William Wordsworth And Samuel Taylor Coleridge

While both poets Muir and Wordsworth wrote about the happy feelings that they have towards nature the beautiful outdoors or what some people may say Mother Nature, some of which the feelings are the same and some that are different as they speak of the different plants.

John Muir and William Wordsworth are great examples of this theory. Throughout their stories, both men give great insight to how the harmony of nature impacts their lives in a way that can make them forget about all the sorrow and depression they have following behind them; Wordsworth and Muir’s stories include syntax and diction to verbalize their passionate relationship towards nature. William Wordsworth’s poem, “I Wandered Lonely as a Cloud” excellently shows how the power of beauty can changes one's once depressed, sad day into joy and blissfulness. In Wordsworth's story, he exploits his experience of how nature changed his mood of depression and sorrow to grateful and glee when he stumbles across a bed of beautiful golden daffodils dancing in the breeze. Wordsworth writes: “A poet could not be but gay, in such a jocund company” (stanza 3). In this passage, Wordsworth shows his change of heart when in the presence of something so beautiful and alluring. Wordsworth also shows how nature impacts his mood from the quote: “They flash upon the inward eye, and my heart with pleasure fills” (stanza 4). In this final quote, Wordsworth explains that even when he is apart from the beautiful golden daffodils, it is the memory that keeps his spirits alive. While Wordsworth's experience with nature

Nature has always had a role in providing for humanity. However, what does it provide for humanity? The poems that Christopher Marlowe, Sir Walter Raleigh, and William Williams present touches upon the topic of this. To help support their perspective on how nature provides for humanity, and what it provides, the three of them use both imagery and structure to go into detail as to why their perspective is so.

A common theme in the American Renaissance is breaking free from the intellectual traditions of the past. This is effectively expressed by Edgar Allan Poe and Nathaniel Hawthorne despite differences in their writing style through the stories of The Raven and The Scarlet Letter respectively.

While analyzing the poems of Robert Frost, Langston Hughes, and Rudyard Kipling, I saw many similarities that consisted amongst the three poems. Therefore, the poems had distinctive themes, writing styles, and many rhetorical devices that were shown and identified while reading the poems. As I was reading the first poem "The Road Not Taken", by Robert Frost first thing noticable by reading the poem was that the theme that I saw it to be was about making choices and taking advantage of them when you have them. Taking a look at the writing style that Robert Frost had used was free verse, he doesn't had a specific rhyme scheme that most other writers use but then uses natural speech that is then seen in the poem. Taking a look at what rhetorical

Nature has an undefinable meaning as the theme is utilised in literature, and it has been a topic of reflection within the Romanticists since the beginning of the era. Romanticism and nature and inextricably linked ideas. Poets; Emily Dickinson and Walt Whitman wrote during the romantic era, and both drew heavily from aspects of nature in their work. Nature can be paralleled against several things, including humanity and the idea of life and death. The contrast between the natural world and the artificial world, and what this means for society, is also strongly eluded to in Dickinson and Whitman’s poems. Each poet uses nature as the backbone to their poetry in several instances. Dickinson’s, “Hope is the Thing with Feathers”, (Dickinson, 19) and “My Life Has Stood A Loaded Gun”, (Dickinson, 69) are strong examples of this. Whitman’s, “Song of Myself”, (Whitman, 29) and, “When Lilacs Last in the Dooryard Bloom’d”, (Whitman, 255) are also poems that show the connection between nature and romanticism. Poets, Dickinson and Whitman engage with romanticism in a creative and constructive manner through the utilisation of the natural world.

Human nature is something that never seems to change. While humans all seem to be different from one another through physical and emotional attributes, their psychological behaviors are all mostly very similar. In the late 18th century and early 19th century, many authors successfully could explain the characteristics of human nature and the effects that it has on everyone and everything surrounding human beings. Ralph Waldo Emerson, Nathaniel Hawthorne, and Edgar Allen Poe all convey the behavior of human nature in separate ways. These three authors show the curiosity, drive for perfection, and fear of human nature throughout their texts in detail. With these characteristics being prominent in human nature itself, it

Coleridge’s ‘This Lime Tree Bower My Prison’, is a poem describing a man’s changing views as he contemplates the natural word which he has been prevented from seeing. Coleridge’s poem demonstrates the ability of individuals to modify their morals and values upon receiving a cathartic release from their relationship with nature, as predicated almost entirely on the imagination. Through allowing the persona to visualise the encounters his friends are making with nature along their journey, Coleridge first demonstrates the capabilities of the imagination in allowing us to picture things in certain detail, as shown through “now my friends emerge,” which in all exemplifies the presence of imagination in our relationship with nature. Furthermore, the description of their journey demonstrates the liberation received from engaging with nature, as shown where they “wander in gladness,” which relates to the cathartic release obtained from viewing nature that pushes us to reassess our ideas and perceptions. By showing his gradual change in tone, the influence of the persona’s imagination is shown, which when in conjunction with his exclamation of “yes!” reveals our emotional capabilities if becoming engulfed in our imaginations of nature. Also, by choosing to allow the persona to speak in a melodramatic tone, the poet is able to again explicitly demonstrate his

During the Romantic period, which began in the late 18th Century, and ended in the early 20th century, there were many political changes, such as the French Revolution, the Napoleonic Wars, repression and reform, pre-industrial economic changes. There were also many changes throughout literature and culture during this time. Poetry during this time often had strong themes of nature, internalization, subjectivity, and imagination. Three highly influential poets who were also often characterized as poets of the Imagination are William Wordsworth, Samuel Taylor Coleridge, and William Blake. Imagination is important to romantic poets because it was used as a healing tool for the writers’ troubles, using reason and emotion to relate to and participate in the world around them.

