`` Without Commercials `` By Alice Walker

This poem however can be indirectly confronting to those who don’t share the same viewpoints as Walker. The also poem has a degree of stereotyping in the sense where ‘love your people, freedom to the end’ takes place however there none that really strikes out as it. The white Australian perspective above all is silenced in this text, marginalized are her perspectives of the coming days which may well be shared by many like her.

For the longest time now, advertising has played a huge role in how we identify ourselves in the United States with the American culture, and how others identify themselves with all the cultures of the rest of the world as well. It guides us in making everyday decisions, such as what items we definitely need to invest our money on, how to dress in-vogue, and what mindset we should have to prosper the most. Although advertising does help make life easier for most, at the same time it has negative affects on the people of society as well. Advertisement discreetly manipulates the beliefs, morals, and values of our culture, and it does so in a way that most of the time we don’t even realize it’s happened. In order to reach our main goal of

Like mentioned in the reading, “The depiction of nature in advertising disconnects and estranges us from what is valued, and we attempt to reconnect through products, creating a circular consumption.” Moreover, the media is the

Whether we realize it or not, we are constantly surrounded by advertisements. On average, we are exposed to approximately 3,000 ads per day, through logos, billboards, and television commercials, even our choices of brands. But in today’s society, one of the most used and influential tools of advertising are women. But the unfortunate thing is that women are not just viewed as actresses in these ads but as objects for people to look at, use, abuse, and more. In her fourth installment in a line of documentaries, “Killing Us Softly 4,” Jean Kilbourne explains the influence of advertising women and popular culture, and its relationship to gender violence, sexism and racism, and eating disorders.

The societal expectations for beauty are an ingrained concept amongst the minds of almost every individual, who in turn project these standards on each other and their own children. Throughout her adolescence, Walker seeks for validation of her beauty through others. “When I rise to give my speech I do so on a great wave of love and pride and expectation.” (Walker 2). Walker was seeking a reaction from her audience as she read her Easter speech to her church; a reaction of approval and admiration, which then confirmed her “cuteness”. The emotional toil brought upon by the accident caused Walker to go into a dark place of unacceptance of herself. She did poorly in school, was bullied in school, and kept her head down for several years of her life because of the shame she felt from the appearance of her eye. “I tell it I hate and despise it. I do not pray for sight. I pray for beauty.” (Walker 5). At twelve years-old, Walker talks about the eye that has gone blind and development of her self-unacceptance can be seen here. The lack of concern she had about the function of her eye, but rather the aesthetics, shows how dependent Walker was on in achieving societal standards.

Allison Joseph and Sekou Sundiata are both great writers who engage the world by expressing their struggles through poetry. Both authors write about how people make assumptions because of what they hear and see around them. Their poems discuss the altercations and obstacles they have faced only because of the color of their skin. In the poem “On Being Told I Don’t Speak Like a Black Person,” Joseph incorporates a wide breath of experiences from her point of view. She expresses her strong emotion by using descriptive language which allows us to read with emotion. In “Blink your eyes,” Sundiata shows the intensity of his feelings by using the repetition of phrases and reinforcing the poems irony.

Advertisements are an extremely prominent part of American society. Very few places exist that an individual can go without being exposed to some form of ad. From product placement to billboards, advertisements exist in nearly every facet of life. Marion Nestle discusses what she considers to be one of the more heinous forms of advertisement in her essay, “The Supermarket: Prime Real Estate.” Nestle uses several persuasive techniques to convince her audience of the evils of supermarkets. Her use of emotionally charged phrases paired with her more logical assertions help to drive her point home while her clear bias and lack of supportive source detract from her overall argument

In today’s mass media, it is quiet common for advertisers to assimilate class into their commercials. These advertisements portray a certain level of elegance because of the sophisticated choice to use classical background music and thick European accents. On the contrary, other advertisers take the common-folk approach by structure these commercials around the western concept. Both of these advertising tactics supports an American paradox. As argued in Jack Solomon’s “Master of Desire: The Culture of American Advertising”, the contradiction lies in the desire to strive above the crowd and the quest for social equality.

Coming from commercials, newspapers, movies, and magazines, advertisements are one of the most prominent things that we get bombarded with on a daily basis. The problem with a lot of people including myself is that we fall victim to the manipulation of the advertising sharks and their devious tricks. In the article ‘Advertising’s 15 Basic Appeals’ by Jib Fowles, the author describes how advertisers will use 15 basic emotional appeals in order to get you to say ‘I want and need that!’ In National Geographic, a historical, anthropological, discovery-based magazine, advertisers focus their energy on the middle-aged, middle-class, educated audience, who want to improve not only their intellectual integrity, but also improve their families lives if the readers can help it. National Geographic advertisers can do this by appealing to the readers’ basic needs for achievement, nurture, and guidance.

