William Shakespeare 's Twelfth Night

The play “Twelfth Night” is about people who are not always what they seem. That theme can be seen in both the holiday and the play “Twelfth Night.” William Shakespeare uses different characters to help him express that theme throughout the play. The clown (Feste) is a great example of this theme.

Of course, in reality, Viola and Sebastian were being confused. The main plot of Twelfth Night revolves around the cause of such confusion resulting in disillusioned and self-deceived characters.

Throughout Shakespeare 's Twelfth Night, there are various depictions of gender identity, which causes different relations among the characters. Many of the characters fall between traditional and non-traditional in terms of their courtship rituals; this eventually leads to gender confusion. In addition, the appealing language influences the characters and their decisions.

For generations, Shakespeare’s masterpieces have remained at the peak of the ever increasing bar of literary works. A reason for this could be the inclination of everyday people to the consistent and underlying concept of romance in each of Shakespeare’s plays and related movies. For instance, one could look at the movies A Midsummer Night’s Dream and Shakespeare in Love. The latter follows the life of William Shakespeare himself, everything from his love affair with Viola de Lesseps to his creation of Romeo and Juliet. A Midsummer Night’s Dream, is one of the most famous plays of Shakespeare’s, revolving around the tumultuous relationships of four lovers, aided, and sometimes thwarted by the mischief of fairies. Although Shakespeare in Love outlines a few of the characteristics, such as the triumphs over obstacles, presence of danger, and humourous qualities that define Shakespearian romance, A Midsummer Night’s Dream provides depth into these feelings, displaying more, if not better examples of the complex type of “love” that Shakespeare portrays.

Patients with middle to later stages of Alzheimer’s often have spouses or children who are deceased. But these patients’ failing memories will often lead them to believe his/her loved ones are alive and well. When a patient continually asks a nurse to see their husband or wife, nurses will use a technique called therapeutic lying to reassure the patient by telling him/her that the personhas gone to visit a relative. Telling the person that he/she is dead only brings immense sadness, and patients who have an even shorter term memory will not remember the previous day’s events. Every day it is discovered that the loved one has died. This is extremely emotionally tolling both on the nurses and the patients and lying seems like a kinder option. A situation such as this one would be deception to gain something but is helping the person being lied to. In William Shakespeare 's Twelfth Night, one main characters, Viola, wakes up on the shores of Illyria after a shipwreck in which her brother has presumably died. She formulates a plan to work for the Duke, Orsino who is hopelessly in love with the sought-after Olivia. This causes many complications when Olivia falls in love with Viola’s male character and Viola falls in love with Orsino. people can agree that using deception for harm is unethical. However, using deception to gain something creates a controversy. Society can help determine these ethical gray areas whether through law, or behavior that society accepts. Something

The play deals with all aspects with great segments of passionate love, sharp wordplay, and natural comedy, which all indirectly help deem this play as “the greatest of all Shakespeare’s pure comedies”, by most Shakespeare critics. The play’s success,

Shakespeare’s play, “Twelfth Night” provides a great deal of insight into gender roles, gender identities, and desire in Elizabethan society. In Shakespearean times, women, and to a much lesser extent, men, were subject to a variety of arbitrary limitations based solely on gender. For example, women could not become actresses, and were practically required to have guardians and protectors. Additionally, both men and women were strictly held to separate sets of explicit standards, expectations and values. These roles that people of each gender were held to were very important to developing and maintaining interpersonal relationships. Those who violated these norms would have generally been looked down upon, or even insulted, especially by

In Twelfth Night, Shakespeare is skeptical of love which is evident when you analyze the characters of Orsino and Malvolio. Orsino experiences the constant rejection of Olivia’s love while Malvolio on the other hand is blind to the fact that he is narcissistic. Viola’s character has the most genuine love within the cast of Twelfth Night since she is willing to put her own love for Orsino aside to try and woo Olivia into loving Orsino. Shakespeare uses numerous kinds of love throughout the play which include self-love, false love, and unrequited love which helps us differentiate between what both men and woman desire from love.

In the comedy Twelfth Night written by William Shakespeare many of the characters experience emotional pain. The pain that a character name Olivia experiences is the death of her brother, causing her to mourn. Malvolio who is Olivia's steward is involved with emotional pain caused by humiliation, which occurs more than once in this play. Lastly, a great deal of characters battle with the feeling of unrequited love. Even though Shakespeare wrote this as a comedy, there was still a mass amount of emotional pain throughout.

