Women Blues Music Essay

The article “Jazz and White Critic” by Amiri Baraka brings light to an element of jazz criticism that he is frustrated by. Baraka finds controversy in the ideas white critics write about regarding jazz music. Baraka states, “Most jazz critics have been white Americans, but most important jazz musicians have not been.” In the 1960’s, when Baraka made this statement, jazz was becoming more popularized and socially accepted. African American jazz musicians took a long, strenuous journey over decades to push their music into the spotlight to become one of the most popular music styles in society internationally. The special element of jazz is its raw emotion. Baraka distinguishes between “White Jazz”, music

Known as the “Empress Of Blues”, Bessie Smith was said to have revolutionized the vocal end of Blues Music. She showed a lot of pride as an independent African-American woman. Her style in performance and lyrics often reflected her lifestyle. Bessie Smith was one of the first female jazz artists, and she paved the way for many musicians who followed.

Eileen Southern’s The Music of Black Americans: A History she examines the influence that African Americans had in the holiness churches in music and worship. She initially starts with the landing of the first Africans to the colonies and she creates a phenomenal conversation of the musicians in the new world. She details the progression in the gospel, classical, jazz, rap, blues and the contributions they made.

Blues is one of the most captivating genres of music. The genre was originated in the late 1800’s as a method used by African American slaves to express the circumstances as well as to put emphasis on their feelings and emotions. In order to create these feelings in this music, blues artists incorporate many of the same techniques used to write poetry. One of the most easily identifiable songs in which it is easy to see the relation between poetic elements and blues music is the song “Empty Bed Blues” by Bessie Smith.

Many Renaissance writers felt some hesitancy about the use of the black lingo as well as an onus to maintain the separation between high and low art, an issue that continues to be debated. How to confront questions of race commonly had to be more nuanced and subtle as well. Advances in black music were somewhat more efficacious because of the high demand for black talented artistes like Count Basie, Ethel Waters, Ella Fitzgerald, Billie Holiday, and Louis Armstrong. New York nightclubs regularly featured black musicians, whose innovations in jazz embodied America 's first original music form. Black women vocalists also found success as the music industry quickly discovered the commercial advantages of race music.

In the 1920’s, blues was a very popular and dominating genre in the music industry. Generally, the blues was sung by African American women because according to the book entitled, “Blues Legacies and Black Feminism” by Angela Davis, “…The most widely heard individual purveyors of the blues—were women.” (Davis 4) The blues delivers certain emotions such as sadness, loneliness, love, sex, and feelings about the certain circumstances the artist may be going through at the time. Two women who dominate this style of music are Gertrude “Ma” Rainey and Bessie Smith. As stated by “Gay & Lesbian Biography”, “The careers of Rainey and Smith are closely interwoven.” Ma Rainey is a woman who is admired for both her amazing vocals and her ability to entertain. Bessie Smith is a woman who started off as a background dancer for her peer Ma Rainey, but then went on to emulate her by outdoing her success. Both women are very talented musicians who can not only sing and entertain, but they also create an impact as two of the most influential feminists during the 1920’s who helped shape the blues into what it is today.

express themselves as talented individuals. Certain blacks contributed immensely to the era of jazz, for example, Duke Ellington. Ellington entered a brand-new, exciting

Why do we value hip hop artists and cool shoes while forgetting and leaving out some of the most important people in the American history like Charlotte Hawkins Brown? Charlotte Hawkins Brown was an African American woman who deserved at least a ¹/₃ of the American History Book because she was a person who devoted her entire life to bettering and equaling education rights for colored students and someone worth being known about. Brown was born on June, 11 1883 in Henderson North Carolina. Charlotte Hawkins brown was a granddaughter of a former slave. When Brown was 12 years old she was involved in Civic, and/or involvement (Unknown D²). Charlotte Hawkins Brown was also someone who suffered through segregation and the Jim Crow laws growing up, but she did not let the inequality, unfairness and mistreatment stop her from reaching her goal and target which was to have a successful educational career. She moved to Cambridge, Massachusetts at a very young age to attend Cambridge English Public School in which she excelled as a student. When she was a senior in high school, Brown had a chance meeting with the prominent educator Alice Freeman Palmer, who was impressed to find the young woman reading Virgil while pushing the stroller of a child she was babysitting to raise money.Palmer would play a profound role in Brown 's life, first by paying for her college education at the State Normal School at Salem, Massachusetts, and then by encouraging Brown to return to her native

The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of

In the twenty first century there are a few men in this world that admits when you think of artist, you don’t typically think of women. Women rights and racism play a strong role when it comes to African American female artist. For decades’ African American woman have always had a permanent double bull’s eye on their back. Their skin and gender was their worst enemy. In the 1700 century women rights movements started to rise. But if you look up women right movements starting in the 1700 century, the face of women rights is predominantly white women. Between books and the internet, they show that it was mostly white women who helped woman rights. If we still struggle to shine light on African American Women now in the 21st century, you cannot

Cornet Solo (2 bars) → Clarinet Solo (2 bars) → Cornet Solo (2 bars) → Clarinet

separation. Rock and roll music was formerly made up of only whites, but gradually African-Americans moved into that genre of music. This is a good thing for racial equality, except for when you look at the other types of dominant music today, rap and rhythm and blues. There is almost no white singers in these entire styles of music. On MTV, there has been only two white rap singers in the history of the channel, and one of them, Enimem,

The story of the glamourous and revolutionary young white women of the roaring 20’s, the flappers, the designers, and the actresses has been praised, the story of the African American women during that time hasn’t received the spotlight they deserve. Female African American artists were instrumental in the development of the Harlem Renaissance. Enchanting blues singers, admired socialites, and poets who captured the hundreds of years of struggle African Americans endured artistically on paper, all heavily contributed to the development of black culture.

Introduction to African American Studies was the class that I decided to take this summer because I am genuinely interested in learning more about the cultures and lifestyles of African Americans through out history and I want to further my knowledge beyond just learning about what was taught to me in secondary school. I do not know much about African American studies as I have not taken any courses on it or relating to it in the past but I hope that I can gain a lot of information on the topic through out this intellectual experience. I also hope to gain a better understanding of the history of Africans and African Americas and be able to dive deeper into this topic instead of just hitting the surface as I feel as though my previous experiences with this topic have covered. In just this first weeks lesson I have learned about the three great principles that characterize the “Black Intellectual Tradition” and how these three principles are used and perceived.

Society continues to nurture these depriving situations and demonstrate lack of concern towards black women by not celebrating them for the roles they played in the movements. Taylor (1998) asserted that, “despite the fact that the most celebrated leaders of the modern civil rights movements were men, African American women participated at every stage in the struggle for justice and equality” (239). Although black women were not in public eyes during these movements, it was their vision and organizing roles they played that helped in the progression of many liberation movements.