William Shakespeare's Creation of the Magical World of the Fairies in Midsummer Nights Dream I feel that the fairies are the very heart of a Midsummer Nights Dream. It is because of fairy magic that we can call some of the action a dream. Nearly everything revolves around them such as nature, humans, emotions, settings, life, death and the weather. Most of the things that happen in the play have some relation to the fairies. All the magic and fantasy that takes place mostly in the middle section of the play comes from deep in the forest, which is the fairies home. Just imagine if fairies really did have magical powers, everyone would love to have them, you could do whatever you wanted with them for …show more content…
Which has sent serious shock waves around the world causing havoc to nature itself. There are quite a few contrasts between the Natural World of the fairies and Athens. I think personally that Titania has more power over the natural world than Oberon, because of Mother Nature. She has lots of fairies that wait on her but Oberon only has Puck and isn't as well thought of and spoken of than Titania. Fairies throw themselves at her Page 2 Feet and sing her to sleep but Puck only does errands for his master Oberon. But in Athens Theseus is in charge and he is a male. Their laws are very strict, harsh and different to the laws of the Natural World. We find this out in Act 1 scene 1, where Lysander talks about I quote: " The sharp Athenian laws" Lysander and Hermia are lovers who are being torn apart by Hermia's father. Hermia's father, Egeus is set for Hermia to marry his chosen boy Demetrius. He threatens her with death if she does not obey her fathers' wishes, or she can become a nun. Hermia is distraught by her fathers' betrayal against her, but he thinks that she has betrayed him. These are all different kinds of emotions portrayed in the play. I think that the fairies have total control over all the emotions in the play. They even have control over the people of Athens. They toy with people's emotions and lives.
Throughout the play, A Midsummer Night’s dream, by the well-known playwriter, William Shakespeare, provided that the antagonist, Oberon, the King of fairies, is the root of all the problems. Despite this, we can look at the novel in a different way. To give an illustration, take the case when Oberon orders Puck to get the enchanted flower and pours its juice on Titania’s eyes, or when after overhearing on Helena and Demetrius argument, he orders Puck to pour the rest of its juice on Demetrius so he can fall in love with Helena and when Oberon realizes Puck puts the juice on the wrong person’s eyes.of this, the four lovers start to fight due to him being self-centered. Above all, in the novel Oberon is the root of all problems in A Midsummer’s Night Dream
The fairies and the fairy realm have many responsibilities in this play. The most important of which is that they are the cause of much of the conflict and comedy within this story. They represent mischievousness and pleasantry which gives the play most of its emotion and feeling. They relate to humans because they make mistakes but differ in the fact that they do not understand the human world.
Hermia’s speech in Act 2, Scene 2, of Shakespeare 's A Midsummer Night’s Dream, contains an abundance of dream imagery. She has awoken from a terrible dream after falling asleep in the forest with Lysander. They were lost and tired so they decided to rest. Lysander wanted to sleep beside her but, she refused since they are not yet married and while they slept Puck applied a love potion on Lysander’s eyes thinking he was Demetrius. Lysander wakes and is repulsed by the sight of Hermia and never wants to see her again because he is now in love with Helena. Hermia awakes from her terrible dream and retells it thinking that Lysander is nearby listening. Then she realizes that he is not there and she does not see him anywhere. Hermia expresses the sentiment that she will find Lysander or she will surely die. She stated,
In William Shakespeare’s book, A Midsummer Night’s Dream, magic is a powerful and useful tool for the characters that have the capability to use it. Some of the characters abuse the power of magic, while others are more responsible in how they use it. Oberon is one the characters that abuses the power of magic. Oberon’s magic has an immense impact on the plot of A Midsummer Night’s Dream. More specifically, Oberon’s magic affects his own life, the lives of other characters, and all the characters in the story experience his magic differently. We will see that even the person who has power to use the magic can become surprised by it. Magic, the ultimate supernatural power, is often unpredictable and inexplicable.
