William Shakespeare's Hamlet : Character Analysis Of Hamlet

The English Play writer, William Shakespeare had written many well-known pieces of work including Hamlet. Hamlet is known to be one of his most popular works. Hamlet was written in the late 16th Century about the Prince of Denmark. The original title of the work was The Tragedy of Hamlet, now it is referred to as just Hamlet. In Hamlet, William Shakespeare uses the mental state of his characters to prove that not all characters in books have to be one dimensional. Shakespeare’s writing shows that humans are complex, and can have different mental states. Characters throughout the story such as, Hamlet, Gertrude, and Ophelia show their not so stable mental state. First we will analyze Hamlet and talk about Ernest Jones’ Psycho-analytic study of Hamlet. Then we will talk about Ophelia and how the events that happened leading up to her death or suicide played a role into her mental state. Finally we will analyze Gertrude, the Queen’s role in Hamlet, and how she is a mentally weak woman and relies on the men in her life.

murder in a rash mood. It is not seen by Gertrude. It tries to urge

“To be, or not to be, that is the question,” (3.1.64). This famous line in William Shakespeare's Hamlet perfectly encapsulates Hamlet’s internal struggle throughout the play. Hamlet tells the story of the young prince of Denmark and his desire for revenge on the uncle, Claudius, who murdered his father. As is the case in many works of literature, Hamlet changes greatly throughout the play. However, because of his attempts to act insane, it can be difficult to precisely map the changes in Hamlet’s character. By carefully investigating his seven soliloquies, where he is alone and has no need to “put on an antic disposition,” one can understand and interpret how Hamlet’s character develops throughout the play.

Hamlet proves himself a temperamental, twisted character in William Shakespeare’s play, Hamlet. The Prince of Denmark conveys his facetious demeanor with his behavior and sharp tongue, especially in scenes with Ophelia and Gertrude. Although Hamlet’s situation is difficult and easily sympathized by viewers, his aggression should ultimately be focused on his murderous uncle.

The speech of Hamlet “O that this too sullied flesh would melt, … But break, my heart, for I must hold my tongue.” (1.2.129-159) is where we can see Hamlet’s sadness towards his mother, Gertrude and his uncle Claudius and feels disappointed about their decision of getting married. Hamlet is seen to be too upset after his father’s death. It’s not even a month has passed and he gets to hear another news about his mother Gertrude and uncle, Claudius getting married. In the beginning of Act 1 Scene 2, King Claudius gives a speech to his courtiers, telling them about his recent marriage to Gertrude, mother of Hamlet and his brother’s widow. Claudius says that he mourns his brother but has chosen to balance Denmark’s mourning with delight of his marriage. He also mentions in his speech that young Fortinbras has written to him, rashly demanding the surrender of the lands King Hamlet won from Fortinbras’s father, and dispatches Cornelius and Voltimand with a message for the King of Norway, Fortinbras’s elderly uncle.

“Do it or do not do it – you will regret both” (Kierkegaard 72) is a quote that echoes and expounds upon the famous “To be, or not to be” (Hamlet 3.1.56). The former quote was written by none other than Danish philosopher and poet, Søren Kierkegaard. Born in 1813, Søren Kierkegaard was well acquainted with Shakespeare’s text and often referred to it in his writings. When watching Kenneth Branagh’s unique, unabridged adaptation of Hamlet, it is apparent that Kenneth Branagh was able to capture how similar his Hamlet and Søren are in character while making his mark in cinematography history. The connection between Branagh, Shakespeare, and Kierkegaard goes beyond the setting and 19th century architecture of Branagh’s recreation of Hamlet. Through both Søren and Kenneth’s backstory, choice of esthetics, and their actions in life changing moments the story of Hamlet has proven to be a guide for both of these extraordinary men.

In Hamlet by William Shakespeare, human agency is demonstrated by the actions of Polonius and Claudius throughout the play. Human agency is defined as the extent of power to act freely in taking responsibility for one’s actions, and the degree which intervention is possible by one to assert a will. In Hamlet, Claudius exerts his agency on the characters Laertes, and Rosencrantz and Guildenstern. Similarly, Polonius restricts the freedom of his daughter, Ophelia, and constrains her agency as well, accented by the patriarchal society around the characters at this time. Through characterization and an animated setting, human agency in Hamlet entices the reader to question the extent of power that an individual can exert one’s force on a