Shakespeare finds a great way to work this special kind of love in to Twelfth Night. Throughout the play Viola is Orsino’s servant as Cesario. Viola desires marring Orsino, but he loves Olivia. Viola preforms as one of Orsino’s best servants with him even trusting her enough to deliver his messages of love to Olivia. When Orsino’s heart is broken by Olivia he finds out that Viola is a women and ask her hand in marriage. “So far beneath your soft and tender breeding, And since you called me “master” for so long, here is my hand. You shall from this time be your master’s mistress.(Crowther).” This act of love is a compensation for all that she had done for him. Viola is a loyal woman that pushed all her responsibilities aside just to accommodate Orsino. This is why Orsino would marry her because he knows how loyal she is to him and his word. “Finally given the opportunity to show her suppressed love for Orsino, Viola is able to indulge in the ultimate form of self-sacrificial love that she has embodied all along(Schalkwyk).” This quote by David Schalkwyk presents the idea to why a women would give up so much just to marry the man she loves. Even though Viola was married as a compensation she earned that compensation for her hard work and determination towards

Comedy, in the Elizabethan era, often included themes of wit, mistaken identity, love, and tragedy, all tied up with a happy ending. These themes are prevalent in William Shakespeare’s Twelfth Night, a comical play that explores the pangs of unrequited love and the confusion of gender. Love is a powerful emotion that causes suffering, happiness, and disorder throughout the play. The play also demonstrates the blurred lines of gender identity, which ties into the modern day debate on sexuality and gender identity. The main characters in the play, Viola, Olivia, and Orsino are connected by a love triangle, each person pursuing an unrequited love. Suffering from love and the fluidity of gender are the prevalent themes explored throughout the play and intertwined with Viola, Olivia, and Orsino.

Recently, I’ve been reading an intriguing play, Twelfth Night, which was written by William Shakespeare. What interests me in this play most is the fact that there are a lot of love interests. Duke Orsino is greatly attracted to a gentlewoman called Olivia. However, despite his attempts to court her, she rejects his approaches as she claims to be in a period of mourning for her dead brother which has been going on for seven years. Olivia forms a tight friendship with Viola, a woman who acts as a messenger for the Duke, and ends up falling in love with her. Viola, on the other hand, is totally awed by Orsino. The fact that Olivia is in love with Viola who is in love with the man who has been courting the former for years is quite ironical. I believe that love is what makes us be better people and the relationships between people can influence each othet and their personalities. Love, a big subject existing in this world, we can’t live without it whether it’s optimized or not.

"Twelfth Night" consists of many love triangles, but several of the characters that are twisted up within the web of affection are blind to examine that their emotions and feelings toward alternative characters are untrue. They 're being deceived by themselves and/or the others around them. There are sure instances within the play where the feeling of affection is true, and therefore the two involved concerned feel very strongly toward each other. Viola 's love for Orsino is a genuine example of true love. Though she is feigning to be a man and is just about unknown in Illyria, she hopes to win the Duke 's heart. In act 1, scene 4, Viola let 's out her true feelings for Cesario, "yet a barful strife! Whoe 'er I woo, myself would be his wife (1)." That statement becomes true once Viola reveals her true identity. Viola and Orsino had an awfully sensible friendship, and creating the switch to husband and wife was simple. Viola was wedged in another true love situation, only now she was on the receiving end, and things did not work out thus swimmingly. Throughout her tries to court Olivia for Orsino, Olivia grew to like Cesario. Viola was currently caught in an exceedingly terrible scenario and there was just one resolution, however that might jeopardize her possibilities with Orsino. It 's amazing that Olivia could fall for a lady

Far from an unfamiliar concept, love can be seen throughout time by tracing its countless strings in stories of ancient gods and goddesses to modern fairytales. As such a timeless and endless subject, society continues redefining, reanalyzing, and recasting it as humanity deciphers its many facets. The resulting interpretations appear in some of history’s greatest artworks, in forms of musical compositions, paintings, or dramas. Shakespeare explores his own view of love throughout the comedic Twelfth Night, with its many love conflicts and subplots. Set in Elizabethan times, the play contradicts the common belief of a set hierarchy that controls the universe. The hierarchy begins with God, filtering down through celestial objects, man, animals, plants, and ending at elements. Each of the four distinct levels contains a primate, a head among the group running along the border of the next rather than inside of it. These positions and the levels themselves develop from the balance of elements. The more perfectly the elements mix, the higher they are in the pecking order and the less prone they are to decay. Shakespeare, instead of depicting his characters to follow this hierarchy, allows them to break social norms of the time in the name of love. Through the quickly knotting ties between those of the love triangle, Shakespeare surmises that love surpasses any limitations.

Twelfth Night is a story that follows a woman named Viola who, shipwrecked, washes ashore and decides to disguise herself as a man named Cesario. Cesario becomes a servant to Orsino, the Duke of Illyria. Viola, disguised as Cesario, quickly falls in Love with Orsino. Orsino is preoccupied with trying to win over Olivia, the woman in which he was formerly courting. Olivia was distraught and struggling over the death of her brother. Olivia claims that she refuses to court a man for 7 years. The story takes an interesting turn when Olivia creates a Love triangle by falling in Love with Cesario, who is secretly Viola posing to be an attractive man. Meanwhile, Sebastian, Viola’s twin brother was separated from her after the shipwreck and they each think the other is dead. However, neither of them are dead, and the play takes a very