A Midsummer Night’s Dream is a masterful piece of literature that both directly and indirectly comments on the reality of control and power in Western cultures. Shakespeare’s ability to depict human nature gives us insight into how English society functioned in his lifetime, but more importantly allows us to analyze our own perspective of ourselves and the world around us. One way Shakespeare articulates his ideas is through well constructed metaphors and similies, resulting in more powerful writing. One very significant metaphor is spoken by Theseus early on in Act 1, scene 1. Egeus has brought his daughter, Hermia, to the royal court to for Theseus’s opinion on Hermia’s marriage. Egeus has arranged for Hermia to marry Demetrius, a very worthy suitor, but Hermia is truly in love with another man, Lysander. This dilemna is explained to Theseus and he states, “To you your father should be as a god;/ One that composed your beauties, yea, and one/ To whom you are but as a form in wax/ By him imprinted and within his power/ To leave the figure or disfigure it” (I.i.51-55). In summary, Theseus is defending Egeus by saying Hermia was created by Egeus and his will determines her fate. Behind this metaphor is a simple idea that proves how a desire to control can have many unintended consequences as well as negative effects. In order to understand this concept more effectively, it is crucial to analyze how influence is structured socially. The quote demonstrates
The strongest love that is portrayed throughout the story is Oberon, King of Fairies, and his fiance Titania. They have known each other for many years and have formed a strong bond with one another. Even
Love is many things, and is also used as a reference to sight and vision such as blindness. It is much more than aesthetics and wields the power of sight, and can also cause chaos and destruction. Similarly, Shakespeare utilizes two types of blindness by love; the first being physical due to a love potion a fairy king, Oberon orders upon the humans in Shakespeare’s, A Midsummers Night’s Dream. The second, being metaphorical due to Antony’s immense amount of love towards Cleopatra, in which hinders his political motivation in Shakespeare’s, Antony and Cleopatra.
William Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerous misunderstandings that occur within the mystical woods, I argue that Shakespeare 's A Midsummer Night 's Dream portrays the characters’ young love as a foolish fantasy with drastic consequences.
“Though she be but little, she is fierce!” With this statement, William Shakespeare’s character, Helena, depicts Hermia in the play A Midsummer Night's Dream. I, conversely, will use this statement to introduce the country of Luxembourg. The Central Intelligence Agency’s World Factbook affirms that Luxembourg is located in Western Europe and is geographically landlocked, as it is bordered by the countries France, Belgium, and Germany (The World Factbook). The Encyclopedia of the Nations states that Luxembourg is one of the smallest nations in the world with an area of 2,586 sq km, which is slightly smaller than Rhode Island- the smallest state in size of the United States of America (Encyclopedia of the Nations). The World
Shakespeare’s A Midsummer Night’s Dream can be considered an archetypal comedy due in large part to the ill-defined characters. Part of what makes this play work so well is that rather than becoming too invested in any one character’s hopes and fears or desires and struggles, the audience is simply rooting for things to work out well in general. If the audience became too attached to any one character, they might lose sight of the bigger picture in their concern over, for example, Demetrius remaining drugged at the end of the play, or the disturbing repercussions of Helena marrying a man who only a few acts earlier she had urged to “Use me but as your spaniel…” (2.i.212). The
“Audiences can gain a better understanding of ways to behave in a specific relationship through comparing past and present representations of them in texts.”
Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.
William Shakespeare's A Midsummer Night’s Dream The focus of this discussion will be upon the language and performance possibilities of this extract from the Dream[1], following brief consideration of the manner in which the extract relates to the rest of the play in terms of plot development and the reflection of certain of the play’s themes. Performance aspects are considered alongside the distinctive features of the language, as it is suggested that the nature of the language employed governs performance. Broadly speaking, it is argued that while the language of the extract lends itself to a humorous performance on more than one level, in certain respects the humour seeks to convey a serious
A Midsummer Night’s Dream is a comedic play about a complex love relationship between four lovers, Hermia, Lysander, Helena, and Demetrius. The king of fairies, Oberon orders a hobgoblin named Robin Goodfellow or “puck” to retrieve an extraordinary flower so he can put the juice into the queen of fairies, Titania’s eyes. This was an exceptional flower because when the juice is applied to a person’s eyelid, it makes them fall in love with the first creature they see. Robin obtains the flower and drops the juice onto Titania, Demetrius, and Lysander’s eyelids where they fall in love with the wrong person. Titania falls in love with a weaver named Bottom, and Demetrius and Lysander fall in love with Helena. Hermia starts to argue with Helena