Willy Loman In Arthur Miller's Death Of A Salesman

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

Similar to Gatsby, Willy Loman from Arthur Miller's Death of a Salesman, bases his "American Dream" on the idea that public acceptance would bring him wealth.  Willy believes that appearing well liked makes him successful.  Willy has based his life on the idea that if you are "well liked, you will never want" (Miller 33).  Moreover, he believes his sons' appearance will make them successful because they are "both built like Adonises" (33).  Furthermore, Willy's obsession with money leads him to equate the value of an individual with their financial worth.  Willy idealized his older brother Ben because "he is rich" (41).  Willy, reflecting on his own worth, concludes "you end up worth more dead than alive" (98).  Finally, Willy thinks that being a popular and successful businessman will win him the love of his wife and children.  Willy lies to his family, by telling his sons "[if there is] one thing boys: I have friends"(31).  He also exaggerates terribly by telling his wife he sold "five hundred gross in Providence and seven hundred gross in Boston" (35).  In his final imagined discussion with his brother Ben, Willy concludes that by taking his own life he will finance his son's business venture, and "[Biff will] worship me for it" (135).

    In Arthur Miller's play, Death of a Salesman, a major theme and source of conflict is the Loman family's lack of morality.  This is particularly evident in the father, Willy Loman.  Willy has created a world of questionable morality for himself and his family.  In this world, he and his sons are men of greatness that "have what it takes" to make it in the competitive world of business.  In reality, Willy’s son Biff is a drifter and a thief, his son Hap is continually seducing women with lies, while Willy does not treat his wife with respect and lies to everyone.

In Arthur Miller's Death of a Salesman, Willy Loman is an example of a failure as a good father. He did not discipline his sons well by not punishing them. He did not set a good example to his sons by not admitting his faults. He did not make his family his number one priority. Instead, it was his work, coming before his family, his friends, and even himself. Not only is Willy Loman not a good father and husband, but he was a failure by not becoming successful, not achieving the American Dream.

   Ben Loman is an important character in Death of a Salesman but he is quite unusual.  The audience encounters Uncle Ben during Willy Loman's hallucinations of the past and as a result, it is tempting to disregard his character as just another creation of Willy's delusional mind.  However, Ben is much more than that.  His character is representative of Willy's unrealistic dreams as well as the realty of his life.

  Charley says something in Arthur Miller’s Death of a Salesman that sums up Willy’s whole life. He asks him, "When the hell are you going to grow up” (Miller 97)?  Willy spends his entire life in an illusion, seeing himself as a great man who is popular and successful.  Willy exhibits many childlike qualities and his two sons Biff and Happy pattern their behavior after their father.  Many of these qualities, such as idealism, stubbornness, and a false sense of self-importance in the world have a negative impact on Willy’s family,

Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.

In The Death of a Salesman by Arthur Miller, it is argued weather that Willy Loman is a tragic hero. There are cases for both classifications of Willy. By definition, a tragic hero is a person born into nobility, is responsible for their own fate, endowed with a tragic flaw, and doomed to make a serious error in judgment. The tragic hero eventually falls from great esteem. They realize they have made an irreversible mistake, faces death with honor, and dies tragically. The audience also has to be affected by pity or fear for the tragic hero. In order for Willy Loman to be a tragic hero, he has to fulfill all of these descriptions. Willy Loman fits into some of

Arthur Miller’s play Death of a Salesman follows protagonist Willy Loman in his search to better his and his family’s lives. Throughout Willy Loman’s career, his mind starts to wear down, causing predicaments between his wife, two sons and close friends. Willy’s descent into insanity is slowly but surely is taking its toll on him, his job and his family. They cannot understand why the man they have trusted for support all these years is suddenly losing his mind. Along with his slope into insanity, Willy’s actions become more aggressive and odd as the play goes on. Despite Willy and Biff’s “family feud”, his two sons Happy and Biff truly worry about their father’s transformation, Happy saying: “He just wants you to make good, that’s all. I

Willy Loman is a troubled and misguided man - a salesman and a dreamer with an extreme preoccupation with his own definition of success. Willy feels that physical impact is greater than the elements of his self-defined success. However, it is apparent that Willy Loman is no successful man, even by the audience's standards. He is still a travelling salesman in his sixties with no stable location or occupation, but clings on to his dreams and ideals. He compares his sons with Bernard, using him as a gauge of success. Nonetheless, he stays in the belief that his sons are better than Bernard. Willy recollects the neighbourhood years ago, and reminisces working for Frank Wagner, although he was also in the same condition then as now. He feels that the older Wagner appreciated him more, yet it was himself who voted Howard in. Arthur Miller presents Willy as a man with great bravado but little energy left to support it. He is always tired and has dementia, contradicting himself in his conversations and showing some memory loss, living in his world of illusions and delusions. He argues with Biff, both men without knowing why. The two sons of Willy display the physical appearance of adulthood, but their talk and attitude displays immaturity. Billy finds that he is a failure because of his lack of `success', while Happy thinks he is unfulfilled because he lacks failure.

In Death of a Salesman, Willy Loman, the tragic hero, is an old salesman that has two sons, Biff and Happy. Willy had this dream that his sons would eventually become huge and successful business men and complete the dream that he never achieved. Willy became so set on this dream that if it were to not happen he would feel as if he was a failure as a father. Willy’s dream that he had turned into an expectation was not

            Willy is the aging salesman whose imagination is much larger than his sales ability. Willy's wife, Linda, stands by her husband even in his absence of realism. Biff and Happy follow in their father's fallacy of life. Willy's brother, Ben is the only member of the Loman family with the clear vision necessary to succeed. Charlie and his son Benard, on the other hand, enjoy better success in life compared

To begin with, Loman experiences two particular memories of his brother Ben that affect his present. In both moments, Ben is depicted as a successful man. Ben tells Willy’s boys that, “when I was seventeen I walked into jungle and when I was twenty-one I walked out. and by God I was rich!” It is evident that Willy admires and envies his brother’s prosperity and wealth. In Willy’s mind, he is defined by how much money he makes and how capable he is of providing for his family. The memory of his brother going to Africa leaves Willy feeling ashamed, regretful, and inadequate because of his brother’s subsequent financial success. His

Willy Loman’s feelings of alienation and loneliness are direct psychological results of his interaction with society and the conditions that are found within it.  Although, he does not necessarily have the ability or allow himself to have the ability to define his feelings as such, they are still very much a part of his everyday existence.  This is evident in his constant bragging and attempted compensation.  He does not feel that he is truly a part of society.  Indeed, he is not.  Miller himself seems to be saying that this is not necessarily a bad thing; this society is not that wonderful.  Yet Willy still yearns to be like his brother, Ben, and the other men he sees making

The Presentation of Willy Loman in Death of a Salesman by Arthur Miller Willy Loman is presented as both a tragic hero and an unconscious victim in "Death of a Salesman". "Death of a Salesman" is very much based upon the American Dream, and whether we are slaves or conquerors of this dream. This is an idea that the playwright Arthur Miller has very passionately pursued both through Willy's own eyes, and through his interaction with the different characters in the play. Firstly, the definitions of a hero and a victim very much influence the way that Willy is viewed by the audience.