Advertisements are intended to make their audience feel remarkable if and only if they purchase what is being publicized. In 2005, Dove launched a “Real Beauty” campaign in an effort to reassure women of their physical beauty. The campaign featured women of all different shapes and sizes to connect with each body type. However, this campaign would not be advantageous to both the consumers and advertisers if the advertisers did not get their fair share. Gloria Steinem, author of “Sex, Lies, and Advertising,” is strongly challenged by Dove’s campaign by exemplifying how Ms., a magazine that Gloria was co-founder of, eliminated advertisements in order to maintain journalistic integrity. However, Jennifer L. Pozner, author of “Dove’s ‘Real Beauty’ Backlash,” utterly supports Dove’s “Real Beauty” campaign by concurring with Dove’s powerful message of confidence. Despite their opposing views on advertisements, both women share a common ground: Advocating the empowerment of women.

In society today, consumerism is a major component in the lives of not only Americans, but around the world. People are constantly looking for the next best thing to replace the things they already have. The purpose of this essay is to break down consumerism by using rhetorical analysis on the commercial for Kia’s new crosstrek, the Niro. This commercial relies heavily on the appeal to humor by having unrealistic, comedic actions. Along with humor, it establishes credibility by having a well-known comedic actress, Melissa McCarthy, as the star. The advertisement also plays on a person’s wanting to be a hero by having the commercial title be “Hero’s Journey.”

Instead of promoting the usual conformed replicated lifestyle they promoted individualism. Advertisers reassured consumers that they would surely find the self-expression they were in search of within their products. This is evident within the “Forever Young” Pepsi commercial where present advertisers are promoting individualism through the image of rock n roll legend, Bob Dylan. In his essay, Frank states, “We consume not to fit in, but to prove, on the surface at least, that we are rock ‘n’ roll rebels, each one of us as rule-breaking and hierarchy-defying as our heroes of the 60’s, who now pitch cars, shoes, and beer” (Frank 153). During the 1960’s Bob Dylan revolutionized what it meant to be an individual. Through his music many people started to express what they were feeling and how it was affecting them and rebelled against the pressures of society. Pepsi using Bob Dylan as the protagonist of the commercial symbolizes the desire for people to explore what it means to be a carefree rock ‘n’ roll legend that lives life on a spectrum outside of the guidelines that society already has set in place. Bob Dylan’s purpose in the Pepsi commercial is to directly represent rebellion and individualism. This advertisement pushes the concept that consumers too have the potential to be as inspiring as said legend if they continue to take apart in whatever is being sold. Pepsi’s commercial expresses that conformity is no longer

A form of adversity is in Alice Walker’s essay, “Beauty: When the Other Dancer Is the Self”, it shows how a person’s perception of everything is always greatly influenced by their past experiences. Walker uses various elements throughout her writing to show her outlook towards her appearance. Walker uses the incident that happened in her childhood to show that a persons mindset can be changed by a experience and how her attitudes changes from a sassy, conceited kid to a matured and powerful women who finally sees beauty in her life. Alice Walker’s essay is a great example of a person whose fear of adversity allowed themselves to be worn down by it. She begins the story with a cocky outlook on life where she knows she is beautiful. “I’m the prettiest!” (Alice Walker), as a young child she would use her

Mass media plays a great part in our lives. Television, newspapers, magazines surround us everywhere every day of our lives. All of them are stuck with different kinds of ads. But how often do we pay attention to the real sense of those ads and the ways the advertisers try to sell various products to us? We see dissoluteness and challenging behavior every day in life and we got so used to it in, at first sight, such small pieces of film, and apparently of our day routine, as advertisement, that we hardly notice the big picture. For over twenty years, Jean Kilbourne has been writing, lecturing, and making films about how advertising affects women and girls. In her essay, "‘The Two Ways a Woman Can Get Hurt':

In fact, “from 1997 to 2007, these procedures, overall, rose 457% to almost 12 million per year and an increase of 114% in actual surgeries, such as breast implants and liposuction”(Hodgson), all as a result of the influence of the advertising environment. Yet despite these statistics, many people feel exempt from the influence of advertising, this is because “only 8% of an ad’s message is received by the conscious mind, the rest is worked and reworked deep within the recesses of the brain”(Kilbourne). This working and reworking of the ad’s subliminal message of the brain is exponentially increased by the amount of ad’s the average American is exposed to every day. On average, Americans are exposed to over three thousand advertisements per day and will have been spent two years of their lives watching advertisements on the Internet and television by the time they die. This two hundred and fifty billion dollar per year industry that we call advertising profits from the appeasement of its consumers but at the cost of the consumers mental state. The cost of this environment, however, goes much further than just the environment itself, and extends rather into the direct objectification and dehumanization of women.