Womanhood and Failures through the Burden of Self Esteem Essay

It’s easy to feel worthless. Almost every person feels this deep emotion at some time in life, but people handle it different. Everywhere people are always judging. Judgement from parents, from family, and even from friends is inescapable. People can tear themselves down in many ways, such as through school, not feeling they look good enough, and even just not feeling like they’re ever good enough to be living on Earth. In Janice Mirikitani’s poem “Suicide Note,” it talks about an Asian-American student currently in college. She tries her hardest, she wants to succeed and make her parents proud. Her parents have high standards for her, as they want her to receive a 4.0 grade point average. Although she gives her best effort, her grade point average is still less than a 4.0, and for that reason her parents are not proud of her, she’s not their perfect, ideal daughter. So she enters that point where she no longer feels proud of her accomplishments, she feels worthless, and unintelligent. She decides to commit suicide by jumping out of a window in her college dorm. In her suicide note she apologizes to her parents for not being good enough. “Suicide Note” is a free form poem, it has no set stanzaic pattern, the sentences break in unexpected places, and the structure varies throughout the poem. It uses imagery to connect with the reader, and the stanzas are set up in way that make the lines to appear as they are falling. Through the use of enjambment, and end-stopped line the

1. Why did Cato object to repealing the Oppian law? What was the basis of his objections?

There are times when we feel like we must be perfect in other to please others. No matter if we did the best we could, if it isn’t perfect, we felt like a failure. We want the approval that comes with perfectness but perfectionism is not the same thing as striving to be our best. Perfectionism is not about healthy achievement and growth; it 's a shield. Perfectionism is refusal to accept any standard short of perfection. “Suicide Note,” by Janice Mirikitani, is about an Asian American college student who commits suicide by jumping from her dormitory window. This poem is read as the suicide note that was left behind by this young woman to apologize to her parent s for having received less than a perfect four point grade average and not being perfect in life. Her last thoughts and feelings were left on this note, describing why she did what she did. The pressure to succeed that this student felt from herself and her parents was far too much to overcome. Even though the girl worked really hard and did her very best, it wasn’t good enough in her mind and maybe in her parents’ minds to be worthy of her parents’ love or life itself and so her only option was death to atone for her sin of imperfection. Sometimes pressure to succeed that a student feels from herself and her parents is far too much to overcome.

In her poem "Suicide Note", Janice Mirikanti expresses that the amount of stress she's experiencing is a result of the continuous pressure from her parents and culture. In her poem she apologizes to her parents. She even goes on to say that if she were a boy that things could possibly be easier for her. She expresses that she gives each task her all, no matter the difficulty and somehow still fails to receive validation. In the poem she uses key words or phrases to trigger specific emotions within the reader such as "not good enough, not pretty enough, not smart enough."

Most people face self esteem problems at different levels. At some point in life people face this problem without realizing it. In the essay The Trouble with Self-Esteem written by Lauren Slater starts of by demonstrating a test. Self esteem test that determines whether you have a high self-esteem or low self-esteem. The question to be answered however is; what is the value and meaning of self-esteem? The trouble with self-esteem is that not everyone approaches it properly, taking a test or doing research based of a certain group of people is not the way to do so.

The sexualisation of women in advertising has become a very prominent and controversial issue in today’s society. Many brands, products and campaigns we are presented with portray women as being available and willing sexual objects, who exist to cater to the male gender. Gucci is one such brand that does this, focusing on emphasizing the sexual appeal of the female gender in order to sell their products, because as advertisers know: ‘sex sells.’ This new cultural shift can however, be seen as politically regressive for women, as the ideology it brings negatively impacts how women are viewed by society and how they view themselves.

Janice Mirikitani’s words in this poem is depressing and her message is blunt. This poem has a way of making the reader feels like they going through the same thing that the young asian american was going through. “Suicide Note” illustrates an individual's need to be themselves, as well as parents instinctual nature to want the best for their children, and how both of these things go completely

My mother never told me the complications of becoming a woman in this world. Maybe she thought I was strong enough to figure them out on my own. Or quite possibly, she couldn't tell me, because she never really knew how to face the complications herself.

