William Shakespeare's Macbeth

In Medieval times women were viewed as innocent beings who must be controlled by the men in their family; however, in Shakespeare’s Macbeth a woman is the mastermind behind the start of several horrendous deeds. Lady Macbeth was a woman with determination. When it was prophesized that Macbeth would be king, Lady Macbeth wished that her husband would immediately be at her side so she “may pour [her] spirits in [his] ear” (1. 5. 25). Lady Macbeth wanted nothing less that Macbeth to be king. In order for Macbeth to ascend to the throne, it needed to be emptied of King Duncan. Macbeth was an ambitious man but he was not evil, he would not commit murder to gain the throne; therefore, Lady Macbeth took it upon herself to see her husband crowned king. By making Lady Macbeth the mastermind behind a murder, Shakespeare disputed the typical role of women which labeled them as innocent and harmless beings.

Macbeth uses his manhood to portray his solider like qualities, but Lady Macbeth’s masculinity manipulates Macbeth’s actions, however, in the end it is Macbeth who uses his masculinity to do heinous actions.

Macbeth’s primary sin is his inability to successfully come to terms with his masculinity. When he expresses his doubts about killing Duncan, Lady Macbeth is able to convince him by challenging his manhood. “When you durst do it, then you were a man; and to be more than what you were, you would be so much more the man” (1.7.49-51). In this passage she plays on his masculine sense of ambition. Ironically, at this point she as the “feminine” character seems to be more in touch with her ambition than he is. Lady Macbeth even goes so far as to compare his willingness to kill Duncan with his ability to perform sexually. “From this time such I account thy love. Art thou afeard to be the same in thine own act and valour as thou art in desire?” (1.7.38-41). By emasculating her husband in this way she is able to manipulate him into killing Duncan as a way to prove his manhood.

In this day and age people define masculinity as a strong person with no fear and having all the power, destroying everyone who comes in the way of gaining power or taking their power away. In Macbeth, by William Shakespeare, the author develops the definition of being masculine as a strong person and also by manipulating others. To start with, in Macbeth, all the characters act masculine, but the strongest character that acts is Lady Macbeth because she is a person that manipulates her husband in many ways. Lady Macbeth embodies the ideals of masculinity because she manipulates her husband to kill the king , she is ambitious, and she thinks that she is a man.

Shakespeare characterizes Lady Macbeth as a woman full of masculine traits such as courage and ambition. She is the perfect and needed counterpart in order to push Macbeth to murder Duncan and take over the kingdom. The first trait that is shown to the reader is courage. When Lady Macbeth is planning how to convince Macbeth into murder, she describes herself as a courageous woman: "That I may pour my spirits in thine ear, / And chastise with the valor of my tongue/ All that impedes thee from the golden round" (Macbeth I. v. 26-28). In this passage, it is clear how she is full of valor and will stop at nothing to get what she wants. In fact, in Shakespearian times, being courageous was a characteristic reserved only for men since women were thought to be fearful and helpless. Even Macbeth himself recognizes this trait in his wife: "Bring forth men-children only/ For thy undaunted mettle should compose/ Nothing but males." (Macbeth I. vii. 72-74). Macbeth can see how his wife nature is too bold for that of a woman, so he thinks that she should only be the mother of men for her essence is in itself a good example of what a good man should be. This example is an undeniable proof that Lady Macbeth is a masculine woman. Another male characteristic that is given to Lady Macbeth is ambition. She is an ambitious woman and she fears that her husband will not be as motivated as she is to get the crown:

Lady Macbeth’s desire for power prompts her interest in controlling Macbeth’s actions. This theme of the relationship between gender and power is key to Lady Macbeth’s character: her husband implies that she is a masculine soul inhabiting a female body, which seems to link masculinity to ambition and violence. Although women were often expected during Shakespeare’s time to be modest, humble, and obedient, Lady Macbeth is actually one of the most explicitly and relentlessly ambitious of all the characters Shakespeare created. She is a woman who defies the stereotypes of her culture, which assumed that most women were or should be unambitious. At one point, she wishes that she were not a woman so that she could kill Duncan herself. A character

Manhood and its definition is a major theme in Shakespeare’s play Macbeth. On first appearance, Macbeth is characterized as a loyal and valiant thane in defense of the honor of Scotland and King Duncan. The brutality that he shows as a warrior on the battlefield is an acceptable and lauded trait. These attributes come into question as the witches introduce the prophecies tempting Macbeth’s vaulting ambition. After the regicide, Macbeth is damned and is no longer concerned with being honorable. He covets immediate gratification at all costs and by all means. However, this gratification is temporary due to that Macbeth later on, experiences guilt and regret which directs him towards his morbid fate and ultimate demise.