Qualities of "reality," the divine, or divinities may be reflected in nature in Romanticism and we can sense God or the gods through our sensing of nature.While in Neo_classicism there is a concern for "nature"--or the way things are (and should be). This relates back to the distrust of innovation and inherent conservatism of neoclassicism. The artistic rules of old, for instance, Pope describes as having been "discovered, not devised" and are "Nature methodized"; so too, "Nature and Homer" are "the same" (Essay on Criticism 88ff., 135). This belief in "nature" implies a conviction that there is a permanent, universal way things are (and should be), which obviously entails fundamental political and ethical commitments. The focus on natural feeling over conventional rules led to an emphasis on the self over the earlier neoclassical emphasis on society. The individual becomes the source of wisdom and morality, displacing the received set of rules and norms given by society. As a result, emphasis is paced on understanding the individual's subjective state, especially as it relates to the outside world. Works ranging from Rousseau's Confessions and Reveries of a Solitary Walker to Wordsworth's Prelude, Coleridge's «conversation» poems, «Dejection», «Frost at Midnight», «Lime Tree Beauty» are examples of the romantic exploration

“In Tintern Abbey, Wordsworth fears the loss of his genial spirit and seems to be worried about his poetic ability. Similarly, Coleridge, in Dejection, admits that his poetic originality is at stake” (Magnuson 15). In the forth stanza, Wordsworth writes, “Nor perchance / If I were not thus taught, should I the more / Suffer my genial spirits to decay” (113-115). Likewise, Coleridge, in the third stanza, writes, “My genial spirits fail” (39). Actually, both Coleridge and Wordsworth admit that they have been facing problems with nature. In the beginning of the third stanza, one can feel the sad tone of Wordsworth’s poem. The poet tells us how he lost part of his feelings toward nature. His ideas become “dim” and “faint.” He writes, “And now with gleams of half extinguished thought, / With many recognitions dim and faint, / And somewhat of a sad perplexity” (59-61). He cannot feel nature the same way he used to do as a child. Describing the way he was as a child, the poet says, “I cannot paint / What I was then” (76-77). Similarly, Coleridge asserts that he used to view nature differently as a child. In the beginning of the sixth stanza, he says, “There was a time when, though my path was rough, / This joy within me dallied with distress, / And all misfortunes were but the stuff”

It can be said that all fiction is autobiographical in that no matter how different from the author’s life experience it may be, marks of their life can be found in any of their works and characters. One such example is Ernest Hemingway’s A Farewell to Arms, which is largely based on Hemingway’s own personal life experiences. Frederick Henry, the main character in the story, experiences many of the same situations that Hemingway lived out in his own life. Some of events and situations are exact, while others are less similar, and some have a completely different outcome all together.

Romanticism, a literary movement that swept through much of Europe as well as many other countries throughout the world, carried a spirit, which in itself was a revolt against an established order of things- precise rules, laws, and dogmas. It praised imagination over reason, emotions over logic, and intuition over science, making way for a vast body of literature of great sensibility and passion. Samuel Taylor Coleridge was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. One of his phenomenal works is “Frost at Midnight,” which captivates a father’s love for his son and his understanding of Nature as an essential part of one life. J.M.W. Turner’s artwork, “The Burning of the Houses of Parliament, 1835,” drew many connections to Coleridge’s poetry, as both were highly symbolic of Nature, while following the other tenants of Romanticism. While Turner’s artwork and Coleridge’s poetry are quite different from one another, the different tenants of Romanticism, including Nature and the Development of the Individual, the beauty of Nature and the value of hidden concern and affection all help bring the two pieces together.

Robert Frost’s nature poetry occupies a significant place in the poetic arts; however, it is likely Frost’s use of nature is the most misunderstood aspect of his poetry. While nature is always present in Frost’s writing, it is primarily used in a “pastoral sense” (Lynen 1). This makes sense as Frost did consider himself to be a shepherd.

Katherine Anne Porter, Ernest Hemingway, and Robert Frost were only some of the author’s that reflected the modern era in their literary work.Change , rebelliouness, fresh, current, etc., are words that could be used to describe the Modern Era. The Modern Era Consist of many changes, changes the revolutionized the world. The lost generation is an example of a change that occured the Modern Era. The lost generation basically was a grouo of writer’s that served in the war that felt alienated. The Lost Generation questioned the “American Dream” after seeing the conditions of work places. This was a change because before this time rarely ever did anyone ever question the American Dream or even the way of American living. Another, change that took place in the Modern Era was Jazz Age. The Jazz Age was a tim when the younger generation started questioning a lot of things. The younger and older generation also started conflicting with each other because they were acting out, being more “new school”/ modern rather than old school. Change especialy took off during this time with Flappers, who started to be more rebellious withe there clothes, hair, etc.; Speakeaises, underground clubs that served alcohol during the Prohibtion which was the banning of alcohol; and Music, such as Jazz;afterall, it was called the Jazz Age. The biggest change was in the NYC. The literaary scene in NYC changed dramatically, because of the rebelliousness. The literary scene started to becom more hippie