Wit With Ready To Die

In your article “Hip Hop Planet”, you write about the global impact of hip hop, and the powerful message it contains. You first came across hip hop at a party, and didn’t like it much. In fact you seem to hate it, until 26 years later, when you started to regret that you have missed a very important and cultural event. A vision is going through your head about your daughter falling in love with a rapper, which caused you to think twice about hip hop. Although, you don’t seem to like the sound and the beat from hip hop, you begin to realize how the lyrics contain powerful and meaningful messages. In the article, you talk about your first experience with hip hop, and your thoughts about it. You also describe the stereotypes of hip hop, and how

With things, such as explicit lyrics and depiction of women, drugs, and violence an assumption can be made that gangster rap represents a masculinity that rappers portray themselves as in their songs. Dating back to its origins, African Americans had always been the face of gangster rap, with such names like Tupac, Biggie, Jay-Z, DMX, and much more, as covers of rap magazines. Gangster rap had always been seen as what people interpret it to be and that is a raw rhythmic and explicit version of poetry in motion, but gangster rap depicts more than what people interpret it to be. Gangster rap depicts the image of how a strong African American male should look like, a bold, angry, rebellious, and fierce man. Strong African American males are subjective to gangster rap, mainly because of how gangster rap portrays masculinity. In “Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Muscic” Oware argues that although gangster rap music portrays the masculinity of African American males through the use of hyper masculinity, misogyny, and violence in lyrics, gangster rap music also provides a way for rappers to express themselves to commemorate their fellow friends through lyrics that depict family/friend relationships, success by association, and have a tribute for lost friends.

It has been 30 years since Hip-Hop was first “introduced” to the world. Whether it be fashion or politics, this musical genre/culture plays a huge role in everyday life and has generated billions of dollars across the globe. In this paper I will be discussing when, where, and how Hip-Hop was created, “old school Hip-Hop, “Hip-Hop’s Golden Age”, “Hardcore rap” “Gangsta rap”, “G-Funk”, 21st century Hip-Hop, and how Hip-Hop affects society.

McBride begins the essay by telling the readers of his nightmare. He once feared that his daughter would arrive home one day with a stereotyped rapper husband with “ mouthful of gold teeth, a do-rag on his head… and a thug attitude” (McBride 1). He came to realize that he in fact, hip-hop, a genre that he once didn’t believe was music, had become one of the most known genres in the world. The speaker first heard his first rap song at a college party in Harlem in 1980. The jazz lover he was, cringed at the rap music he claimed to be so poorly thought out and written. For the next 26 years of his life, he went out of his way to avoid hip-hop music all together, as if It was never there in the first place.

The author was categorical on various issues related to Hip-Hop music and other genres such as Jazz and Rap. The major assertion was that Hip-Hop has grown and attracted attention of many black Americans and media. Maybe, this was the only way that they could have expressed their discontent and tribulations they were facing especially from a political perspective. The author asserts that Hip-Hop was mainly an avenue to show resistance and the call for deliverance of black Americans.

“I want kids of this generation to see that everything is cool, that there 's some kind of unity in hip-hop. We all found something that 's really important to us, and music is all we 've really got” – Missy Elliot. Hip-Hop is a cultural movement and popular genre of music that emerged during the early 1970 's by working class Black youths in New York City. The cultural movement has rapidly expanded across different countries and ethnicities over the years, becoming one of the few markers that define a generation. Hip-Hop can be seen as “the fundamental matrix of self-expression for this whole generation” (Katz & Smith, 1993). Through music, itself, artists can express their feelings towards different events or social changes that they’ve see or have experienced in their lives. According to Frith (1986), this perspective towards writing music is similar to Mooney’s argument that popular song lyrics is a reflection of what’s missing or needed at their time, giving us a trace of America’s ‘mood’ throughout history. In return, music artists captivate the minds of people among various backgrounds who use these relatable music lyrics as a source of empowerment or as an expression of their own thoughts. While some music artists create music to uplift their audience by giving them a sense of freedom, other artists create music that separates their audience by dehumanizing one group and giving power to the other.

During the 1970’s, The Bronx in New York City was an incredibly poor, deteriorating, poverty-stricken area that was comprised of primarily Black and Latino residents. As a response to the systemic racism that these communities faced, young black men became vocal about their communities’ issues through the use of hip hop music. Thus, it was during this time that hip hop became a rising platform; and was predominantly influenced by the Black power movements which promoted black nationalism, liberation and empowerment as a response to systemic anti-black racism. This platform allowed many young black men to address and vocalize the issues that affected their communities due to systemic oppressions upheld by white hegemonic ideologies and institutions. Throughout this time, artist’s addressed issues of poverty, unemployment, wealth inequality -- essentially used as a critique of neoliberalism. It was not until the corporate profitization of hip-hop during the late 90’s/00’s that these issues became less frequent in the forefront of the lyrics.

