Shakespeare 's Twelfth Night is a critical Elizabethan-era work that explores attraction and sexuality within the relationship between Viola (as Cesario) and Duke Orsino. Her role is one of steadfast love towards Orsino; she willingly courts Olivia on his behalf as Cesario, burying her feelings for him because she cares that he is happy. There is a rigid dichotomy between Viola and Orsino’s passion; where Viola is steady, Orsino is inconsistent. Feste states directly to Orsino that his “mind is a very opal” (2.4.71) which implies he is constantly changing what he wants and is more in love with the idea of love rather than Olivia. Duke Orsino’s evolution from a typical Petrarchan lover to passionate love, through trials of gender confusion …show more content…
Orsino’s selfishness is shown through his identification of her deep love for her brother through her mourning and how he can claim “her sweet perfections with one self king” (1.1.39). Nothing is ever specifically noted about Olivia that he is passionate about other than her capacity for love, which reveals Orsino’s true intentions of loving love.
In the context of other works of the era, the Orsino found in the opening acts is a common character of the time. He woefully mopes around pining for love, without cause or action, because he feels the need to be loved. This side of Orsino sets up the development of his relationship with Viola and provides a comparison for the other couples in the play. Shakespeare used this character type as both a narrative device and a nod that the “common” plays and poems of his day missed the mark on what the true concept of love is.
Other than his unwillingness to follow through on his passions, Orsino is noble “in nature as in name” (1.2.25) which would be typically make a very attractive suitor for Olivia. These characteristics are what makes Viola fall in love at first sight when she joins his court under her alias. She is able to integrate herself immediately in the Duke’s court due to her wit and charm, much like how she gained the trust of the captain prior to her departure to Illyria. Orsino is incredibly quick to trust Cesario having “unclasp 'd to [him] the book even of [his] secret soul” (1.4.11) and sends him on
Unlike the other characters in Shakespeare's "Twelfth Night", Viola's feelings of love are genuine. She is not mistaken about Orsino's true nature and loves him for who he really is, while the other characters in the play seem to be in love with an illusion. Viola's love for Orsino does not alter during the play, nor is it transferred to another person.
The Duke has little to no patience and Feste tries to make him aware of this flaw. Feste believes that people are better off due to their enemies and worse because of their friends. He explains that a person's enemy will tell them the truth, where a person's friend will lie to them and not make them aware of a personal flaw they may have. Orsino displays his short patience through his obsession with Olivia. He sends Cesario, his messenger, to Olivia's house daily to try to win her love over. She sees his messenger so often because of Orsino's constant persistence that she ends up falling in love with Cesario and not the Duke. Feste attempts to convince Orsino to stop obsessing over Olivia and try broadening his thoughts of who he loves. Feste endeavora to help Duke Orsino, but he does not welcome the constructive criticism given to him by the clown.
Orsino provides an example of the male norms in Twelfth Night, by always showcasing his power and control. In act 2, Orsino and Viola begin to talk about love. Orsino says to Viola, “No woman’s heart /So big, to hold so much; they lack retention. /Alas, their love may be called appetite, /No motion of the liver, but the palate, [...] /But mine is all as hungry as the sea, /And can digest as much” (2.4. 105-111). Orsino is telling
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the
In Twelfth Night, the protagonist of the story, Viola, is displayed as a rational, sacrificial, sincere, strong, witty woman, who disguises herself as a man, to become a faithful attendant of Orsino. Viola is one with sacrificial and patient love, willingly loving Orsino, and attending to his every need. Orsino, on the other hand, is shown as an emotional man, who has superficial and transient love for Olivia. This love is very abruptly shifted to Viola at the end of the play, when Viola reveals her true identity. Through this contrast of these two individuals, we can see that Shakespeare makes a distinct different between genders, and allows to draw a contrast between characters to think deeper into their characters and purpose in the story, beyond their surface appearances.
