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William Shakespeare 's Twelfth Night

Decent Essays

The very first word following the dramatis personae in the text of William Shakespeare 's comedy, Twelfth Night, or What You Will, is Music. The first thing that playgoers hear at the beginning is music. This music is being played for a duke, a powerful lord residing over the setting of all the characters. He is surrounded by other lords and his attendant, Curio. The duke, Orsino, cannot help but comment: If music be the food of love, play on, Give me excess of it that, surfeiting, The appetite may sicken and so die. That strain again, it had a dying fall. (Twelfth Night, 1.1.1-4)
The first line immediately supplies a metaphor of music being food–and not only food–but the food of love. An annotation to the text supplies the definition, cadence, for “dying fall”. We are given a musical metaphor and a musical term. Depending on context, cadence can either have relate to rhythmic flow, or certain arrangements of chords which often return to some piece of music 's original key: a ringing resolution. Music is an integral part of Shakespearean comedy, and Twelfth Night has numerous actual songs included in the play, and musical terms and metaphors are sprinkled throughout its entirety. Furthermore, I assert that characters ' interactions and personalities are reflected in the ways they either do not make, or make... music! In the next scene, Viola, a character who assumes two gender roles, is introduced. She has a musical

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