Woman From Willendorf, Aphrodite Of Melos

The Woman of Willendorf figure, which was revealed in Austria and it is so small that it measures about 4.5 inches in height (Haarmann 62). This piece is between 25,000 and 30,000 years old which makes it amongst one of the initial pieces of art revealed and an image of fertility. The work was imprinted from limestone with indication that some method of paint pigment was then added

The Venus of Willendorf can be a considered a landmark of the Paleolithic Era for various reasons. For one, it is not native to its land. It is unknown as to where it was originally created. Whenever it was found in 1908 researchers discovered that the statue was made of a type of limestone that was not native to that area, which led them to conclude that it had been brought to that particular area. Secondly, some experts believe that the statue gives a clear indication of what the people of that time worshiped. Some researches found that many people during the time worshiped the Venus of Willendorf as a fertility goddess.

Stemming from a desired standpoint, Aphrodite, a gorgeous, perpetual young woman with a beautiful body is known as the goddess of love and beauty. Graciously assisting men charm their desired spouse with love enchantments, Aphrodite herself was no stranger to divine lovers as she held various relationships with both gods and mortals. Yet, despite her dynamic desirability and mixed personality, Aphrodite had to overcome her weak and frightful self (http://www.greek-gods.info/greek-gods/aphrodite/) due to her jealousy. Even though it was thought that she was born the daughter of Zeus and Dione, it was more frequently believed that she was born of the foam in the sea off of island Cyprus. Later on, Aphrodite went to marry lame smith Hephaestus, Olympian god of Iron, but was quietly acquiring a private affair with Ares, god of War.

The Venus of Willendorf is a sculpture that was sculpted out of limestone and stands to be 4 ½’’ tall. The figurine was most likely carved out of limestone because early pre-historic artists generally had to create art out of whatever materials they had available. The figurine is only 4 ½” tall is because it was common for pre-historic artists to carve small, hand held, portable figurines. The sculpture was found on the banks of the Danube River, an area where pre-historic hunter-gatherers were thought to have lived and traded goods with other civilians. The use of this piece of artwork is to portray the importance of women and fertility in pre-historic times because these features are ones that ensured the survival and future of mankind.

The statues, Heyl Aphrodite and Capitoline Gaul, both contain human-like features, but only one shows the ideal woman figure. By observing Heyl Aphrodite, viewers notice her soft, curvaceous figure. Her body is proportional creating balance and harmony. Fabric hugs the goddess’s body, draping over her right breast, while exposing the left, conveying a sense of sexuality. Her lack of eye contact expresses weakness, while her body posture, with the aid of the fabric, shows movement. Merker compares the artwork in her book, when she writes, “The raised right shoulder gives a sense of movement; although there is no torsion, one feels there ought to be and is reminded of the unstable, twisting movement of the Heyl Aphrodite in

This article writes at length about the discovery of the statue/sculpture of Venus de Milo of Aphrodite from Melos. Three perspectives are presented in the article firstly on how the statue was discovered and the speculations made by the experts and other artists about the sculpture and the other structures unearthed with or near the sculpture. Another perspective presented by Kousser is how the sculpture does not necessarily epitomize female beauty, but it represents Hellenistic classical art. The author highlights how the sculpture was actually setup at the

The Torso of Aphrodite was constructed in the 1st century A.D. and is made entirely of marble. The torso used to belong to a life-sized version statue of The Greek goddess of love Aphrodite. From the moment I saw this piece, I knew I was attracted to it in a deeper way. It

Athena and Diomedes actions and thoughts indicate that Aphrodite is week, cowardly, and overdramatic about her pain, and words like week, and cowardly suggest that Aphrodite deserves her wound because she is a major reason behind the Trojan war. In sentences 403-407 suggest that Aphrodite is over reacting to the cut on her wrist, but Homer uses words such as Fell, Begged, and help me to point out that Aphrodite is not used to pain and she is not feeling well. On lines 417-423, Diane comforts Aphrodite, and tells her that she is not the only god that got hurt during battle, and tries to calm Aphrodite. While Diane is comforting Aphrodite, she says that its Aphrodite’s fault and she should have stayed away from battle( because she is not used

The Venus of Willendorf was found in 1908 by a workman named “Johann Veran” (Selen). It was found by archeologists at a Paleolithic site. Here at the Naturhistorisches Museum in Vienna, Austria, we have the only authentic Venus Figurine (Naturhistorisches Museum Wien). The artifact’s purpose is still being speculated by many. But from what I can infer, the figurine was used a a maternal figure, and it shows the richness of female fertility.

Venus is a term that has long been associated with artwork, most specifically the classical forms of beautiful women. The term Venus has also come to represent female sculptures of the Paleolithic era. The most notable of these female sculptures is the Venus of Willendorf, 24,000-22,000 BCE. The age of the figurine has been changed several times. Originally when found the date was estimated to be 15,000 to 10,000 BCE. During the 1970's the time period was adjusted to 25,000 to 20,000 BCE; the date was again recalculated in the 1980's to 30,000 to 25,000 BCE;

The Venus of Willendorf is a small 4.5 inch limestone figure of a Goddess which is believed to be used as a fertility symbol, while the Venus de Milo is a tall ancient Greek statue of a Goddess, which is said to represent love and beauty. The Venus

During the Upper Paleolithic era artists created a wide range of small sculptures. These sculptures were made from various materials, including ivory, bone, clay, and even stone. They represented humans, as well as animals; they even combined them at times. Most of the sculptures from this time show a high level of skill. From this time, there were two very influential sculptures, The Venus of Willendorf and the Venus of Laussel. This paper will discuss both sculptures, in detail, as well as, compare and contrast them.

Aphrodite Aphrodite = greek name, Venus = roman Goddess of: Love & Procreation Beauty & Grace Pleasure, Merriment Love Poetry Pleasure and joy Symbols: Star of Venus dove apple scallop shell mirror Family: Children of Aphrodite Pothos (son) Phobos (son) Peitho sometimes called her daughter Iakkhos (son) Himeros ( son ) Hermaphroditos (son)

Sculpture: Very few of their sculptures are around today, but the most famous is the Woman of Willendorf, which is thought to have a connection to fertility.

The Venus of Willendorf is said to be the first masterpiece of world sculptures. It belongs to a series of Venus figurines of the Paleolithic period or “Old Stone Age.” This period was characterized by crude stone and bone weapons, cave paintings, and sculptures. The Venus was found in a small village of Austria called Willendorf, hence the name of the Venus. This groundbreaking discovery was made in 1908 by the archaeologist Josef Szombathy. However, it was not until 1990 when we were able to predict the time when the sculpture was carved. It is believed to have been made between 25,000 B.C.E and 20,000 B.C.E. The sculpture is only 4,4 inches tall and it is made of oolitic limestone, which is a carbonate rock commonly found in India, around the Caribbean and Pacific Ocean Islands, but not Austria. Therefore, archeologists believe that this sculpture was moved from its original place of creation. Continuing with that idea, because of the fact that the sculpture does not have defined feet so it is not able to stand and that it is small and malleable, historians believe that it was originally made to be carried around as a talisman or a sign of good luck, especially for fertility purposes. It is important to notice how the structure of this sculpture highlights some human features (breasts, belly, hips, vulva) while minimizing others, such as arms and legs. The Venus represents the first aesthetic ideas of our early history, which has