William Shakespeare 's The Tempest

The most recent version of The Tempest by Julie Taymor changes Prospero to “Prospera,” a female figure played by Helen Mirren. Consider both 17th-century gender issues and more recent ones in examination of the play’s discussions about virginity, marriage and femininity.

The Tempest is about an ousted Duke of Milan ,Prospero, who has been living in exile on a remote island for the past twelve years with his daughter Miranda. He is a powerful magician, who happens to be the master of Ariel and Caliban, and a guy who really likes his books. When Prospero's enemies wash up on shore, he uses his black magic to seek revenge and restore himself to power. The Tempest belongs to the genre of Elizabethan romance plays. It combines elements of tragedy with those of romantic comedy, and like one of Shakespeare's plays previously, it asks deeper questions that are not completely resolved at the end. The tone that seeps into the play is one of wonder, amazement, and admiration. Mystery is still present , but the magic performed is not black and scary. The version that seems to grasp my attention more, would have to be the Utah Valley University interpretation because it takes Shakespeare’s main purpose and tone but shows it in its own unique way. Furthermore, with its silly drunkards, the play has a certain lightness to it and even the so called killers of the King tell hilarious jokes and are lighthearted. But there is also the tone of revenge and reconciliation in the play. We feel a revenge burning in Prospero while, at the same time, a wish for forgiveness and reconciliation with those who have wronged him.

William Shakespeare’s play, The Tragedy of Othello: The Moor of Venice presents a man who is undone by his own insecurities, as well as strong female characters who lead to the downfall of the men. The character of Othello allows others to control how he feels and this leads to a tragedy that could have been prevented. The source of this tragedy comes from within himself. His character is completely wrapped up in his wife Desdemona’s character and interestingly enough, as soon as her character starts to decline from the words of Iago, so does Othello’s. Unable to stand on his own, Othello is more concerned with outwardly appearances than Desdemona. He puts more pressure on her, than he does himself in regards to his character and how he

In Césaire’s A Tempest one of the main characters, Prospero, decides to remain on the island with Caliban and live out the rest of his life there. He remains there because he thinks the island needs him to be its ruler. As time continues, we see the deterioration of his mind and body. He becomes feeble and weak. He appears to see opossums overrunning the island and he attacks them to "protect civilization". Prospero seems to be hallucinating, and because of this can be seen as a crazy old man who has reached the end of his life. However, in this paper, I will argue that the opossums and other things he experiences aren’t just hallucinations he creates from being in a weakened state, but actually the realization of what he 's done in the

Shakespeare’s plays have endured over 400 years of significant history and have played an important role in this world’s culture. His play Romeo and Juliet (1597) is especially prolific because of the substantial use of dramatic techniques used to disclose the complexities of human nature. Shakespeare has shown these complexities through the incorporation of the dramatic techniques soliloquy, dramatic Irony, foreshadowing and conflict. These techniques emphasise the complexities of human nature through the characters Romeo, Juliet and Tybalt and identifies aspects of their personalities which, otherwise, would not have been so obvious in the absence of the dramatic techniques.

Throughout Othello by William Shakespeare, Othello makes numerous poor decisions due to his jealousy. Hitting Desdemona, trusting Iago, and killing Desdemona are among a few of the poor decisions that he makes. The word jealous can be defined as feeling or showing suspicion of someone's unfaithfulness in a relationship. Othello feels suspicious of Desdemona’s and Cassio’s relationship because of the lies that Iago tells him. Many people try to tell Othello the truth but he only believes the words of Iago. Even Emilia, Iago’s wife, tells Othello that Desdemona and Cassio are not having an affair and their interaction is business only, however; he does not trust her. Without Othello’s jealousy he would not have made these horrible decisions.

In Tempest, Caliban and Prospero are of contradictory natures. Their characteristics are notably different as well as other characters have different opinions and attitudes to them. However, both of them have the same master and savior Prospero.

