Woman At Point Zero by Nawal El Saadawi Essay

"Women on the Edge of Time" by Marge Piercy, is a novel that illustrates some problems of today’s society and compares them to a possible future time. The other world that is presented in the book is called Mattapoisett. Mattapoisett is described as an utopian science fiction place because is much different from the place that Connie lived. Even thought Mattapoisett might be the world that Connie’s culture needed it is not a perfect world. Some of the problems that Marge Piercy presents in the book are poverty, women’s role, and problems of government, the environment, and prejudices that our society is facing today. However, how is the society different from the two cultures presented in the book? Connie, the

Textual Analysis of Leila Ahmed’s “Women and Gender in Islam: Historical Roots of a Modern Debate”

The story of Theseus and Hippolytus is another myth that shows the role of women in Greco-Roman society. In this story Hippolytus rejects Aphrodite to follow Artemis. In revenge, Aphrodite makes Hippolytus' mother Phaedra fall in love with him. Phaedra, unable to control her sexual desire, makes her move on Hippolytus. After he rejects her, she hangs her self and leaves a note saying that Hippolytus raped her. When his father Theseus returns he kills him. This story shows that the Roman-Greco society thought women were filled with lies and the cause of many bad things. This is different than women's roles in today society because today it is usually thought that more men lie to avoid

Eavan Boland’s poem “It’s a Woman’s World” illuminates the fact that history has shaped an unfair role for women in today’s society. Boland criticizes the gender bias with regards to the limitations placed on women and their job choices despite their ability to be just as successful in the workplace as men. Regardless of the fact that the bias against women in the workplace is often overlooked, Boland aims to show the shared reaction of women to the gender bias prevalent in our society by using short sentence fragments, repetition, and a fire motif throughout the poem.

The very creation of women was set as a punishment to man because Prometheus, son of Iapetos, tried to trick Zeus into eating bones and then, with the tube of a fennel, steals fire to give to mankind. Zeus then proclaimed, "To set against the fire I shall give them an affliction in which they will all delight as they embrace their own misfortune." Out of Zeus' anger came Pandora, the first woman. Zeus ordered Hephaestus

The gods are constantly involved with mortal women and are not shamed for it, Zeus’ being especially guilty of this. However, Calypso argues that when an immortal women such as herself sleeps with a mortal man she is berated and the man is whisked away. She refers to the gods as “scandalized” in result of her involvement with Odysseus, yet they are unimpeded to sleep with any women they desire. Calypso wishes the power to be held to the same standard as the gods, but the etiquette of a goddess is to not freely become involved with mortals, as it is of a god. Calypso angrily must give up Odysseus, and in book six he finally makes his way onto another island after a near death experience awash in the sea. On this island lives Princess Nausicaa who also must undergo gender roles. The goddess Athena, disguised as a friend of the princess, convinces Nausicaa that she should take a trip to the river to wash and bathe her clothes as a plan to get her and Odysseus to meet up. Odysseus finds Nausicaa at the stream, and first she is scared because he is dirty and very fatigued. He then talks to her, and she offers him help. She asks that he accompany her back to the palace where he can get help of her parents, the king and queen. He is about to ride in the Nausicaa's wagon, but then she asks that Odysseus must follow behind, telling him about what would possibly happen if the were to ride

In the early days, the role of woman has been confined by a man because their jobs are to get marry, have children, and most depend on their husbands. The men in the early society had bigger roles than women. Therefore, women has to base themselves on and listen to their men. However, in the story “Once Aboard The Lugger,” author Thomeas Qiller- couch presents an intense image of a woman who makes change in woman’s role in the early society. Nance Trewartha, a daughter of a fisherman in Ruan, wants to marry a minister Samuel from Troy. She has fond on him and starts to wonder how would be like if Samuel is her husband. With her lovingness and braveness, she kidnaps Samuel and start to reverse a women role in the courtship. Surprisingly, Nance pursues Samuel by isolating him, and she changes the patterns of courtship, culture, and class.

While mourning for her husband (which the reader can only assume is sincere) Penelope is also leading on these suitors in order to gain material objects. She promises that she will marry one of them once she finishes her sewing her wedding veil, but each night she destroys the previous night’s work so that the task will never be accomplished. Even if she is using this ruse to attain riches, the fact remains that she is still acting as a seductress. She is very much like a Siren, typical of those present in Book XI, always singing out to encourage men but not intending to fulfill any promise of love or sex. Penelope presents both sides of the two distinct divisions of women characters in the text. Although the Sirens and Circe represent the ultimate seductress, it is important to notice the way the story of Agamemnon and Clymenestra reappears in the text. This is a legend told about how the strong female character Clymenestra was, much like Penelope, dogged by suitors in her husband’s absence, the only difference being that Clymenestra gives over the temptation of one suitor in particular and she and this new lover plot to kill Agamemnon upon his glorious return. The description of Clymenestra almost seems to echo Penelope’s situation as Ulysses is told the story. “At first she would have