Hamlet’s personality, while hinted at by other characters and his own actions, remains something of an enigma throughout the play. His soliloquies are necessary, therefore, to gain a fuller understanding of it. One of two main aspects of his personality revealed this way can be found in the most iconic lines of the play. Hamlet is shown to be depressed before the “to be or not to be” soliloquy, but it is this speech in which he shows the depth of his grapple with life. He contemplates killing himself outright, questioning “[w]hether ‘tis nobler in the mind to suffer [t]he slings and arrows of outrageous fortune, [o]r to take arms against a sea of troubles, [a]nd, by opposing, end them?” (Act 3, Sn. 1, ln. 58-61). This soliloquy exposes the depressed mood he has had throughout the play up to this point and shows it for what it really is. Another key point of Hamlet’s personality emphasized through soliloquy is his devout loyalty to his father, the king. When Hamlet speaks to the ghost of his father, his suspicions seem to be true: Claudius, the king’s brother, murdered the king in order to gain his crown. Upon learning this, Hamlet is initially shocked, but then flies into a rage, cursing his uncle and calling him a “smiling, damned villain” (Act 1, Sn. 5, ln. 25-112). The fact that Hamlet is willing to kill his own uncle in order to avenge his father goes great lengths to show his devotion. It is clear from this that loyalty is a crucial element of Hamlet’s character. As well as allowing the audience a much better understanding of what type of person Hamlet is, this insight into his personality gives a glimpse of his

Hamlet faces challenges throughout the play that try his inner strengths and test his ability to handle the situation. He is torn between wanting to seek justice, and avenge his father’s death. Hamlet is also caught up in an intricate web of lies and deceit, he is considered mad by most characters when in all actuality it is just playing off of the actions of others to benefit himself. He puts on different acts trying to hide the truth, which makes him seem sincerely mad to the people around him. The truth of the matter is that Hamlet can’t decide whether or not his convictions are accurate. This dilemma ultimately leads to not only the deaths of the main characters, but the downfall of the kingdom.

In Hamlet by William Shakespeare, Hamlet plays the main character of a prince who loses his father and his heir to the throne. Hamlet experiences troubling events that affect his irrational behavior. Stylistically, Hamlet’s character is both beautiful and poetic. Realistically, Hamlet may have suffered from a psychological disorder and several complexes. Hamlet is affected by Bipolar I disorder, causing him to act irritably and have an elevated mood. He is also a victim of Freud’s Oedipus complex which makes it harder for him to accept his mother’s remarriage. Hamlet’s hatred toward Ophelia and his mother is a result of his subconscious overwhelming hatred and fear of femininity. These psychological disorders and complexes that Hamlet suffers from show why he acts as he does.

The story of Hamlet is so famous, it is easy to forget that at the beginning of the play, Hamlet is unaware of the fact that his father was murdered by his uncle. Hamlet begins the play a depressed, angry young man who is barely able to conceal the fact that he despises his new stepfather for marrying his mother so soon after his beloved father's demise. However, he has no proof that his uncle did anything wrong at first. In fact, the main problem seems to be Hamlet's attitude: he is wearing black and is entirely removed from the merriment of the rest of the court. He barely acknowledges Claudius and makes an effort to go back to Wittenberg so he can study, but his mother begs him to stay. When he says: "I shall in all my best obey you, madam," he excludes Claudius from his reply, even though Gertrude begs him on behalf of 'us' (I.2).

In this essay I will be explaining where and when Hamlet talks about certain characters, to help explain how he thinks about them (ex: King Hamlet, Claudius, and Gertrude). This essay will help to explain Hamlet as well as his thought process throughout the book (story).

One of the three major themes of William Shakespeare’s Hamlet is that of the gulf between what appears to be and what something is in reality: in other words, to distinguish between what is fake & interpretation from what they truly are. There is a degree of deceit, lies, & deception cloaked by a perception of honesty within the play; we will refer to this concept as “the mask.” The theme of perception vs reality is so woodenly interlaced into the play due to the idea that most of the central characters in the play hide behind the mask to conceal their true intentions whilst struggling to learn the intentions & inner thoughts of other characters. The article “How Our Perceptions Shape Our Reality,” written by Morty Lefkoe, mentions: “We

Often, pieces of literature have been analyzed and made into a motion picture in the hopes of further developing the themes presented in the work. Though the Shakespearian play, Hamlet, has been interpreted and converted into a film numerous times by different directors, Kenneth Branagh’s adaptation particularly captured the essence of Hamlet and helped the audience truly understand the events that transpired in Act Three Scene Two of Hamlet. It is in this act, Hamlet plan to reveal King Claudius’ treachery is played out. Hamlet exposes the king through adding an extra sixteen lines to the play which depicts him killing Hamlet’s father. With the directions Hamlet gave to the actors, Hamlet is able to make the audience recognize the king’s

In the first act Hamlet seems to be in a perfectly sane state of mind