William Shakespeare 's ' Titus Andronicus '

Titus Andronicus is a play renowned for its bloodshed and human suffering. Shakespeare’s strategic use of diction, literary devices such as alliteration and rhyme heightens the dark ambiance. The dark and lifeless images which pervade Tamora’s monologue explores the breakdown of human goodness and familial relations and loyalty. Titus Andronicus demonstrates the dangerous force of vengeance. Furthermore, Shakespeare’s underscores the complexity of gender roles that can impede female liberties through enduring patriarchal societal values who elevates a prudent woman over the ‘wildly’ lustful woman susceptible to her sexual appetite.

In The Tragedy of Romeo and Juliet, Benvolio said, “Alas, that love, so gentle in his view,/ Should be so tyrannous and rough in proof!”(1.1.165-166) Benvolio suggests that love seems nice, peaceful, and innocent, but in reality it can be disastrous and even deadly. A world famous author and poet by the name of William Shakespeare wrote The Tragedy of Romeo and Juliet in 1597. Romeo and Juliet is known as one of the best love stories in history. There are many significant characters in The Tragedy of Romeo and Juliet: Romeo, Juliet, Benvolio, Tybalt, the Nurse to Juliet, Friar Lawrence, Mercutio, Lord Capulet, and Lady Capulet. The Tragedy of Romeo and Juliet is the heart-wrending love story of two people who want to be together (Romeo and Juliet), but they cannot because their families are rivals. In the end, the two star-crossed lovers do not live happily ever after. Instead, they both perish. Why did their lives end so tragically? Ultimately, the prideful and foolish actions of the Capulets and Montagues, Friar Laurence, Romeo, and Juliet caused their untimely deaths.

Young lovers defy their families’ long-established vendetta and jeopardize all they have to continue their relationship. The violent commotion between the two lovers, Romeo and Juliet, finally bring peace to their feuding families, with their own death. Like with many suicide cases, there are challenges and decisions being made that lead up to this decision. Often times, we question who contributed to the suicide. Regardless, others argue that Romeo and Juliet should be held accountable for their ultimate decision. Then again, there is no definite reason to assign fault to Romeo and Juliet. Not only are their brains not fully developed, but pressures from outside forces caused such stress within the relationship.

Love is like a flame, it provides you with warmth, but too much of it can also burn you. Such is the plot of the play, Romeo and Juliet by William Shakespeare. It is a tragedy about two lovers, Romeo and Juliet, who unfortunately, belong to families who bear an ancient grudge against each other. In the play, Romeo and Juliet fall in love and quickly decide to marry each other. At the end, Romeo and Juliet’s decisions cause their untimely death, but in reality, there were other people who also contributed to the lover’s death. Friar Laurence, the Nurse and Lord Capulet are responsible for the tragic deaths of Romeo and Juliet.

Love is considered one of the purest yet most complicated feelings in the world. There are different types of love, friendship love, romantic love, even sexual love. We humans have evolved over time, but the concept of love has not evolved with us. Romeo and Juliet is a tragedy written by William Shakespeare about two young passionate lovers whose deaths unite their feuding families. Although no single character deserves all of the blame for the tragic ending in the play, Friar Lawrence can be considered partially responsible because of his decision of immediately agreeing to marry Romeo and Juliet, trusting a 14-year old with a highly dangerous potion,

Dr. Alistair Brown’s article discusses humanity’s amazing ability to make violence entertaining. Dr. Brown suspect’s laughter is a defense mechanism activated when a moment is too horrific. He also believes how and why the death of a character occurs will determine the audiences emotional response. What’s most uncomfortable about Titus Andronicus is the really terrifying, brutal, and monstrous deeds done happen in real life. Dr. Brown addresses Lavinia’s rape, Chiron and Demetrius’ violent acts, Aaron’s sly self-loyalty, racism, and clashing beliefs against Taymor’s ancient/modern Rome, and believes this is a metaphor for violence and its lack of respect for time. Our responsibility as the audience is to figure out whether or not the acts

The play, The Tragedy of Julius Caesar, by William Shakespeare sets the stage for an honorable man named Marcus Brutus. His honor is characterized by several traits and actions present throughout the play. Brutus’ love to Rome proves honor by the things he sacrifices for the better of his people and country. His death resulting from guilt and the feeling of having to be with Caesar shows his modesty. In fact, his people, friends, and even enemies also perceive

Titus is a film adaption of William Shakespeare’s revenge tragedy, Titus Andronicus. Sponsored by Overseas Filmgroup and Clear Sky Productions, director Julie Taymor and produces Conchita Airoldi and Jody Allen were able to bring Shakespeare’s vision to life. The main characters Titus and Tamora were played by Anthony Hopkins and Jessica Lange. Throughout the film the audience experiences how destructive revenge can be and the effects it has. A few important quotes that applies to this film would be, “If one wishes for revenge, before you know it, a hurt as bad as the one wished for will come upon the wisher” by CLAMP and “Before you embark on a journey of revenge, dig two graves” by Confucius. The movie Titus shows that revenge is an

