William Shakespeare 's The Midsummer Night Dream

A flower was struck by the arrow of cupid. Consequently, a love flower was born; the nectar of this flower when applied to someone’s eyes will make them fall in love with the next living thing they see. Oberon orders Robin to apply the nectar to Demetrius’ eyes because he notices how mean he is to Helena. Unfortunately, Robin anoints the eyes of Lysander instead. When Lysander awakes, the first person he sees is Helena. Lysander claims to Helena,”Content with Hermia? No, I do repent The tedious minutes I with her have spent”(1.1.118,119). The love flower makes Lysander fall in love with Helena. The flower is a major challenge for the couple because Lysander is suddenly madly in love with Helena. Lysander and Hermia left Athens to escape the law together. Unfortunately, Lysander despises Hermia. When Hermia awakes, she does not see Lysander and begins to worry. Hermia sobs to Demetrius, “If thou hast slain Lysander in his sleep, Being o’er shoes in blood, plunge in the deep And kill me too”(1.1.49-51). Lysander is chasing Helena whom he loves because of the flower. Helena thinks Lysander is playing a practical joke. Meanwhile, Hermia believes that Demetrius kills Lysander. The quote demonstrates how much Hermia loves Lysander because it shows she would rather die than be without Lysander. The flower creates a huge complexity in Lysander and Hermia’s relationship by splitting them up and making Lysander love another

Above all the tensions created by the discussion of marriage, Lysander deliver a quotes to his love Hermia. “The course of true love never did run smooth…” (Act 1, Scene 1, line 134) is a famous quote by Lysander. In the quote he conveys to readers that love is not perfect, it also has its ups and downs and that he and Hermia are going through a tough situation. Hermia and Lysander both love each other and have made a plan to meet in a forest and then escape Athens however the problem arises when Hermia has tells Helena this and she plans to tell Demetrius about this so that he will love her and not Hermia. The King of fairies− Oberon hears all this and decides to settle the dispute between all of them. He instructs his assistant Robin Goodfellow to search for Demetrius and put the love juice on his eyelids so that he is compelled to love Helena, he informs him about the dressing style of Demetrius in "thou shalt know the man by the Athenian garments he hath on" (Act 2, Scene 1, line 263-264). However there is a problem, in the forest there are two Athenian men dressed in Athenian garments and their identities were mistaken; instead of putting the love juice on Demetrius's eyelids Robin Goodfellow put it on Lysander's eyelids. Now Lysander "loves" Helena and wants to get away from Hermia. After discovering Robin Goodfellow's mistake, Oberon tries to correct this mistake by putting the same love juice in Demetrius's so that he loves Helena eyes however

Hermia and Lysander behave irrationally throughout the whole play because they’re head over heels for each other; however, their love is oppressed by both her father Egeus and the strict Athenian law. In Act 1, Scene 1 when Egeus is at court with Hermia he uses a demanding and dominating tone to state, ‘as she is mine i may dispose of her’ This causes them to act spontaneously and irrationally and as a consequence, they run away from Athens to get married. This entertains the audience by adding more conflict and complication to the story. After they elope to the forest, magic becomes the force that turns love to a dramatic and conflict filled experience that is also entertaining. Lysander acts in irrational ways when he is put under the spell of ‘Love in Idleness’ where he states how madly he loves on Helena, and how much he hates Hermia. ‘Hang off, thou cat, thou burr! Vile thing, let loose, / or I will shake thee from me like a serpent.’ Derogatory language and repetition is used to emphasise his hate toward Hermia and orders her to leave him alone. For example, in Act 3, Scene 2, Lysander has fallen in love with Helena and tells Hermia how he hates her. ‘Out, loathed medicine! O hated potion, hence!’ Conflict between characters create comedy in the play which entertains the audience because of the dramatic irony. Lysander’s insults in the statement are repetition as it is the same meaning but in different words. This language technique emphasises that Lysander wants Hermia to leave him alone.

Love is a very common theme that is seen in literature, and love is one of the most powerful things that can be felt for someone or something. Love can drive a person to do incredible or horrible things, and we see many forms of love that take place in A Midsummer Night’s Dream. This is demonstrated in the book by many characters including Hermia and Lysander who demonstrate true love. Titania and Bottom show magical love. In the play, love is also the cause of a few broken hearts. While there is no one common definition of love that suits all of the characters, the romantic relationship in the play all leans to one simple rule laid out by Lysander, “The course of true love never did run smooth.”