Romantic desire is struggle ingrained within William Shakespeare’s Twelfth Night, strained by the nature of homosexual love. The depths of human sexuality are explored in Twelfth Night through the relationships between Duke Orsino and Viola as Cesario, Olivia and Viola, and Sebastian and Antonio. Twelfth Night represents homoerotic love in both radical and conservative ways, while furthermore questioning the boundaries of gender and disguise depicted by the relationships featured in the play. Shakespeare’s work is profound, since the play acknowledges homosexual love without punishment, and challenges if love is truly determined by gender, while also upholding
He is one who is supposedly love-struck from the elegant and beautiful Olivia, yet she does not feel the same way. Instead, someone else feels the same regarding Duke Orsino: Viola (Cesario). Throughout the play, it is clear Duke Orsino is all about himself, as he places himself at the center of all situations, constantly repeating personal pronouns (Me, my, I) This complicated love triangle egotist Orsino encounters with his lavish lifestyle makes him a perfect form of communication for Shakespeare to share ideas about love and marriage. Some simple themes that Shakespeare communicates are that love is indeed something that occurs first sight, as with Viola, Orsino, and Olivia, but also that it is something one must learn that they cannot control. Viola, Orsino, and Olivia all realize this to a degree, and Orsino ends up changing his love for Olivia to love for Viola (other factors contribute as
This inconsistency is embodied in the Twelfth Night when Orsino is irrational in his pursuit of beautiful Countess Olivia, yet he cedes her without regret or uncertainty. The duke then falls instantly in love with Viola, who was formerly known to him as a man named “Cesario.” Moreover, it almost seems as if Orsino enjoys the pain and suffering that comes with romance. He continues to engage himself in the quarrels of love while he states that it is an undying appetite, yet he can say that love “is so vivid and fantastical, nothing compares to it," implying that love is obsessive and bittersweet. Through this sudden change and obsession of love even through pain, Shakespeare communicates that love is something fantastic, pleasing and passionate, and our desires for these things lead our love lives to be obsessive, incoherent, excessive and unexpectedly
One can observe Orsino's love for Olivia as obsessive. Orsino’s first words “If music be the food of love, play on,” introduce him as a love-sick character whose mind revolves around a woman who does not return his feelings (I.i.1). Olivia constantly populates his mind and he does not cease his pursuit for her love, even after she expresses distaste towards him. Shakespeare mocks love-sick individuals for acting like fools and putting themselves through misery. After learning of Olivia’s marriage, Orsino realizes he has lost her and lashes out at Cesario. He threatens him by stating “I’ll sacrifice the lamb I do love to spite a raven’s heart within a dove”(V.i.33-34). Shakespeare uses Orsino’s love for Olivia to differentiate between good and bad love. Unrequited love can cause an individual to pursue violent actions in blind rage. Orsino shows how love is consuming, crippling, and hinders the ability to live out life.Orsino believes his love for Olivia is true, but he is actually in love with the idea of love, and believes he can only obtain it from Olivia. Shakespeare tries to inform the audiences that they could mistakenly believe they are in
Shakespeare presents Orsino as furious and irritated at Olivia’s constant refusal of his love and starts noticing how Olivia is not the perfect woman he claims she is while discreetly implying a shift of his romantic feelings for someone else (Cesario/Viola).
Despite knowing that Orsino “loves” Olivia, Viola almost immediately falls in love with Orsino. And because Viola is disguised as a man, she cannot show her true feelings for Orsino. After Orsino asks Viola to speak with Olivia and professes his love to her, Viola lets the reader know what she is truly feeling by saying “Yet a barful strife! Whoe’er I woo, myself would be his wife” (Act 1, Scene 4, Line 40). This shows that even though she is willing to help Orsino pursue Olivia, Viola ultimately wants to marry Orsino. Viola’s love for Orsino is revealed again at the end of Act 2, Scene 4. Orsino is asking Viola to try harder in the quest for Olivia and he basically says that there is no love more noble or great as his, so she must love him. Viola then proceeds to say that maybe Olivia doesn’t love him; however, there is “someone” out there that does. She says:
Comedy, in the Elizabethan era, often included themes of wit, mistaken identity, love, and tragedy, all tied up with a happy ending. These themes are prevalent in William Shakespeare’s Twelfth Night, a comical play that explores the pangs of unrequited love and the confusion of gender. Love is a powerful emotion that causes suffering, happiness, and disorder throughout the play. The play also demonstrates the blurred lines of gender identity, which ties into the modern day debate on sexuality and gender identity. The main characters in the play, Viola, Olivia, and Orsino are connected by a love triangle, each person pursuing an unrequited love. Suffering from love and the fluidity of gender are the prevalent themes explored throughout the play and intertwined with Viola, Olivia, and Orsino.
The way that Orsino poetically speaks to Cesario, gives the audience a hint that Orsino is already starting to have feelings for Cesario that would develop into more if he knew that Cesario is actually Viola.
Shakespear portrays the women as fragile, with the way they act, and the way others act towards them, Viola is seen as a very emotional woman, who is in mourning for the death of her brother in (1.2.4) "My brother he is in Elysium", but at the same time falls in love with duke Orsino as shown in (5.1.130-131) when she says: "After him I love/More than I love these eyes, more than my life,". While Viola is in love with Orsino, Olivia falls in love with Viola who, while masquerading as a man is charged with delivering massages of love to Olivia. Olivia's love becomes obvious when in (2.2.21) Olivia, desperate to spend more time with Cesario/Viola sends Malvolio to return a ring to Cesario/Viola which had never been his/hers to begin with. Viola quickly
Equity between men and women is a deeply rooted battle. As the modern culture shifts further from patriarchal rule, it is interesting to question why females remained the submissive sex for so many centuries. When examining the play Twelfth Night, it becomes apparent that Shakespeare considered such an issue and used the character Viola and her interaction with Orsino as a vessel for gender equality.