Many Americans today embrace the culture of hip-hop. Since hip-hop became mainstream its influence has surrounded most Americans. People engage in social issues from the hip-hop culture In his recent work, How Hip-Hop Holds Blacks Back, John H. McWhorter have offered harsh critiques of hip-hop for delaying and marring the success of black people. McWhorter asserts hip-hop music “celebrates a ghetto life of unending violence and criminality(10).” He believes hip-hop contributes to the stereotype nearly all Americans maintain in regard to black people. Reflecting on harsh song lyrics McWhorter attempts to strengthen his argument. McWhorter acknowledges not all hip-hop promotes violence in people. He concedes “not all hip-hop is belligerent

While many may argue that the rise of hip-hop is a major triumph, Questlove worries that by becoming so pervasive, the genre has, to a certain degree, become “invisible.” Instead of serving as “resistance to mainstream culture,” he believes hip-hop is now “part of the sullen dominant.” Questlove further laments that nowadays hip-hop is not as much a form of protest art; it has been marginalized, and its themes have been narrowed into ideas “mostly about [artists’] own victories and the victory of their genre.” Countless critics have made this same complaint—that hip-hop music is largely dedicated to lyrics about women, money, and fame.

In the book “Decoded,” rapper and businessman Jay-Z describes the emergence of hip hop culture while sharing his childhood memories, life challenges, and passions. Along with Jay-Z’s personal narrative, he provides an explanation for his song lyrics to educate readers about hip hop’s importance, his life, and national issues. Thus, he creates several arguments about hip hop’s purpose in the music industry. Two of Jay-Z’s main arguments consisted of hip hop being a form of art and the story of a hustler. This is especially true when considering how Jay-Z defines hip hop, analyzes supporting evidence, and interprets rap lyrics.

She describes that she hears “brothers talking about spending each day high as hell on malt liquor and Chronic. Don’t sleep. What passes for ‘40 and a blunt’ good times in most of hip-hop is really alcoholism, substance abuse, and chemical dependency” (456). Through these lyrics depicted by rap and hip-hop artists, Morgan points out the fact that the African American community deals with tough situations including a dependency of drugs and alcohol. In addition to drug and alcohol abuse, Morgan explains that conversations between males are often times about killing one another and believing that their life expectancy is low. In this essay, Morgan relates the issue of drug abuse and survival with the life of the Notorious BIG connecting the fact that his life was surrounded by drug and alcohol abuse, jail, relationships, and murder. With the help of these lyrics stated in rap and hip-hop music, Morgan believes that “the seemingly impenetrable wall of sexism in rap music is really the complex mask African Americans often wear both to hide and express the pain” (457). As she describes the issues of the daily lives of African Americans, readers are able to better understand the reason behind the lyrics and the anger of why they perceive women as “bitches” and

Hip Hop has been a thread of music that is deeply rooted in the struggle within the black communities of America. It acted as a window for people outside of the black community to acknowledge and experience, to an extent, what endeavors those communities encounter. Although Hip Hop’s central purpose is to denote the subjugation that was implemented on the black community, Hip Hop began as a mere offshoot of 1970’s jazz, funk, and soul.

The misunderstood subculture of music that many have come to know as “hip-hop” is given a critical examination by James McBride in his essay Hip-Hop Planet. McBride provides the reader with direct insight into the influence that hip-hop music has played in his life, as well as the lives of the American society. From the capitalist freedom that hip-hop music embodies to the disjointed families that plague this country, McBride explains that hip-hop music has a place for everyone. The implications that he presents in this essay about hip-hop music suggest that this movement symbolizes and encapsulates the struggle of various individual on

. During the 1980s, the way Americans perceived homosexuality, race, and violence was challenged. In response, Prince’s eccentric and extravagant music style and attire dismantled conventional gender barriers of what it meant to be masculine and feminine in American society. Therefore, his musical creations set an example by pushing the limits of authenticity and self-expression. Prince’s fearless dedication to breaking down conventional expectations of style, music, gender norms, and conformity can be seen in his vocals, instrument choice, and lyrics. In the late 1980s, Prince was a music icon who blended funk, soul, pop, and hip-hop and presented his work in an androgyny atmosphere to advocate for racial and gender equality. His musical creations and appearance had disrupted the societal confines that fenced in the minority groups and pushed the limits of what it meant to be a black man. Prince’s distinct attire, extravagant performances, and persona helped contribute to a new music era of funk-rock and challenged the taboo concepts of the 1980’s. Prince’s musical work impacted society by encouraging wildly free and creative behavior during a time where it was not acceptable to be who you were. In this paper, I will analyze the auditory significance of two of Prince’s songs: “If I was your girlfriend” (1987) and “I Would Die 4 U” (1984). Analysis for both songs were based on music videos and a scene from Prince’s film, Purple Rain. In addition to these songs, Prince’s

Throughout history, music has been used to express the feelings of people or groups whom may have no other outlet to express themselves. The best example of this occurrence would be the lower class of America’s use of rap music. Rap music started out as a fun variation of disco with the purpose to make people dance and enjoy themselves, but it later transformed into one of the best outlets to express the struggles of poverty in the United States. The genre gained popularity when the song “Rapper 's Delight” hit the charts in the early eighties; rap evolved into a plethora of different styles from there, Gangster Rap formed with NWA in the late eighties, and rap really hit it’s zenith in the mid nineties. Modern rap began in the early starts of the twentieth century. Because of the storytelling that rappers do in the music, it gained notice in the inner city where the demographic could relate. Many young teen in the inner city environment built dream to be famous rappers just like their own favorite artists . Rap connects to me by its style, its purpose, and its political incorrectness.