The main focus of Shakespeare’s romantic comedy The Twelfth Night is, fittingly, love. Despite the fact that the play ends in happiness, and marriage, the characters are not always this happy throughout the entire play. Love seems to be a curse in this play rather than a blessing, and it may seem that love causes more problems than it solves most of the time. All of the characters in Twelfth Night are affected by love in some way, and most of the time it is not the “right” love. For example, the main plot of the play is the love triangle between Olivia, Violet, and Duke Orsino. This love triangle causes mass chaos and confusion for the characters, mainly because of the misunderstandings. At the start of the play, Orsino is in love with Olivia, who is mourning her brother, and has no interest in the duke. In turn, Viola, who is in disguise as eunuch named Cesario is in love with Orsino. To round out the triangle, Olivia is in love with Viola, who she believes is really Cesario. The misunderstandings love causes for Orsino, Olivia, and Viola may even cause more suffering than happiness, despite the fact that the play ends in marriages. Duke Orsino opens the play with the line “If music be the food of love, play on” (act 1 line 1). Orsino believes that love is the grandest, most important thing in life, and he takes it very seriously. He describes it as an appetite he needs to sate, but can’t. Orsino is in love with Olivia, a young lady of noble birth who is mourning the
While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.
Orsino's love, however, is a courtly love. He claims to be in love with Olivia but seems rather to be in love with the idea of love and the behavior of a lover. Orsino is a Petrachan lover who chooses an object that will not return his love. Because he is not ready for commitment, he courts Olivia in a formal way. By sending his messengers to her house instead of going himself, he does not have to speak to her directly. Early in the play, Viola realises that Orsino's love for Olivia is denied and that she would also reject all men for a period of seven years. Viola believes that Orsino might not be rejected if he visited Olivia himself and says to him: "I think not so, my lord," but Orsino, not wanting to see Olivia himself and wanting to keep up the role of the disappointed lover, insists that Cesario woo her.
He is one who is supposedly love-struck from the elegant and beautiful Olivia, yet she does not feel the same way. Instead, someone else feels the same regarding Duke Orsino: Viola (Cesario). Throughout the play, it is clear Duke Orsino is all about himself, as he places himself at the center of all situations, constantly repeating personal pronouns (Me, my, I) This complicated love triangle egotist Orsino encounters with his lavish lifestyle makes him a perfect form of communication for Shakespeare to share ideas about love and marriage. Some simple themes that Shakespeare communicates are that love is indeed something that occurs first sight, as with Viola, Orsino, and Olivia, but also that it is something one must learn that they cannot control. Viola, Orsino, and Olivia all realize this to a degree, and Orsino ends up changing his love for Olivia to love for Viola (other factors contribute as
This inconsistency is embodied in the Twelfth Night when Orsino is irrational in his pursuit of beautiful Countess Olivia, yet he cedes her without regret or uncertainty. The duke then falls instantly in love with Viola, who was formerly known to him as a man named “Cesario.” Moreover, it almost seems as if Orsino enjoys the pain and suffering that comes with romance. He continues to engage himself in the quarrels of love while he states that it is an undying appetite, yet he can say that love “is so vivid and fantastical, nothing compares to it," implying that love is obsessive and bittersweet. Through this sudden change and obsession of love even through pain, Shakespeare communicates that love is something fantastic, pleasing and passionate, and our desires for these things lead our love lives to be obsessive, incoherent, excessive and unexpectedly
It stands as Olivia loves Cesario/Viola, who loves Duke Orsino who loves Olivia. Each character suffers in sorrow as they cannot have who they desire, because of status, gender or love for another.
According to The English Review, Duke Orsino has “full of devotion to an ideal of love.” He does not understand that love is not straightforward, and if you love someone, they might not love you back. Orsino loves Olivia, but Olivia loves Cesario who is really Viola. Olivia’s love is complicated. She decides to confess her love to Cesario by saying “Would thou ’dst be ruled by me!” (4.1.68). The confusing part of this encounter is that Olivia really says this to Sebastian, Viola’s twin brother, not Cesario. Olivia’s confusion is most likely not commonly found in the everyday world. However, her complex relationship shows how love is not simple. Olivia thought she loved Cesario/Viola, but in the end, she loved Sebastian. Now, Viola’s character shows the pain and complication of a silenced love. She loved Orsino the whole time she was pretending to be Cesario. She says that she would marry Orsino in the beginning of the play when she says “myself would be his wife” (1.4.46). However, she couldn’t act upon this love until her true identity could be revealed. Sounds very simple and easy does it
The word love can mean many things. Love can be an object, emotion, and a life. However, love could lead to a loss of power, prosperity, and status. In the literary work “Romeo and Juliet” written by William Shakespeare, the readers are introduced to a tragic love story. In this play, readers are also shown the different perspectives of love and the many downfalls it could lead to. The central theme of this work is the recklessness of love. The theme is significant because it is shown throughout the whole story and it’s a strong force that takes place of all the other emotions and values. In this play, Shakespeare uses characters to present different aspects of love. In addition, Nurse, Mercutio, and Romeo completely show what actual love is and what it is like to lose it due to their experiences.
