Willy Loman, Redefining the Tragic Hero in Arthur Miller's Death of a Salesman

At one point in the play, Willy says, “Biff is a lazy bum”(16). Moments later in the same conversation with Linda, Willy adds, “There’s one thing about Biff, he’s not lazy”(16). Even when confronted by his boys, Willy is unable to deal with the truth, that his sons won’t amount to very much at all. He ignores reality very well, and instead of pointing out that Biff hasn’t established himself yet, Willy tells Biff, “You’re well liked, Biff….And I’m telling you, Biff, and babe you want…”(26). The boys are clearly aware of their status and the status of their father, and Happy is found putting Willy’s personality in a nutshell, “Well, let’s face it: he’s [Willy] no hot-shot selling man. Except that sometimes, you have to admit he’s a sweet personality”(66). Obviously, Willie’s failure to bring up his children effectively, and his delusional thinking including denial of reality helps fortify his depleting condition and confusion.

In order to gain a proper perspective on the concept of what a tragic hero is, we must synthesize information from the following play’s, “The Death Of A Salesman”, and “Oedipus The King”. Both plays takes the stance on the idea that validates the ultimate notion,  “tragic hero. From Willy’s hubris personality to his questionable and mysterious death, to Oedipus dynamic and complex choices and kingly personality that determines his fate. A tragic hero is a literary character who makes a judgement that leads to his/her downfall. In other words, even though both characters made incredible contributions and left a very noble legacy, their choices and decisions determined their ultimate fate. In today’s world tragic heroes are commonly present,

The father-son conflict between Willy and Biff is complex. First of all, there is a strong personal attachment. He wants Biff to love him. He remembers the fondness shown for him by Biff as a boy, and he still craves this. At this point, however, relations are strained. Although Willy shies away from remembering so painful an episode, he knows in his heart that his affair with the Boston woman left the boy bitterly disillusioned. Feeling some sense of guilt, Willy fears that all of Biff’s later difficulties may have been really attempts to get revenge. In other words, Biff failed to spite Willy. Although outwardly resenting such alleged vindictiveness, Willy still wants to get back the old comradeship, even if he has to buy it dearly. For instance consider when he asked Ben, “Why can’t I give him something and not have him hate me?” and his final moment of joy and triumph occurs when he exclaims, “Isn’t that remarkable? Biff… he likes me!”

    In Arthur Miller's play, Death of a Salesman, a major theme and source of conflict is the Loman family's lack of morality.  This is particularly evident in the father, Willy Loman.  Willy has created a world of questionable morality for himself and his family.  In this world, he and his sons are men of greatness that "have what it takes" to make it in the competitive world of business.  In reality, Willy’s son Biff is a drifter and a thief, his son Hap is continually seducing women with lies, while Willy does not treat his wife with respect and lies to everyone.

Furthermore, Biff, along with Happy tries to conjure up a crazy idea of putting on a sporting goods exhibition. The problem with Willy is that he never grows up and deals with his obstacle; and he has taught this life strategy to his sons.

Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.

In The Death of a Salesman by Arthur Miller, it is argued weather that Willy Loman is a tragic hero. There are cases for both classifications of Willy. By definition, a tragic hero is a person born into nobility, is responsible for their own fate, endowed with a tragic flaw, and doomed to make a serious error in judgment. The tragic hero eventually falls from great esteem. They realize they have made an irreversible mistake, faces death with honor, and dies tragically. The audience also has to be affected by pity or fear for the tragic hero. In order for Willy Loman to be a tragic hero, he has to fulfill all of these descriptions. Willy Loman fits into some of

      Arthur Miller succeeds in demonstrating incredibly well in Death of a Salesman that not only is tragic heroism still possible in the modern world, but that it is also an affliction to which both king and commoner are equally susceptible.  However, Wily Loman is not a tragic hero because he is pathetic, not heroic, in his personal "tragedy" that comes from his inability to admit his mistakes and learn from them.  Instead, he fits Miller's description of pathos and the pathetic character, one who "by virtue of his witlessness, his insensitivity, or the very air he gives off, [is] incapable of grappling with a much superior force," (Miller  1728).

Arthur Miller’s play Death of A Salesman demonstrates the life of a man facing troubles within himself and society. A tragedy is the imitation of an action that arouses fear and pity. This play could be considered a tragedy because it depicts the downfall of a perfect family and outlines the deterioration of a man’s life. A tragic hero, as defined by Aristotle, is someone who exemplifies great importance or heroic qualities; however, Arthur Miller views the tragic hero as someone who struggles heroically with life. Using Arthur Miller’s definition, it can be determined that Willy Loman is a tragic hero. Even though Willy Loman does not fit the classical view of a tragic hero, he is in fact a modern day tragic hero because of his error in judgment, a reversal of fortune, and his excessive pride.

In Death of a Salesman, author Arthur Miller, presents the Lomans, a dysfunctional family. The father of the Lomans, Willy, is the main character of the story. I feel like Willy is the true tragic hero. The definition of tragedy has changed over the course of time with its origins dating back as far as 350 BC, when the Greek philosopher Aristotle introduced the concept of hamartia, a man's fatal flaw. Arthur Miller took Aristotle’s teachings into consideration when writing Death of a Salesman, especially the elements of a tragic hero.

In my honest opinion I think Willy isn’t a tragic hero because if you look at the definition from Aristotle. His definition was “ a person who has great potential but makes a decision and makes his downfall. Willy Loman isn’t a tragic hero because he doesn’t have good potential, he is a common man, and he takes his own life. First let me tell you about how Willy has no potential. Willy thinks to be successful you need to be liked but you really need to be good at what your doing to be successful.

To what extent can Willy Loman be considered a tragic hero according to Aristotle’s rules?

  Willy Loman, the title character of the play, Death of Salesman, exhibits all the characteristics of a modern tragic hero. This essay will support this thesis by drawing on examples from Medea by Euripedes, Poetics by Aristotle, Oedipus Rex by Sophocles, and Shakespeare's Julius Caesar, while comments by Moss, Gordon, and Nourse reinforce the thesis.

According to Aristotle’s theory of tragedy, tragedies are best equipped to be based on a protagonist that is renowned and prosperous, so his good fortune can be dramatically changed. In contrast, Arthur Miller’s essay “Tragedy and the Common Man” states “that the common man is as apt a subject for tragedy in its highest sense as kings ever were.” He proves in his modern essay that the characteristics and emotions of the common man and the highly placed are entitled to be similar. Miller even identifies emotions of a average person and how they result in a better tragedy than those who are highly ranked. In his play “Death of Salesman” he demonstrates that the normal life of a sales man can still make for a great tragedy and that his protagonist, Willy Loman, is worthy of a tragedy.

The Presentation of Willy Loman in Death of a Salesman by Arthur Miller Willy Loman is presented as both a tragic hero and an unconscious victim in "Death of a Salesman". "Death of a Salesman" is very much based upon the American Dream, and whether we are slaves or conquerors of this dream. This is an idea that the playwright Arthur Miller has very passionately pursued both through Willy's own eyes, and through his interaction with the different characters in the play. Firstly, the definitions of a hero and a victim very much influence the way that Willy is viewed by the audience.