Another example of Love present in the play is unrequited love. This love is presented through the characters Helena and Demetrius. Helena is deeply in love with Demetrius, but

Shakespeare uses many different themes to present love; relationships, conflict, magic, dreams and fate. Overall, he presents it as something with the ability to make us act irrationally and foolishly. Within A Midsummer Night's Dream we see many examples of how being 'in love' can cause someone to change their perspective entirely. 'The path of true love never did run smooth' is a comment made from one of the main characters, Lysander, which sums up the play's idea that lovers always face difficult hurdles on the path to happiness and will usually turn them into madmen.

Love is one of the most difficult mysteries of life. The difficulty of love is shown throughout A Midsummer Night’s Dream. In the play, the characters have to deal with jealousy that comes along with being in love. Love’s difficulty in the play comes from love being out of balance. Love being out of balance is a romantic situation where a difference gets in the way of happiness in the relationship. William Shakespeare’s A Midsummer Night’s Dream demonstrates these conflicts with a little bit of humor and buoyancy. The four young Athenians have many difficulties with love. Hermia loves Lysander and Lysander returns the feelings; Helena loves Demetrius but Demetrius loves Hermia. The two men love the same women, which leaves Hermia

To begin with, in Act 1: scene 1─in a Midsummer Night's Dream─the archetypal literary criticism lens achieves in conveying unto the audience meaning and entertainment. Such is the case in the printed text where Lysander yearns and entreats to Hermia, “If thou love me then,/ Steal forth thy father's house tomorrow night”(1.1.163-164). To which Hermia replies, “Tomorrow truly will I meet with thee”(1.1.178). The archetypal literary criticism lens demonstrates the common portrayal of star-crossed lovers that will do anything in order to be together. Even if it means to run-away from home, just as Lysander and

To provide some context, Shakespeare’s A Midsummer Night’s Dream interferes with love through the deception of fairies. When Hermia’s father insists she marry Demetrius, she runs away with Hermia and Lysander. Contrastingly, Helena chases after an uninterested Demetrius, helplessly in love. The fairies meddle with these two couples by accidentally casting a love

Love is many things, and is also used as a reference to sight and vision such as blindness. It is much more than aesthetics and wields the power of sight, and can also cause chaos and destruction. Similarly, Shakespeare utilizes two types of blindness by love; the first being physical due to a love potion a fairy king, Oberon orders upon the humans in Shakespeare’s, A Midsummers Night’s Dream. The second, being metaphorical due to Antony’s immense amount of love towards Cleopatra, in which hinders his political motivation in Shakespeare’s, Antony and Cleopatra.

William Shakespeare portrays how sometimes love changes as the circumstances change, which indicates that it could not be true love. Throughout the play, several characters change their minds about who they love. For example, when Oberon gives Titania the love potion, she immediately falls in love with Bottom, whom Robin turned into an ass. However, when Oberon gives her the antidote, she “wakes” and her eyes “loathe his visage now” (Shakespeare 4.1.77). Shakespeare puts a comedic twist on the power of “love at first sight,” relating Titania’s bout with Bottom ending as quick as it begun. Often people believe they found their true love only to discover that person is not what’s best for them. Likewise, when Lysander falls victim to the same potion, he declares: “Not Hermia, but Helena I love. Who will not change a raven for a dove?” (2.2.120). Lysander’s fatuation suddenly switches from Hermia to Helena, with his reason being that she’s better looking. Shakespeare is hinting at the fact that people are always chasing the latest and the greatest, be it goods to accessories to love partners, so when someone seemingly better comes around, people often leave whom they previously loved without warning. Additionally, when Demetrius falls under the spell, he denounces his love for Hermia, for now he loves Helena. He claims, “If e’er I loved her, all that love is gone” (3.2.173). Demetrius completely changes his stance on who he loves, and assures Helena he is hers. Shakespeare creates a picture of how people who are quick to love sound in a new relationship, and depicts how fragile their relationship is. Thus, throughout the play and through numerous examples,

Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.

Written in the ages of controlment and high standards towards women, exemplified in William Shakespeare's comedic playwright, A midsummer night’s dream, brings to life the frustration

Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.

“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love.