William Wordsworth's Lines Composed A Few Miles Above Tintern Abbey

While both poets Muir and Wordsworth wrote about the happy feelings that they have towards nature the beautiful outdoors or what some people may say Mother Nature, some of which the feelings are the same and some that are different as they speak of the different plants.

Albert Einstein spoke of nature and its value when he said, “Look deep into nature, and then you will understand everything better.” As Einstein pointed out, by looking into nature you could discover something new about yourself and the world around you. John Muir and William Wordsworth both discovered joy when they looked deep into nature. This joy gave them a new perspective on nature and life and they each expressed this joy through different works of writing. Both authors have a unique outlook on nature and its impact as well as different thoughts on how to share their relationships; Muir used diction and connotation to show his relationship in his essay “The Calypso Borealis” where Wordsworth used tone and syntax in his poem “I Wandered Lonely as a Cloud”.

In John Muir’s essay “The Calypso Borealis” he shows his love for flowers when he said “it seems so wonderful that so frail and lovely a plant has much power over human hearts.” William Wordsworth also shows his love towards nature when he wrote his poem “I Wandered Lonely as a Cloud,” he shows the joy he finds in nature when he said “ten thousand saw I at a glance, tossing their heads in a sprightly dance.” Both John Muir and William Wordsworth find happiness and joy in nature, but express it in different way. Muir and Wordsworth had to go through the worst to discover the beauty of nature. Throughout both John Muir and William Wordsworth exciting adventure, they experienced two totally different aspects with nature.

Unlike society, Wordsworth does not see nature as a commodity. The verse "Little we see in Nature that is ours" (3), shows that coexisting is the relationship envisioned. This relationship appears to be at the mercy of mankind because of the vulnerable way nature is described. The verse "This Sea that bares her bosom to the moon" (5), gives the vision of a woman exposed to the heavens. In addition, the phrase "sleeping flowers"(7) might also describe how nature is being overrun unknowingly.

Throughout “I Wandered Lonely as a Cloud” William Wordsworth shows his relationship with nature through his choice of diction, fantastic descriptions, and shifting mood of his poem. There are also many words and phrases that Wordsworth included into his poem that shows how he feels about nature. These phrases are well written, extremely descriptive, and show how Wordsworth is influenced by the wild: “I wandered lonely as a cloud”, “When all at once I saw a crowd, a host, of golden daffodils", “Continuous as the stars that shine and twinkle on the milky way, they stretched in never-ending line along the margin of a bay: ten thousand saw I at a glance, tossing their heads in sprightly dance”, “The waves beside them danced; but they out-did the sparkling waves in glee”, “I gazed—and gazed—but little thought what wealth the show to me had brought”, and “For oft, when on my couch I lie in vacant or in pensive mood, they flash upon that inward eye [...] and then my heart with pleasure fills, and dances with the daffodils.” Another phrase, which indicates that the flowers were so beautiful that no true poet could be sad in their presence, also builds upon Wordsworth’s relationship with nature. These particular lines in “I Wandered Lonely as a Cloud” show how Wordsworth’s mood shifts from somber and lonely to joyous and content. The lines also show how the gorgeousness of nature sticks with

Nature has an undefinable meaning as the theme is utilised in literature, and it has been a topic of reflection within the Romanticists since the beginning of the era. Romanticism and nature and inextricably linked ideas. Poets; Emily Dickinson and Walt Whitman wrote during the romantic era, and both drew heavily from aspects of nature in their work. Nature can be paralleled against several things, including humanity and the idea of life and death. The contrast between the natural world and the artificial world, and what this means for society, is also strongly eluded to in Dickinson and Whitman’s poems. Each poet uses nature as the backbone to their poetry in several instances. Dickinson’s, “Hope is the Thing with Feathers”, (Dickinson, 19) and “My Life Has Stood A Loaded Gun”, (Dickinson, 69) are strong examples of this. Whitman’s, “Song of Myself”, (Whitman, 29) and, “When Lilacs Last in the Dooryard Bloom’d”, (Whitman, 255) are also poems that show the connection between nature and romanticism. Poets, Dickinson and Whitman engage with romanticism in a creative and constructive manner through the utilisation of the natural world.

