Essay William Shakespeare's The Merchant of Venice

Without a doubt, Shylock of Shakespeare's The Merchant of Venice has been a subject of much controversy and debate for scholars and critics worldwide. Specifically, an element of his character that has been thoroughly reviewed is the harshness with which he proposes his bond with Antonio. As contemporary readers of the pound of flesh story we are naturally mortified by the fact that Shylock would call for such barbarous terms. What many of us do not realize is that while we might feel horror about the idea of the bond, the same is not necessarily true for an Elizabethan audience. This story has been a major source of misunderstanding for many of its readers, as

Act 1 scene 7 is very important in the whole of the play because the

Shakespeare engages a modern audience through the character Shylock. Shylock in The Merchant of Venice is the antagonist of the play and is subject to sequences of misfortune, much to the delight of the Elizabethan audience. However, in a modern context we show slight feelings of sympathy towards him as a result of today’s ideologies. Upon meeting Shylock we see that his religious standing puts him in an isolated position against the Venetian society. A line is recited

There's several events that take place in act one , I had to pay close attention to what each character

William Shakespeare was a very talented man known for his various works of literature. His works include poems, plays, and sonnets. His works are then broken down into tragedies, comedies, and histories. Shakespeare left this world centuries ago, but his writings continue to live throughout the world today. He has greatly impacted the world of literature and his existence will forever be remembered.

Shakespeare’s The Merchant of Venice is so alike to our financially afflicted world. The rules of law and commerce are subject to deceptive manipulation, fear of "the other" overwhelms respect for a common humanity, duplicity is the norm, sexuality is a vehicle for ambition, and money drives and wraps almost every action. It is a classic tale that includes important details of the financial crisis in the United States during 2007-2009. Shakespeare’s Venice, like the New York of his time - and the financial capitals of ours - is a city based on borrowing, on market speculation and greed masquerading as wealth and sophistication. Behind the curtains of the practice of lending and borrowing money in Shakespeare’s play lay the transition to capitalism: the rise of banking system; the scarcity for credit in developing industrial enterprises; and the growing dispute of default facing both aristocratic landlords and, above all, small, independent early entrepreneurs on trading ventures. Even though almost 600 years apart from each other, both Shakespeare’s tale and the financial crisis in the United States during 2007-2009 have a similar financial dilemma, each has its unique Shylock, Bassanio and Antonio- people who were responsible for causing the meltdown of their days.

Stereotypes for every different religion, ethnicity, culture, and gender exist among the minds of the human race. These typecasts have ruled this world for as long as there has been diversity among people. In Shakespeare’s comedic tragedy, The Merchant of Venice, one prejudice is very central to the theme. The play is dominantly set in Venice, one of the most liberal cities of the Renaissance era. In this place and time period, anti-Semitism is very much in force. The Jewish people are discriminated against and treated terribly by the Christians living in Venice. Shylock, a wealthy Jew, is mercilessly spurned many times by men like Antonio, a Venetian merchant. In contrast to this blind hatred is the longing and lust associated with

The Merchant of Venus, is a play written by William Shakespeare and is a majority of the time remembered for its scene with Shylock and Antonio. As intricate as the play wove itself, the word that seemed to occur a majority of the time “bonds”, had multiple meanings occurring throughout the play. Oxford English Dictionary (OED) tells us that Bonds can mean the bondage of a marriage, the ways of which a thing is bound or tied down, agreement or engagement binding to him of which who makes it, and a deed, by which binds himself, his heirs, executors, or assigns to pay a certain sum of money. In this play, we see a strong connection between bonds and goods reoccurring from start to finish. The term “bond”, is

By tracing back the early roles of Shylock done in the Elizabethan stage, we are able to appreciate the complexity of Shakespear’s character, Shylock, and how he has the greatest impact than any other character.

He declares, "I'm very glad of it. I'll plague him, I'll torture him, I am glad of it." (3, 1, 115-116) At the end of Act 3, scene 1, Shylock's true motive is revealed. Shylock says, "I will have the heart of him if he forfeit, for were he out of Venice I can make what merchandise I will." (3, 1, 125-127) All these comments clearly attempt to paint Shylock as a money-worshipping murderer and not as a person.

Immediately it is clear how heartless, inhumane, unforgiving and sinister Shylock is. To place profit above the life of his daughter demonstrates how wrong Shylock's priorities are and is clear evidence of how Shylock is sinning. Shylock is more sinned against than sinning by the fact that every character in the play is against him. Shylock has no family or friends to rely upon or trust. He is constantly mocked and insulted by many characters throughout "The Merchant of Venice".

From the beginning of the play we are told of how and why Prospero is

1 scene 3 in a building in a street in Venice. The building in which

William Shakespeare's The Tempest Generally acknowledged as one of Shakespeare's final plays, 'The Tempest' may be described as a romantic tragi-comedy - where love and contentment prosper despite the threatening presence of evil forces. However, beyond the almost 'fairy-tale' like exterior lies a seemingly direct approach to a greatly topical debate at the time. This was the supposed contrast between civilised and uncivilised persons, brought to the fore as a result of recent expeditions overseas. Although pioneering voyages of discovery were not a recent commodity since the travels of Christopher Columbus, almost a century earlier, it wasn't until the early sixteen hundreds that such voyages

build up, to what is going to happen later on in the play, by Shylock