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Women And Feminine Qualities Of Women

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Imagine a world of endless wonder, where historical artifacts actually contain powers beyond our control. If something like this were to occur who would you picture protecting said artifacts? Most people would say men because in our society men are deemed the protectors and leaders. In SyFy’s Warehouse 13, there are powerful artifacts but in season one out “of the six principle characters, four of them are women, including the boss” (Atchley, 2014, para. 4). In the show “masculine attributes are given to women and feminine qualities are given to men” (Atchley, 2014, para. 4). Overall the characters are treated as just people. Gender is more often than not thrown aside unless it is something that only that specific gender goes through, such as ovarian cancer. In fact, “all of the women are presented as intelligent, strong and more capable than their male counterparts” and the same goes for Joss Whedon’s Buffy the Vampire Slayer (McMillian, 2010, para. 6).” Which is why the females in Warehouse 13 are not only great feminist characters but also highly influenced by Buffy. Because of this, in this paper I will discuss why these female characters in Warehouse 13 are feminist along with the similarities between them and the characters in Buffy followed by a discussion on why Warehouse 13 is important to science fiction programing. This essay draws from Stephanie Genz’s Singled Out (2010), A. Susan Owen’s Vampires, Postmodernity, and Postfeminism (2010) and Sharon Ross’s

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