Though the Greek hero overcomes many hardships in his twenty-year journey back, he shows no mercy to the young women who slept with the suitors. Heroes, who are expected to be the gleaming, godlike examples for humanity to aspire to, should not penalize miscreants with death. Instead, like Apollo required Hercules to perform twelve labors, Odysseus might punish the maids with difficult intellectual or physical tasks or actually forgive them of their ‘sins’. The ‘hero’ also spares no thought to the fact that the maids are forced into sexual relations with the suitors, rather than being willing participants in them. Time and again, Homer establishes the unruly behavior of the suitors, who “after [putting] aside desire for food and drink…set their minds on other pleasures,” making a sly reference to their harassment of the maids who carouse with them (82). Yet, Odysseus still refuses to acknowledge the result of coercion that clearly merits forgiveness. Furthermore, the maids are unmarried, but Odysseus sees their relationships as a breach of his own relationship with the maids, though he was not reluctant to have adulterous sex with Circe. Odysseus “[mounts] Circe’s gorgeous bed,” quickly, and without any visible qualms (241). While readers might argue that Odysseus needed to sleep with Circe in order to return home to Ithaca, his maids, and ever-faithful Penelope, Odysseus exhibits tells that show he in fact, wanted to stay in Aeaea amid his comrades, “feasting on sides of meat and drafts of heady wine” until a year “had run its course”

Odysseus is doing nothing wrong when, despite knowing his wife was alive and faithful, commits adultery with two other women. However, it would most likely be unforgivable to Odysseus if Penelope had been unfaithful and remarried not knowing whether her husband was still alive, and desperately needing a husband. Male seducers are represented by boys sowing their oats; a normal part of male life. Seduced females are viewed, however, as weak, frail, and treacherous. These examples speaks volumes about Homer's view regarding the inequalities between men and women in his epic.

Women’s rights in the Middle East have always been a controversial issue. Although the rights of women have changed over the years, they have never really been equal to the rights of a man. This poses a threat on Iran because women have very limited options when it comes to labor, marriage and other aspects of their culture. I believe that equal treatment for women and men is a fundamental principal of international human rights standards. Yet, in some places like Iran, discriminatory practices against women are not only prevalent, but in some cases, required by law. In this essay I will explain to you the every day life of an every day Islamic woman living in Iran. You will be astonished by what these women

The plague of male dominancy and female oppression has spread throughout time and cultures like a pandemic infection, targeting women. Sylvia Plath’s “Daddy” and Janice Mirikitani’s “Suicide Note,” show the struggle and pain that oppressive forces perpetrated on women. Although, both speakers are oppressed the way they end the oppression and the cause of it are very different. Patriarchy has always existed, and it affects women all over the world. For example, banned bride abductions in Central Asia have continued to occur, and the women who resist abduction, risk death, or becoming ostracized from their country (Werner 2).

This need to separate the angelic qualities of women into a totally separate world might come from the desire to protect one’s mother, and plays into the idea of the eternal feminine that must be preserved. “She has no story of her own but gives ‘advice and consolation’ to others, listens, smiles, sympathizes…” (Gilbert and Gubar 815). The aunt is a perfect example of such feminine qualities and represents the untainted light of civilization.

In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the

In The Winter’s Tale, the fate and happiness of women lie with men, however, men can only gain lineage, and subsequent power, through the female act of birth ‘‘No barricado for a belly’’(1.2.205). The only element a man cannot control in a woman is the most important to him, her fidelity. Hermione, Paulina, and even his lost daughter Perdita, represent the role women played in a male-centric society, but in vastly different ways. The King devalues Hermione as Queen, mother, and woman and uses degrading language ‘‘hobbyhorse/ slippery/ flax-wench’’ (1.2.275) to publically humiliate her in his court as judge, jury and executioner. Although a passive, obedient, and willing wife, Leontes only views her as his inferior, not the other half of his monarchy. When he does discriminate against her, Hermione does not wish to upset her husband and only hopes that he will regain control over his emotions ‘‘My life stands in the level of your dreams, Which I’ll lay down’’ (3.2.78), and offer her what she is due to her ‘‘A moiety of the throne’’(3.2.37). At her husband’s request, Hermione’s success of enticing Polixenes to stay at court is her ruination, and she suffers for it. Of the two women in his life, Hermione fails in establishing a balanced relationship with Leontes, and it takes 16 years for Paulina to