Twelfth Night is a romantic comedy, and romantic love is the play’s main focus. Despite the fact that the play offers a happy ending, in which the various lovers find one another and achieve wedded bliss, Shakespeare shows that love can cause pain. Many of the characters seem to view love as a kind of curse, a feeling that attacks its victims suddenly and disruptively. Various characters claim to suffer painfully from being in love, or, rather, from the pangs of unrequited love. At one point, Orsino depicts love dolefully as an “appetite” that he wants to satisfy and cannot, at another point; he calls his desires “fell and cruel hounds”. Olivia more bluntly describes love as a
Enough no more!” (1.1.6-7). He accentuates his original metaphor by personifying music and comparing it to a breeze that carries the flowers odor with it. Until line 8, Orsino does not mention his love explicitly. Instead, he establishes the feeling of yearning by referring to symbols of love such as music and flowers. Orsino ends his long speech with, “Even in a minute, So full of shapes is fancy./ That it alone is high fantastical.” (1.1.14-15). By stating that love is a wonderful figment of imagination, Orsino reinforces the previous metaphorical and vague language he uses in the beginning of the speech. “That it [love] alone is high fantastical” (1.1.15) also shows that he is a true romantic because he is in love with the concept of love rather than the person themselves. Furthermore, he line, “…Enough no more!” (1.1.7) contradicts with the previous line, “Give me excess of it, that, surfeiting,” (1.1.4) which proves that Orsino is very dramatic in character because he constantly vacillates in his actions and desires. He is emotionally unstable at times in the play and thus acquires a dramatic behavior.
According to Merriam-Webster’s Collegiate Dictionary, love is defined as “strong affection for another arising out of kinship or personal ties; attraction based on sexual desire; affection and tenderness felt by lovers; affection based on admiration, benevolence, or common interest; or an assurance of love.” In William Shakespeare’s Twelfth Night, three different types of love are experienced: friendship love, true love, and self love. Each character experiences a different type of love, and in some cases it is not what they originally expected. The twisted, yet intriguing love story allows the reader to get lost in each characters emotions and development throughout the play. Many instances of love in the play are overwhelmed with a
Viola, one of the main protagonists, experiences suffering when she falls in love with Orsino, whom she cannot pursue or express her true feelings for. After a shipwreck, Viola finds herself stranded in the country of Illyria. In order to work for the Duke Orsino, she disguises herself as a man named Cesario, which makes romance with the duke impossible. After spending three days with him, she falls in love. Not only does she have to repress her feelings toward Orsino, but to add to her pain, Orsino assigns her to spend her time trying to persuade Lady Olivia to marry him. Viola says to the audience, “whoe’er I woo, myself would be his wife” (1.4.42), because she wishes to marry Orsino.
At first he pleads for the “excess of it, that, surfeiting” (I.i.2). For, music nourishes the soul; therefore he wants more of it. However, later in the soliloquy Orsino says that because of love, music “tis not so sweet now as it is before” (8). Shakespeare is already showing how Orsino tries to force passionate love for Olivia that it is not as sweet and fulfilling as it should be if it was genuine true love. This theme goes throughout the play and even comically plays out in Olivia’s forged love for Malvolio. Any type of false love in Twelfth Night comes to a crash landing at the end.
Twelfth Night, Or What You Will, written by Shakespeare during the Elizabethan era, centers around the convoluted and shifting nature of love. The play makes a point that the ways in which love and affection are expressed and interpreted differ amongst the different social classes. Count Orsino and Lady Olivia, representing the upper class of the nobility, demonstrate their love in grand, impersonal gestures, whereas Viola, whose status is slightly lower, does so in a selfless, more authentic manner. This stark difference in how these two classes perceive love is also seen in how quickly the feelings of Orsino and Olivia change for their love interests once someone new comes along. The nobility has little to no sense of what genuine love is, which is seen in both their frivolous displays of affection and how quickly they are able to fall for someone new.
In the play Twelfth Night, written by William Shakespeare, covers three types of love, Lust, true love and superficial. Love is one of the most confusing and most misunderstood emotions that we as humans possess. Love is an extremely diverse emotion and allows for multiple opinions on what it truly is which is why it was used as the main topic in twelfth night.
In the famous comedy Twelfth Night, Shakespeare dabbles with the phenomenon of love. This is seen through his various characters who are forced to deal with the aspects brought on by love. Characters like Cesario, who is Viola dressed as a boy. In the play the characters deal with their problems around love. The three major characters that love seems to impact more than the rest are Duke Orsino, Lady Olivia, and her servant Malvolio. Each of these characters is affected by love and each reacts differently when in love to out of love. Their reactions to love are based on their behavior, their speech, and their relations with other characters.