Shakespeare’s retirement play ‘The Tempest’ mainly focuses on the used of power; the will to control over others. Power seems to be the main theme throughout the play as it is manifested by different characters either in a good way or as the case may be, bad. The protagonist Prospero is the main character that holds majority of the power, both magical and political. Tempest, which was written in the early 1600s, shows how characters like Prospero, Antonio and even Caliban plus others exert power over the weak and the willing. The significance of the different elements of power; Political power, Magical powers and most of all, the Power of Love is examined in Shakespeare’s The Tempest.

In my opinion, Shakespeare wrote “The Tempest” to provide amusement to it’s readers/ viewers not only because of it’s characters, but it’s different types of humor and attention grabbing events. Each character in “The Tempest” holds a special place in the story line. For example, Prospero, the main character, is very sympathetic even though he was wronged many times by his brothers. He may hold great power, and punishes his enemies as he goes, but he never breaks from being the caring, sympathetic character

entertain and to teach us a lesson about man 's control over the elements and

William Shakespeare’s play Hamlet is considered a tragedy by most who read it and it is very easy to see why based on the ending and the development of the plot and rising action. To contrast that William Shakespeare’s play Twelfth Night is considered a romantic comedy based on the plot and characters involved in it. With this in mind, the characters use of love as a cause for suffering, the deceit between characters, and the mask that many wear are important elements in William Shakespeare’s plays Hamlet and Twelfth Night. In both Hamlet and Twelfth Night the characters use love as some sort of cause for suffering, though they both use that idea in different ways.

The culture of a space has a powerful influence on the people inhabiting that space, an influence that alters inhabitants to varying degrees. Through the writings of Kant, Montaigne, and Shakespeare–in particular their works What is Enlightenment?, Of Cannibals, and The Tempest, respectively–this idea of cultural influence is able to take shape. Culture is something that all people carry with them, pieces of places and people they have known and groups to which they have been a member. The natural state of people is twisted by culture until there default worldview is changed as if looking through a bias lens. All people carry with them a view of normalcy that is a product of their environments.

The Tempest by William Shakespeare was introduced during King James I’s time of power, in 1611. Although it was not then acknowledged as post-colonial work, it is evident now that post-colonial elements are present throughout the entire play. There are many events that occurred during Shakespeare’s time that are thought to be the inspiration of the play. Henry David Gray, in his essay The Sources of The Tempest said “it had been Shakespeare’s unvarying custom for many years to dramatize some story which had already been told, it is customary to suppose that he did not invent even the very slight plot about which The Tempest is built.” The discovery of Roanoke in 1584 ignited the period of colonization. Although this mission failed, Jamestown had been established in Virginia and the Sea Adventure was headed for the shores of the New World. During this trip, the Sea Adventure was shipwrecked off the coast of Bermuda. It is possible that this event had inspired Shakespeare in the writing of The Tempest.

William Shakespeare uses his plays not only to entertain the audience, but also to push the audience toward self-evaluation. The brilliance of Shakespeare is that his plays may be interpreted in different ways. The Tempest is not simply a fictional story meant to entertain the audience, but also a complete figurative narrative meant to mirror the art of the theatre. In this play each character represents a significant part in the alternate interpretation of the narrative. Examination of specific characters and their corresponding role in the theatrical world encourages a deeper understanding of self-reflexivity of The Tempest; which highlights William Shakespeare’s struggle to relinquish his art. The scenes and language used by Shakespeare

William Shakespeare's The Tempest Generally acknowledged as one of Shakespeare's final plays, 'The Tempest' may be described as a romantic tragi-comedy - where love and contentment prosper despite the threatening presence of evil forces. However, beyond the almost 'fairy-tale' like exterior lies a seemingly direct approach to a greatly topical debate at the time. This was the supposed contrast between civilised and uncivilised persons, brought to the fore as a result of recent expeditions overseas. Although pioneering voyages of discovery were not a recent commodity since the travels of Christopher Columbus, almost a century earlier, it wasn't until the early sixteen hundreds that such voyages