The play Titus Andronicus by William Shakespeare depicts the Roman Empire from a very traditional perspective within each of the characters. Shakespeare creates a visual of historical Rome that includes many blood battles, deception, courage and loyalty not just to Rome and her people, but to one 's family. By doing this, Shakespeare shows the reader that Rome was a great city of power that revolved around the idea that justice must be of an equivalent manner suitable to the crime committed by the other party. The word "Rome", both historically and in modern times, is often defined as being the perfect model for an advanced civilization, and many looked upon Rome and Romans as being "examples of excellence for architecture and political advances within a society". ("Rome", OED Online). The word "Rome" is seen frequently throughout the play and is used by almost all of the characters. It is a word that describes what Roman civilization entails and how the city of Rome can be a very dark and cruel city. The Roman characters in particular describe the two main concepts of "Rome" and "Roman" by means of traditional birth-right and traditional forms of justice. Both meanings are seen frequently amongst each Roman character. By fully understanding why particular events in the play occur and being able to see the traditional aspects of the word "Rome" among each character, it aids the reader in understanding how the play revolves around the historical context of Roman values of

In Romeo and Juliet, love is depicted in several ways. Both Luhrman and Shakespeare represent love in different ways in different contexts to both the Elizabethan era and the contemporary audience. Both the original and later manifestations of the text are valued because they both communicate to the audience on the values of love and society by employing a variety of devices.

The final demonstration of the theme is when Antony, a follower of Caesar, cleverly uses pleasant words against Brutus and the conspirators. In the scene where Antony speaks, Caesar is already dead and Antony could publicly speak only if he did not dirtied Brutus’s name or Caesar’s. He blatantly calls the conspirator honorable: “The noble Brutus/ Hath told you Caesar was ambitious. / If it were so, it was a grievous fault, / And grievously hath Caesar answered it. / Here, under leave of Brutus and the rest/ (For Brutus is an honorable man, / So are they all, all honorable men), / Come I to speak in Caesars’ funeral” (3.2. 912-13). The power of Antony’s speech and the manner her referred to his enemies was fabulous. He achieved the plebeians’ ultimate approval and will succeed in avenging Caesar’s death. He did so by using wise and well-chosen words.

As characters of high birth and important political positions, Titus and Hamlet are necessarily observed closely by those around them for their reaction to the tragic events that have taken in place in their lives; and it is primarily the unique language with which they express their grief and anger that disconcerts both their enemies and their friends, and keeps them under an exacting scrutiny for the duration of their eponymous plays. The other characters in Titus Andronicus and Hamlet interpret the language of these tragic heroes, the devices it employs, the lack of decorum it exhibits, as the symptom of madness. It is a language born out of suffering and crafted by

All the persons Shakespeare depicts in Titus are two dimensional, either good or bad. The dividing line falls between those who support Titus, the tragic warrior hero, and those on the side of Tamora, the evil Queen-empress. The former are noble and selfless, demonstrating roman pietas, while the latter are ignoble and selfish. In Jack E. Reese's essay, The Formalization of Horror in Titus Andronicus, he makes the point that Tamora and her sons' allegorical dressing-up as "Revenge, Murder, and Rapine can be viewed as a symbol of the characterization of the entire work" (Horror 79). In this scene, they are as they are, the symbol is exactly the same as the person. The only two characters who might be said to escape the dichotomy are Titus and Aaron the Moor. In Rome, Titus "sacrifices" both his son and his daughter, says Miola, "on the alter of his own personal honor" (Family 67). It is fair to say that personal honor is his concern in killing his offspring, for Mutius represents shameful filial disobedience (or mutiny) and Lavinia represents his inability to protect her and is a reminder of a shameful act done not only to her, but to her whole Andronici family too. It

In fact, the two characters in Shakespeare’s plays are very significant since their stance against the damaged honor is similar. Titus and Hamlet have their own individual moral standpoints on taking revenge in which one display emotional outbursts that is Titus and another shows maturity of thought while

There is such a considerable amount of violence in Titus, varying in intensity and degree that it might seem hard to draw any firm conclusions about its impact. One can, however, obtain the idea that the violence within the play has a far greater impact on both the audience and the on-stage characters when accompanied by a rhetoric or language that either juxtaposes or reinforces the brutality. The way in which characters react to violence, evident through their speech and imagery, can manipulate our responses to them and instil either an affinity or indifference to their personalities. Titus' first appearance in Act I Scene I is an example of this manipulation. His cold, calculating rejection of Tamora's plea for her son's life, juxtaposed with the solemn, funeral rhetoric give us the impression of a character who can flit between brutality and normality very easily, and who demonstrates little compassion when doing so.