Williams' Use of Imagery and Symbolism in A Streetcar Named Desire

The Uses Williams Makes of Setting, Dialogue, Stage Direction and Effects in Scene 6 of A Streetcar Named Desire

The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.

Tennessee Williams’ ‘A Streetcar Named Desire’ is set in the ‘Roaring Twenties’ when America was going through a great deal of change in the order of society. The three main characters; Blanche DuBois, Stella Kowalski and Stanley Kowalski jostle claustrophobically in a small apartment, set in Elysian Fields in New Orleans, Elysian Fields is an ironic name as it evokes the sense that the apartment is heaven, when in reality it is very much the opposite. Stella and Blanche are sisters, but during the course of the play, we notice very clearly that Blanche is stuck in the in the Old World of plantations and inequality, with very large social divides. In contrast, Stella has almost seamlessly evolved to live in the New

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

Established as one of the most prolific playwrights of the 20th century, Tennessee Williams used his writing as a form of therapy. The author came from a troubled background consisting of alcoholism, mental breakdowns, and general unhappiness; Williams exploited these unfortunate events and allowed them to motivate his literature. In A Streetcar Named Desire, Blanche DuBois’ struggles represent the reality of people’s lives, “an enduring concern of [Williams’] throughout his writing career (Henthorne 1). Blanche captures our focus with her seemingly sincere and fragile nature, but it is later revealed that this is just an illusion within her own mind. She resides in a world of fantasy to shield herself against the harsh threats of reality and her own fears. Blanche’s main objective in the play is to keep herself from falling apart in a world of cruelty through alcoholism and illusion. Through the characterization of Blanche DuBois in A Streetcar Named Desire, Tennessee Williams depicts the coping mechanism of fantasy and its detrimental repercussions by exploring the specific experiences that eventually impede her happiness.

In A Streetcar Named Desire, the theme of violence is very frequent in the character Stanley Kowalski. Stanley is a married, young man, who comes across to the reader as quite an enraged person with animalistic attributes. A prime insinuation of Stanley’s difference to regular humans is when Stella DuBois (Stanley’s wife) explains to her sister that Stanley is of “a different species”, foreshadowing that Williams may be warning the reader that Stanley is capable of things that are not in

A Streetcar Named Desire is a socially challenging play in light of the way in which Tennessee Williams depicts the capacity of human nature for brutality and deceit.  He takes the viewpoint that, no matter how structured or 'civilized' society is, all people will rely on their natural animal instincts, such as dominance and deception, to get themselves out of trouble at some stage in life.  William's has created three main characters, Blanche Dubois, Stella Kowalski and Stanley Kowalski. Each of these characters is equally as civilized as the next, yet all are guilty of acts of savagery on different levels.  Throughout the play Williams symbolically relates these three characters to animals, 'savages,' through the disclosure of

In the beginning of the play A Streetcar Named Desire by Tennessee Williams, Blanche first arrives from Laurel Missouri and immediately becomes the antagonist. As the play goes on Stanley starts to go against Blanche. At the end of the play Blanche becomes the victim. In the end, Stanley sent Blanche off to a mental asylum. This plays demonstrates domestic violence. In the beginning of the play A Streetcar Named Desire, Tennessee Williams shows how society accepted it and ignored it.Stanley, one of the characters in the play, found domestic violence to be a positive and very sexual part of him and his wife, Stella's, relationship. Throughout the play, Williams shows that he believes that it is wrong.

This theme of appearance vs. reality is most prevalent in Blanche’s character. From the beginning to the end of the play, Blanche permanently created an illusionary world in her mind after her husband’s death (Allan Gray) to be able to cope with reality. This includes her dressing and acting, and she continuously acted that she is more innocent than others. This is explored through the colour symbolism, “She is daintily dressed in a white suit with a fluffy bodice, necklace and ear-rings of pearl, white gloves and hat.” William has described her with the use of the colour “white”, which ironically symbolizes the innocence and the purity of Blanche although Stanley at the end of the play will stain her. She continues to hide her the reality,

The use of the word “Stalks” creates animal imagery for the reader/audience. The stage directions that reveal more of Stanley’s animalistic traits shows and prepares Blanche, the other characters and the audience the violence tendencies of Stanley. Another stage direction that Tennessee Williams’ used to show Stanley’s power is “like a baying hound and bellows his wife’s name.” This quote suggests that Stanley is often powerful in a state of anger and often shows the power a predator would possess.

In the film “A Streetcar Named Desire”, the producers do an excellent job of showing how the film plays with light and dark, illusion and reality, and brutality conflict. Blanche, Stella, Stanly and Mitch successfully portray the concepts of light vs dark, illusion vs reality, brutality conflict through various transitions of each.

Tennessee Williams was an American writer known for short stories and poems in the mid 1950’s. His more famous writing was A Streetcar Named Desire. His writings influenced many other writers such as August Strindberg and Hart Crane. His writings A Streetcar Named Desire and The Glass Menagerie was adopted to films and A Streetcar Named Desire earned him his first Pulitzer prize. In A Streetcar Named Desire there is many elements that build the plot and story line. The story is about a girl who is drove crazy by his sister’s husband and eventually sent to the mental hospital. The main plot is towards the end of the story when Blanche Dubois is blackmailed by her sister’s husband and raped by him. Everything takes its toll on her until she begins drinking heavily and is thought to have gone crazy and placed in a mental hospital. In this story, many things play affect in the contrast of the writing such as Blanche arriving at her sister’s house, seeing her sister’s husbands attitude, the poker game, Blanche getting raped. These events make Blanche an easy victim. In Tennessee Williams, a street car named desire, the start of kindness turns to tragedy and pain.

“Symbols are nothing but the natural speech of drama…the purest language of plays.” Once, quoted as having said this, Tennessee Williams has certainly used symbolism and colour extremely effectively in his play, ‘A Streetcar Named Desire’. A moving story about fading Southern belle Blanche DuBois and her lapse into insanity, ‘A Streetcar Named Desire’ contains much symbolism and clever use of colour. This helps the audience to link certain scenes and events to the themes and issues that Williams presents within the play, such as desire and death, and the conflict between the old America and the new.

Some novels and plays seem to advocate changes in social or political attitudes or in traditions. Choose such a novel or play and note briefly the particular attitudes or traditions that the author apparently wishes to modify. Then analyze the techniques the author uses to influence the reader or audience’s views. Avoid plot summary.

Tennessee Williams' Use of Dramatic Devices To Create Contrast And Conflict In "A Streetcar Named Desire"