The poems “Lines Composed a Few Miles above Tintern Abbey” by William Wordsworth and “Washing-Day” by Anna Letitia Barbauld are very similar, because they both reminisce on the beauty childhood. “Washing-Day” tells the story of a person who observes the chores being done in a household when she is older compared to when she was younger. The poem shows how that transition in age plays a large role in feelings towards daily activities. In “Lines Composed a Few Miles above Tintern Abbey” the speaker returns to a place where he had not been for five years and remembers how pure his thoughts towards nature were. In the present, he has matured and does not possess the same childish joys that he once did, but still appreciates the greatness surrounding him. Both speakers obviously come from very different backgrounds, one, a woman who has been raised in a family of household workers, and the

In "Lines Composed A Few Miles Above Tintern Abbey", Wordsworth uses imagination to help him and others to live in the physical world peacefully. He recalls playing in Tintern Abbey, a forest nearby there and played in it when he was young. Now he comes back for different reasons. He escapes the world which is individualism and goes to the forest to get away from all the burden. He tells his young sister that she can always come here to get away from her problems as well. In the poem, Wordsworth uses nature to solve problems in life.

Nature has been a prominent theme in poetry. It is a subject that everyone can associate with. Nature is an eternal and everlasting part of our everyday life. Poets use nature as theme to remind us of the peaceful, magnificent, beauty many of us take for granted. Most of society does not take the time to stop and take a look at the flowers. Nature themed poems help us to experience appreciation for the earth.

The beauty of nature is often overlooked and underappreciated in today’s society. The neglect and lack of respect given to such a beautiful creation by members of society is widely reflected in Romantic poetry. The romantic era began in 1798, where writers such as William Wordsworth and Samuel Taylor Coleridge expressed their opinions and feelings towards nature. Overall such writers typically express a positive outlook on the natural world around them, however some stray the other way. Specifically Coleridge and Wordsworth began to express the feeling of disconnect towards nature. Both writers began to feel as though they could not understand nature and cannot connect with the beauty it gives off as expressed in poems such as “Dejection”, “London 1802”, and “Lines Composed a Few Miles Above Tintern Abbey”. Not only did some of these writers begin to feel a disconnect but a select few also begin to feel as though people are disrespecting the balance of nature and are trying to disrupt the balance and manipulate it. Writers such as Mary Shelley, author of the novel Frankenstein, expresses the concern of people taking the laws of nature and twisting them. Writers and people living during this time period not only express an appreciation for nature but also the truth about the human relationship with nature. The relationship between humans and nature is on of mistreatment.

William Wordsworth's "Tintern Abbey" celebrates imagination and emotion over rationality and reason, and intuition over science. It is the beginning of English Romanticism in the 1800's and Wordsworth was one of the leading poets of that era. He introduced the readers to grasp nature and fully appreciate all aspects of it. "Tintern Abbey" focuses on Wordsworth's nostalgic experience on returning to the Abbey, but pays much attention to the poem's theme of emotional beauty and nature. In this poem, the reader finds Wordsworth's intense and loving memory of natural scenes.

Fear in Wordsworth's My heart leaps up when I behold, We Are Seven, Tintern Abbey, and Resolution and Independence

Just as nature has such a great impact on Wordsworth’s poetry, the descriptions of nature in his poems also impact the readers immensely. His poems on nature instil a feeling of joy a sense of connection with the nature in the hearts of the readers. The imagery used by him while describing the elements of nature enables the readers to visualize what is being talked about and also appreciate the different shades of nature. His poetry teaches the readers to realise the significance of nature in their lives and look at nature in a way they have never done before.

One of the most popular themes for Romantic poetry in England was nature and an appreciation for natural beauty. The English Romantic poets were generally concerned with the human imagination as a counter to the rise of science. The growing intellectual movement of the 18th and 19th centuries placed scientific thought in the forefront of all knowledge, basing reality in material objects. The Romantics found this form of world view to be restrictive. They felt that imagination was crucial to individual happiness. The imagination also provides a common human bond; a means of sympathy, of identification. However, the absence of imagination, the Romantics felt, would lead

When reading T.S. Eliot’s critical comment, “It is to be observed that the language of these poets is as a rule simple and pure,” one might assume that he was referring to the Romantics (Eliot 2328). Specifically, we could apply this statement to poets the ilk of Wordsworth, who eschewed poetic affectations and “tricked out” language for sentiments that originated and flowed naturally (Wordsworth 270). Yet Eliot hadn’t focused his critical eye there, this time. Rather, he squinted a century back to a lesser-referenced literary group, the Metaphysical poets (Eliot 2328). That the Metaphysical poets and the Romantics share a characteristically simple/natural diction is important. While they are undoubtedly