Woman At Point Zero Personification

Elie Wiesel used eyes as a motif in his narrative, Night, as windows to characters’ inner souls. He used eyes to assist the theme of surviving at all costs throughout the story by giving the audience an insight of people’s true emotions and status. Without eyes, we would have been blind to see past characters’ outer layers of fake emotion. There is more than the eye can see. One has to look deep into another’s eyes to see the true light or darkness within them.

Mariam’s alienation prompted by her mother, father, and husband, in Khaled Hosseini’s A Thousand Splendid Suns, reveals the oppression and shame around being a woman in the society of her native Afghanistan. Mariam’s countless, inescapable struggles throughout her life were all regulated by the systematic dehumanization of women in a patriarchal society, which resulted in her living in constant shame and fear. Starting from her birth, she was seen as a bastard because she was conceived out of wedlock, from both her parents, Jalil and Nana, and her society. In her childhood, Mariam is marginalized, by living in a cottage far off from the public eye, because of her father’s fear of humiliation and her mother’s fear of Mariam experiencing the

In Their Eyes Were Watching God, love plays a pivotal role in the life of the protagonist, Janie. Janie is exposed early in life to all the facets of love. From an early point in the novel until the very end, Janie searches for a man to fulfill her childhood concept of love. It is through this search for love that Janie finds the confidence and security in herself to become independent. Therefore, Janie’s quest to find love is not only a fulfillment of a childhood dream, but also a journey to find who she really is.

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

Women often undergo oppression and subjugation by the male dominated society. Women were merely slaves to the men as they would clean, sweep, work, while they have to maintain their obedience and sanity. Women were targets of oppression outside their work where men abused their wives as they were an entity for their sexual desires when they felt the need to. This exact relationship of “owner - possession” can be seen through the relationships between Rasheed and Mariam, also with Janie and her husbands. Both novels, A Thousand Splendid Suns and Their Eyes were Watching God, show that women have a lower social status, power, and legal rights when women had become property to eyes of men.

The story ‘their eyes were watching god’ is about Janie Crawford and her search for love in a world where women were denied everything including love and their voice. She is portrayed as a heroine, who undergoes through many disappointments in search of unconditional and fulfilling love. Moreover, she is a heroine following her desire to gain autonomy in a gender biased society. The novel also talks about the different types of love that Janie has experienced and how this has shaped her life as an independent woman. A lot of literary devices, including symbolism, the view of the narrator, and imagery are used to create a picture of Janie and her circumstances. Analysis of the book provides a picture of how women today struggle in search of true love amidst a distrustful society and the delicate balance between

Throughout world history women have been treated abysmally. Societies with male-dominance have abused and used women and continue to do so today. Women have been made vulnerable to a man due to the spread of cultural values and beliefs in society that condemn them from power. In Khaled Hosseini's novel A Thousand Splendid Suns, the two main characters Mariam and Laila develop an unconditional bond in which they become each others protectors. The immense inner strength of women from adversity has been exemplified through the growth of Mariam and Laila's contrasting relationship, the pain they endure from Rasheed which strengthens their bond and the courage within them that ultimately resolves their conflict.

His “unlined” face has yet to have the heat of a forge baking the sweat off his face and cracking the skin transitioning him into a man. A man that needs to learn the craft of forgetting the burdens everyday life gives him. The line, “eyes amber as the resin from trees too young to be cut.”(ll 10-11). reinforces that he has to grow and be ‘seasoned’ before he is truly ready to make the transition and tackle the craft of drinking until numb. These lines like an artist waiting to sculpt their stone into something else. The reference of the eyes gives a relation to the difference of her father’s young and hopeful eyes that have not seen what her grandfathers have. This is important as it gives the wisdom and long struggle that separates the apprentice from the master. Eyes have also been described as windows to the soul and the way she relates her father’s eyes as young and translucent that have yet to meet the destructive force that well in her grandfather’s eyes.

The women of Saudi Arabia have been oppressed by the men of the country for generations due to the ignorance of the people, their Islamic faith, and the government. They have no rights and they must receive permission from their husbands or fathers to work, travel, and receive medical attention. The memoir Princess: A True Story of Life Behind the Veil in Saudi Arabia by Jean Sasson, is an excellent example of the oppression of women in Saudi Arabia and the literary devices of characterization and setting help to bring the oppression to life.

Society’s view of women has changed as a result of what they have accomplish to become relevant inside a man oriented culture. Women are accused of being untrustworthy, due to their approach of going around the rules. Although this may be true, their limited possibilities push them to use their cleverness to look for alternatives that will help them reach their goals. The stories of The Arabian Nights demonstrate that when women are in control of a situation they must be trusted, as long as they act upon good will.

The fictional accounts of women’s experiences in Fadia Faqir’s, Pillars of Salt, illustrate issues articulated by women’s rights activists in the Middle East. Traditional roles of women and men and a mythology of femininity and masculinity are juxtaposed with the disparate realities of the characters. The damaging forces of colonial rule, war, and Westernization are also exposed.

All characters in the novel are living in a man’s world; nevertheless, the author has tried to change this world by the help of her characters. She shows a myriad of opportunities and different paths of life that woman can take, and more importantly she does not show a perfect world, where women get everything they want, she shows a world where woman do make mistakes, but at the same time they are the ones that pay for these mistakes and correct them.

The characters portrayed by Leila Aboulela to a great degree vary vastly in their levels of religiosity. This novel showcases a wide spectrum of Muslim identities. Most of the devout believers follow Islam, as they are constantly expressing their faith, thru means of prayer, recitation or other adorations. These religious members are accepting of veil culture, because they have more to value than materialistic objects and western culture. For instance, the young school girls that wore tobes, while Najwa skirts to university. Also, the servants she had back home, as she would be coming home from a party at dawn, they would be make their absolution, “A light bulb came on. They were getting ready to pray. They had dragged themselves from sleep in order to pray. I was wide awake and I didn’t,” this quote from the novel, illustrates a young Najwa understanding the basis of Islam and the importance of prayer (Aboulela, 32) However, this is an evident class divide, illustrating that those with wealth are more secular and those with less are humbled towards their faith. In her time in London, Najwa befriends woman at the local mosque and develops an interest her recitation. Her realization and locality to religiousness triggers her spirituality.

This is a significant aspect of the course because the article examines the strengths and weaknesses of femininity through a cultural Muslim perspective and the reading is a prime example of how ideologies regarding race affect those involved. In class we have discussed the significances of social constructs and how assumptions are made on the basis of physical characteristics. In this situation, identity is related to gender as Muslim women are categorized as both good/respectful and rebellious/evil individuals because they are apart of a culture where they are both oppressed and liberated simultaneously.