The poem Suicide Note, written by Janice Mirikitani (1987), talks about a young lady, who has studied in an Asian-American female college. The lady, unfortunately, committed suicide by jumping through her dormitory’s window. She left behind a note, citing reasons that led to her actions. After a critical analysis of the note, her parents were held responsible for her actions; they were pressurizing her to perform better in her exams. The poem, thus, describes the real feelings and the emotions of this young lady, who believes that committing suicide is the only option left to please her parents and to escape the enormous pressure placed on her. The persona uses voice in the poem to bring our attention to the sufferings she was going through, and that led to the devastating event. Voice in poetry is the strong words of a line, stanza or a page that creates a relationship between the audience and the persona. Voice can, therefore, be categorized as imagery, patterns of sounds created, rhythm, tone, and diction (Gahern 166). The following is a description of how the voice in Mirikitani’s suicide note helps the reader understand the persona’s reasoning.

The plague of male dominancy and female oppression has spread throughout time and cultures like a pandemic infection, targeting women. Sylvia Plath’s “Daddy” and Janice Mirikitani’s “Suicide Note,” show the struggle and pain that oppressive forces perpetrated on women. Although, both speakers are oppressed the way they end the oppression and the cause of it are very different. Patriarchy has always existed, and it affects women all over the world. For example, banned bride abductions in Central Asia have continued to occur, and the women who resist abduction, risk death, or becoming ostracized from their country (Werner 2).

Annette Bair and Marilyn Friedman have opposing views on whether women have distinct moral perspectives. Like Friedman, I believe that women have no different moral perspectives than men. Some people, like Bair, think that women base their moral perspectives on merely trust and love and men base theirs on justice. Friedman points out that care and justice coincide . People use justice to decide what is appropriate in caring relationships and care is brought into account when determining what is just. Since these two moral perspectives correspond, gender does not distinguish different moral perspectives.

At first glance the treatment of women in an Igbo marriage is appalling, the woman may be beat if she is out of line, she raises the children, does the housework and even some farm work without hesitation. For the Igbo clan, a marriage is the union between a man and as many women as he desires and can afford to buy. A marriage is done for the purpose of having numerous children and love between man and wife is not even a requirement. The wife is given the option to leave if she is unhappy and despite the fact that the choice to leave or to stay seems obvious, the pros seem to outweigh the cons for an Igbo woman.

Throughout history and today, we women are constant victims of stereotyping from our society. Certain “rules” have to be followed and certain “ideal” women images have to be kept. We are raised in a way to fill certain position where the society wants us to be and as a result, the opportunities are always limited for us and ideas of our importance in the society are diminishing. Even though women gained some independence, where women can work and take various position in society, the society’s idea of typical role of women never seem to change.

Insecurity drills a hole into a person’s heart, minimizes their integrity, and accumulates as plaque build up, hindering any kind of future growth. Just as any human being’s growth is stifled by the insecurity within them, the United States as a whole suffers the same from its own tremendous amount of insecurity. This lack of acknowledgement of self-worth causes a ghastly chain reaction; people tend to pursue the wrong ideals, become corrupt, and inevitably lead themselves to their own demise. Insecurity is a route to destruction, and America is speeding down that road to dissolution.

In politics, power is a crucial component, and having authority over others is critical in legitimizing that power. Women consistently lack agency and power, especially in political spheres. Fantastical worlds, like HBO’s television series Game of Thrones (GoT), portray women in roles of empowerment, but their power is contingent on men and on their own sexuality. Despite gaining positions in political power, women only attain that power or can only use that power in the realm of men and masculinity. This essay argues that women in Game of Thrones, as political and non-political actors, are only powerful to the extent to which it roots from archetypical masculine characteristics and to which it advances their storylines from a man’s standpoint. To do so, I will first contrast political power and apolitical power, namely in terms of female participation and involvement. Next, I will examine HBO’s Game of Thrones in relation to its portrayal of female empowerment and of stereotypical gender roles. This paper will then distinguish notable Game of Thrones female characters as political powerful and apolitically powerful actors. This paper will conclude with an analysis of how Game of Thrones magnifies women’s roles in political power while also generalizing women as powerful only in regards to their sexuality.