanio comes to Shylock to ask for a loan, Shylock contemplates about how he “hates him[Antonio] for he is Christian/ ….

By tracing back the early roles of Shylock done in the Elizabethan stage, we are able to appreciate the complexity of Shakespear’s character, Shylock, and how he has the greatest impact than any other character.

Throughout the play, Shylock, and by extension, all Jews, are presented as money hungry, conniving and cruel. Shylock “the Jew” as called by everyone( Christians) in the play is compared to that of a dog or even a demon in some instances. This characterisation dehumanises and depersonalised shylock and reduces him from a person to a category Reflecting on shakespeare's play 400 years later, this anti - Semitic theme of Christians against the Jews is still quite common. Anti - Semitism is both an age old problem and a current challenge. For centuries Jews have been accused of treacherous acts including the murder of Jesus and the ritual murder of Christian children. Shakespeare’s play, The Merchant of Venice, not only comments on the anti

The Merchant of Venice by William Shakespeare portrays Shylock as a victim throughout the play, but as he seeks revenge towards the Christians and everyone who has done him wrong, Shylock defends himself with some villainous behaviour. To a modern audience, the discrimination and suffering Shylock experiences, place him as a victim. Throughout the play, Shylock, a Jewish money lender, is perceived as a greedy and miserly man due to his Jewish culture. In Shakespeare's time, exploitation of Jews was common; particularly in Venice as it was an anti-Semitic city. However, Jews thought of themselves as victims of harassment and oppression. Shylock has been discriminated against, but nevertheless seeks revenge on people who have done him wrong which displays another side to Shylock. Therefore, Shylock is viewed as a victim and a villain, but more of a victim because of the abuse he has suffered.

William Shakespeare’s The Merchant of Venice is a perplexing story of dark humor, race, religion, identity, love, and justice. Generally, most people understand The Merchant of Venice as a comedy about a bitter and outcasted Jewish moneylender named Shylock who seeks revenge against a Christian merchant who has failed to pay his loan back. However, there are many different perspectives on whether The Merchant of Venice is a comedy or a tragedy depending on one’s views on the difference between race and religion. If one views the story as a comedy, it is a dark comedy full of many problems, especially the controversial subject matter of anti-Semitic attitudes of its Christian characters. If one views it as a tragedy, it is a tragedy that concludes with majority of its characters in a “happy ending”—that is if one agrees that Jessica’s decision of love over betraying her father and giving up her Jewish identity is indeed a happy ending.

The Merchant of Venice is one of Shakespeare’s most famous plays and has been widely and broadly discussed and studied all over the world. Many critics have discussed its themes, characters, structure, genre, and other dramatic concerns. In this paper, focus is made on the morality. In an earlier age, The Merchant of Venice was used by anti-Semitic people to support that anti-Semitism is good. Nowadays, it is much more likely to be used to say that anti-Semitism is bad. In fact it says neither; it only says that racism exists, and the more racism exists, the more hatred begets.

The Merchant of Venice was created between 1596 and 1598, it was published as a comic, romantic, tragic in 1600. The play has many struggles in it but the main ones are Bassanio's quest to marry Portia and his attempt to free Antonio from Shylock's deal. The idea that Shakespeare's representation of Shylock is unquestionably Anti-Semitic will be impacted in this essay because thought this book Shakespeare portrayed Shylock as Anti-Semitic.

Throughout William Shakespeare’s play, The Merchant of Venice, there is a strong theme of prejudice. Portia has to deal with prejudice against her sex, the Prince of Morocco has to deal with prejudice against his race but the character that is most discriminated against is Shylock. He is hated for being a Jew and a money-lender, but Shakespeare has not made Shylock a character easy to sympathise with. He appears to be mean and cruel and it seems as though he loves money above all things. However during the play there are moments when Shakespeare gives Shylock speeches which show his humanity. In these moments, the audience is made to feel sorry

The Merchant of Venice, also known as “The Jew of Venice” is a drama play originally written by William Shakespeare in 1598. The major conflict occurs when a man named Antonio (Venetian merchant) fails to pay off a loan to a greedy Jewish money loaner known as Shylock who demands a pound of flesh from Antonio in return. Antonio and his friends take a journey through friendship, love, and hatred in an attempt to free him of his pound of flesh fate induced by Shylock. Imagine yourself sitting in the master minds of directors Michael Radford and John Sichel while they are directing their adaptations of the play. Imagine experiencing their unique ideas first hand looking through their