William Shakespeare's Much Ado About Nothing Essay

The play Much Ado About Nothing by William Shakespeare consists of many themes which grow out of the ‘game of love'. The two main themes consist of perception and deception. Through the plot complications, character development and dramatic techniques these themes can be explored. In the play deception is shown on both good and evil sides, the game of love between Beatrice and Benedick and the Don John plot to split up Hero and Claudio. Perception is a theme used in most of Shakespeare's plays. Perceptive views by the characters help portray the game of love. Hero is perceived as dead which then Claudio is sorry and feels for her. Beatrice and Benedick's loved is clouded by each other's perceptions and arguments.

Deceit and trickery play a huge part in the play Much Ado About Nothing by William Shakespeare. Deception is a key theme in the play, it also moves the plot along. Trickery and deception is used in the love stories of couples Hero and Claudio, and Benedick and Beatrice, with opposite results. This play demonstrates two different kinds of deceit: the kind whose only purpose is to cause trouble, and the kind that is used to form a good outcome. In the relationship of Hero and Claudio, deception nearly succeeds in breaking them apart forever, while in the case of Benedick and Beatrice, it brings them closer together.

Italy, a lot of the plays written were set in Italy. This play has a

wonder if he is really interested in her or just this idea he has of

Human nature is often considered in isolation from the rest of the world as if it would be an exception or a special case. In Shakespeare’s Much Ado about Nothing, the complexities of human nature are explored in depth. This essay will explore in particular how Shakespeare dramatises the concepts of human misunderstandings, deception and dichotomy through effective dramatic techniques.

Much Ado About Nothing by William Shakespeare "Much Ado About Nothing" in fact has a great deal to say about love and marriage. What is Shakespeare trying to tell us about relationships between men and women? Compare the play's treatment of love with that in "Silas Marner" In "Much Ado About Nothing" there are many different forms of love and relationships that range from youthful infatuation to parental love. Shakespeare makes many comments about men and women and shows the audience a variety of both romantic and platonic relationships.

During the two gulling scenes, namely Act 2 Scene 3 and Act 3 Scene 1,

Shakespeare’s use of metaphors throughout “Much Ado About Nothing” helped us better understand the depth to the characters. This was especially true for the hilarious couple Beatrice and Benedict. In the beginning, it seemed as though they would never get along. However, as they continue to bicker, the reader begins to pick up on the playful- flirty nature of the bickering. Shakespeare’s use of metaphors makes this particularly apparent, and quite entertaining. We can see that Beatrice and Benedict don’t really hate each other because they say things that are mean, but are also very hinting and flirtatious.

William Shakespeare’s play Much Ado about Nothing traverses the complex social, and emotional trials and triumphs of romantic relationships; Shakespeare’s perspective on the subject is both very similar to ours today, and different. Although filled with sexual innuendos, and humorous trickery and shenanigans, Much Ado about Nothing also dives into the complexities of social anxieties, defense mechanisms to cope with the social pressures, and the emotions involved.

Much Ado About Nothing presents a picturesque love story between two characters that meet us as individuals full of hate, and leave us as an inseparable pair. These two characters are Benedick and Beatrice and act to us as sweethearts who have fallen deeply and passionately IN love in a way that we would all fantasize over- slowly, and then all at once. Their relationship in Shakespeare’s play has been presented through their matching characteristics, the way they speak and the way the language has been written to show their affection, the events that occur to push them together, other people influencing a bond, the connections between how Shakespeare has presented love in his other plays and finally the different versions of this

feelings. One of the reasons why she feels the need to make him happy lies in

One of the most intriguing characters from Shakespeare’s Much Ado About Nothing must be Beatrice. An intelligent, well-spoken (and, perhaps more interesting, outspoken) young woman, she is an almost exact opposite of her cousin, Hero. What makes Beatrice so different than what one expects of a woman during Shakespeare’s time? Why did Shakespeare decide to make her such a strong female character? It begs the question of what women were actually like in the Tudor era, and if she was really so radical a character.

Much Ado about Nothing is a romantic comedy written by William Shakespeare. Deception is a repeated theme throughout the play and it performs an essential role in the matters relating to romance. There are two couples who unwittingly are participants in the matchmaking and the match breaking schemes of others. There is Claudio of Florence and Benedick of Padua who arrive at Leonato’s house in Messina with Don Pedro, after being away in battle. Then, there is Hero, Leonato’s daughter, and heir, as well as her devoted cousin, Beatrice. In Much Ado about Nothing Shakespeare uses language and literary devices to reassure the audience that love will persevere and prevail in the end. He achieves this by juxtaposing Benedick and Beatrice with Claudio and Hero.

Within Shakespearean comedies, love remains a relentless theme. In some cases, such as Much Ado About Nothing, the characters’ fight against their feelings to provide the audience with laughter at the lover’s stubborn. Often, Shakespeare also has a character fall in love with the wrong person first, before magically rendering a character for them to fall in love with. For example, in As You Like it, Phoebe proclaims she madly loves Ganymede, but by the play’s end marries Silvius. Duke Orsino from The Twelfth Night also portrays this Shakespearean trope. At the beginning of the comedy, Orsino depicts his love for Olivia time and time again. He sings her messages of affections, sends others to sing his love when he cannot, and offers her many gifts. However, Olivia constant rejects Orsino, stating lack of interest for her behavior. Easily, one could interpret Orsino’s proclamations as a desire to be loved himself, however, it is equally as suggestable that Orsino and Olivia were simple mismatch like many other Shakespearean characters. While many critics would interpret Orsino as a self-loving bastard who simply uses Olivia for his hero worship of himself, Orsino actually represents a man in love with the wrong person, who suffers constant rejection and eventually moves on.

wit in a manner that is all too cosy. The irony is that, were it not