William Westerfeld Mansion

An architect’s intention on how his or her design is to be viewed can be misconstrued in a variety of different ways. For example, dissecting the compositional and formal design of a building, with or without knowledge of the architect’s actual intent, is completely up to the interpretation of the person or persons researching or viewing the design. In my own research about the compositional and formal design of the Margaret Esherick House, designed by Louis Kahn, I have come to realize, with the help of scholarly resources, the direct intention of Louis Kahn’s design; in which this paper will come to analyze and explain. While compiling research about the Esherick house, I came across a very informative book, The Houses of Louis Kahn, written by George H. Marcus and William Whitaker. The Houses of Louis

such as art and design, which drive historical change. This is evident through the structure’s various changes, which include Colonial, Georgian, and Victorian styled architecture and interior decorative designs.

The Philadelphia Centennial of 1876 is the origin starting point for a rebirth of the colonial architectural heritage of America and the early English and Dutch houses of the Atlantic seaboard. The increasing popularity of colonial influences on contemporary architecture motivated a highly publicized tour of a group of architects in 1877 who observed and recorded Georgian and Federal houses of New England. The simplicity of colonial designs and honest use of materials with more economical plans than the recently popular picturesque homes also contributed to the growing popularity of the style. Even a century after “modern” architecture was introduced, Colonial Revival motifs continue to be popular in new construction. These homes got their

Elsie de Wolfe designed during the Victorian movement, however “had adopted the 1890’s preference for Neoclassicism” (Smith, 22). Unlike the cluttered and dark interiors of an average Victorian interior, her interiors were, “in the words of one visitor, ‘[models] of simplicity’” (Smith, 20). She redecorated the once cluttered dining room of her apartment in the

Previously, metals weren’t in sufficient quantities and in consistent enough quality. This meant that buildings were limited to materials found in nature, such as stone, clay, timber, limestone, and concrete. However, not only did the Industrial Revolution change the world, but it also changed architecture. During this century, the worldwide production of iron was 825,000 tons, and by 1900, it rose up to nearly 50 times more. The most commonly used form of iron was steel, which was not only stronger and versatile, but was also tensile and had compressive strength greater than any other material previously used before. Although steel allowed architects to design much taller buildings with a lot more interior space, there was one major flaw that prevented architects from doing so.

Architecture has always been an integral part of society and its culture. It not only defines the space of the community that it participates in but it also shapes the community’s place in history. During the 19th century, Gothic Revival became a rapidly growing architectural movement. The Gothic Revival styles sought to revive medieval Gothic architecture, in contrast to the neoclassical styles prevalent at the time. A new group of architects began popularizing picturesque styles and started taking inspiration from nature. A style was built more honestly using natures own colors and materials, blending the architecture harmoniously into its surrounding. The Lyndhurst Mansion designed in 1838 by Alexander Jackson Davis (1803-1892) and The Rose Hill Plantation House built in 1860 by Edward Brickell White (1806-1882) are two examples that embody the picturesque Gothic Revival.

The structure was built in 1950 and is known as Stillman House I. The design of the house brought together the mix of modern style and Colonial Revival, the house is considered to be mid-century modern style while it was built in a town that is primarily used to Colonial Revival style. The house contains an outdoor swimming pool with a mural painted by Breuer’s friend, Alexander Calder. The Stillman sold this house, the original, when they moved into the second home that Breuer built for them, called Stillman II, and then decided to purchase it back and continue to reside there. Breuer built two other houses for them, along with this one, however, Stillman I seemed to be the favorite of all three.

There have been many different styles of interior design over the past including types of architecture, patterns, colour choices and shapes of the past. Starting in 1152 we see Gothic style with rich dark colours, a sense of luxurious grandeur including characteristics such as stained glass windows, ornate fireplaces and intricate detailing. (pic 1)

The shoddy trendy interior decoration style wased initially created roughly Twenty Years earlier, yet it still continues to be popular today. As formerly pointed out, this design is economical and very simple to deal with. This indicates that you will certainly have the ability to find and acquire older and/or older-looking furnishings pieces and devices at terrific rates. In addition, you might likewise opt to buy modern-day furnishings pieces if you wish to carry out a shoddy stylish design transformation

You could include geometric, round, curved contour lighting with contrasting shades. And if you want to stay true to the mid century color palette you should use one of the many different colors from that era, which consisted mainly of the teal, aqua and turquoise blues, auburns, pinks, pale and avocado greens, just to name a few. Additionally, no mid century modern home would be complete without a turquoise retro sunburst clock or a decorative retro sunburst

The panel portrays an expansive property with a 2-story southern-style mansion at the center. A pathway lined with huge trees and Spanish moss leads up to the white building. The entire property is carpeted by green grass, while a tall, verdant hedge acts as a wall behind the mansion.

The hall to my memory looked the same as it did when I last visited. A Georgian Mansion pleasantly situated on a plot of rising ground and standing in a park of some five hundred acres. I stop to admire the architectural style of the hall- stalling from my preposterous errand. Of a style too bare and unadorned for present taste, it makes an impressive over-plain effect when seen from the S.W.

The interiors were elaborately decorated, with specially designed furniture and fittings; the designs include extensive use of symbolism drawing on classical and legendary themes. Joseph Mordaunt Crook wrote that the castle represented "the learned dream world of a great patron and his favourite architect, recreating from a heap of rubble a fairy-tale castle which seems almost to have materialised from the margins of a medieval

Beaux Arts style emphasized the classical forms and features by showing elaborate details while having heavy masonry, and massive plans. The Beaux Arts displayed elaborate details by integrating sculpture that was influenced by the Baroque and Rococo styles. It also had classical details such as pilasters, balustrades, and garlands. It was highly ornamented to the point that an elaborately decorated surface with little areas left unornamented became the hallmark for the Beaux Arts style (Architectural style of America, n.d.). Also, the Beaux Arts style is symmetrical because it was influenced by the ancient Greek revival. Columns, arches, vaults, and domes were all elements of the Beaux Arts. They used all of these elements and characteristics to try and imitate the European Aristocracy houses.

The Palace of Versailles, a great architecture feat that took 36,000 workers and 20 years to complete. A testament to Louis XIV power an ambition it shows the height of French baroque principles. As such, it should be noted that Louis XIV did establish the French classical baroque style that we see today. within the palace. As you first reach the palace, you will see the grandeur and the grandiose scale of the place. It is designed from outside to be shown as a place of higher superiority and class. But as you step inside you will see the elegance of the interior. With the interior. as the one shown in the place of Versailles, the elegant interior is shown to be one of the major important things to classify an architecture as baroque. Also,