Ironically this theme is represented frequently by Lady Macbeth who expels her feminine characteristics to embrace the cruelty of murdering the king. In her soliloquy in Act 1, Scene 5, Lady Macbeth calls upon a divine force to strip her of “feminine weakness”. “The raven himself is hoarse/That croaks the fatal entrance of Duncan/Under my battlements. Come, you spirits/That tend on mortal thoughts, unsex me here, /And fill me from the crown to the toe topful/Of direst cruelty!” The use of symbolism shows that Lady Macbeth is mentally preparing herself for the killing of Duncan. She doesn’t want to be soft or sweet tempered, all qualities associated with her gender. She wants to lose these qualities so she can take up warrior-like firmness. She then goes on in her soliloquy to say “Make thick my blood” which suggests she wants to become cold hearted and numb to the pain, like the stereotypical male of the

First off, Lady Macbeth is a character very much rooted in ambition. The authors use of masculinity versus femininity furthermore portrays the extent to which Lady Macbeth will go to ensure the success of her plan to kill the King. Her hunger for masculinity is first clearly portrayed through her use of the phrase “come, you spirits that tend on mortal thoughts, unsex me here.” This quote exemplifies her willingness to give up her femininity in exchange for masculine cruelty, which would ensure her success in carrying out the murder of King Duncan. Through this quote, Lady Macbeth directly opposes the Elizabethan expectation of women to be feeble, nurturers of life. Lady Macbeth did not believe that her husband had the means to become a strong

Lady Macbeth manipulates her husband into doing all that she wants to do, that she cannot do herself. When Lady Macbeth consults with Macbeth the witches prophecies she insinuates and awakens an evil ambitious side in him. This is very strange to see as in the beginning of the play (Act 1) Macbeth is the complete opposite. Lady Macbeth does this in such a devious way that she questions her husband 's masculinity. For instance; "What beasts wasn 't then,/ that made you break this enterprise to me?/ When you durst do it,/ then you were a man,/ And to be more than what you were,/ you would be so much more the man." (1.7.53-58). This strikes Macbeth as the unthinkable because as a woman in the Elizabethan Times (1603) Lady

It is interesting to note the importance of gender in the personifications of evil in Macbeth. Lady Macbeth is as obsessed with her gender as her evil. When she implores evil to "unsex" her, to take her "woman's breasts for gall" she reveals the sense of powerlessness and weakness she feels. Being a woman makes her dependant on her husband for her social

At the very beginning of the play, Lady Macbeth is provoked by the letter she receives by Macbeth and starts plotting the murder of Duncan. She also wishes she were a man such that she could commit the murder all by herself saying so in Act 1 Scene 5, “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty” (Macbeth 1.5.36-52). She appeals to these spirits to remove all aspects of her femininity and seeks to gain power through the prophecy of the witches. Her fear about the ability of her husband to commit the murder is subdued in her designated gender. Lady Macbeth manages her feminine power through her sensuality and pretended weakness through her fainting streak at the notice of Duncan’s death. Manipulation, usually through sexuality is often depicted as the source of women’s power still Lady Macbeth uses this power of hers to commit murder, a masculine demonstration of power. Lady Macbeth in her soliloquy about the planning of Duncan’s death refers to her husband as an individual who plays honestly and does not engage in wrongdoing.

ruthless while females are seen as forgiving, so Lady Macbeth asks for masculinity allowing for

Lady Macbeth wants the spirits to “unsex [her] here” not because she wants to be transformed into a man, but rather she desires the same male characteristics as her husband which are associated with violence. Alfar claims, “If she does indeed transgress her gender to become more manly, therefore, it is because she must do so to reflect—as conduct manuals demand—the bloody desire of her husband (181).

Lady Macbeth’s burning ambition to be queen drives her to the point of insanity. She stops at nothing to gain power and uses Macbeth as the enforcer for her plans. This power is clearly illustrated as her husband follows her command to kill the king of Scotland, she constantly taunts Macbeth bringing him even further under her control. She is quite the opposite of how we generally assume feminine characters to act, and even begs the gods to remove her femininity at one point, “...Come, you spirits that tend on mortal thoughts, unsex me here...Come to my woman’s breasts, and take my milk for gall, you murd’ring ministers...” (Shakespeare 12). As Lady Macbeth expresses her desire to become unsexed, we see the link that clearly exists between masculinity and murder. She believes that since she is a woman she cannot be capable of committing such evil deeds, and her reference to her breasts which is generally linked to the idea of nurture, is called upon in reference to her desire to do quite the opposite. Lady Macbeth presents a very strong character throughout the play, and through her actions a very clear picture of a manipulative wife is painted. Though Macbeth is the one to carry out many of the deviant plans, Lady Macbeth’s role is clearly portrayed as the evil mastermind behind the murders.