Women Committed To Insane Asylums

Monsters on the Inside: The Cause and Effects on the Insane Asylum According to the famous English designer, Robert Welch, “The whole country is one vast insane asylum and they’re letting the worst patients run the place.” Insane asylums in the 1920’s were ran by monsters but defined the patients as the monsters. Anyone who had a mental or physical disability was thrown into an insane asylum. In the 1920’s insane asylums were crucial, the hospitals had extreme rules, ghastly treatments, and horrific restraints.

But other patients had reasons to be in the asylum. On Tennessee Genealogical Society web site you can read why mentally healthy women went to the insane asylums. Some of the women were put in the asylum because they questioned the authority of their husbands or they were not good housewives. Any woman was at risk of being put in an insane hospital if they did either one of those. Also, if women got to old the husband could have her put in a hospital and take a younger wife. Once a woman was committed, it was as if she died, an obituary was published, usually. A landlord could have a person committed for not paying rent. A boss could have an employee committed if they were slow or a bad employee. People could be committed if they were poor, being an alcoholic, a person with a short fuse, or anyone who deviated from the normal thing society thought was right. These could go for men or women, but most were filled with women. Also, children who acted out or had mental or physical disabilities were also placed in mental asylums. A blind child or a child with a speech problem would be locked away for the rest of their life just because they had a birth

Firstly, let me explain to you what a hysteria is, it is uncontrollable emotion or excitement. You’re probably wondering why would this be exciting, well I am about to tell you. When nine and eleven-year-old girls sought to know their destiny they found the unfortunate answer by engaging with a West Indian woman named Tituba. To see their future the woman used an egg white in a glass of water and looked for telltale shapes. One of the girls thought she

The dangerous and suicidal patients were tied together with ropes to help isolate them from the rest (ch. 14). The nurses were very obnoxious and abusive. For example, they would tell the patients to shut up and that they would beat them if they talked (Bly, ch. 12). Throughout Bly’s experience she talked with other patients, which convinced her that some were as sane as she was. Ultimately, society could not determine who was actually insane or sane due to their lack of knowledge on mental illnesses.

Until the medical breakthroughs that we have made in the modern day, psychology as a science was not fully understood. Modern technology has given us a clearer idea of psychology, but in the past there was less known about the science. This alongside a predominantly male medical discourse led to a medical diagnosis in many women called hysteria. Female hysteria was a medical diagnosis given to specifically women as far back as the ancient Greek civilization. Hysteria started as a supernatural phenomena, but as medicine evolved it would be described as a mental disorder, (Tasca). Hysteria. in actuality, is an absurd and fabricated diagnosis that institutionalized and discriminated countless women. The way it makes a women feel, and the fact that it strips a woman of any sort of free will is a sickening display of blatant misogyny. “The Yellow Wallpaper” by Charlotte Perkins Gilman perfectly displays not only the misogyny, but the torture a woman must face trapped under a hysteria diagnosis. Hysteria as a diagnoses fails to effectively treat many women, instead leading to the mistreatment and wrongful institutionalization of women.

Hysteria was the “go-to, catchall diagnosis” for all women, consisting of any “problem” including, but not limited to, nervousness, faintness, loss of appetite, (lack of) sexual desire, headaches, insomnia, muscle spasms, and trouble-making. For centuries, literature portrayed as submissive and obedient to men and oppressed by society, culture, and even men. In The Yellow Wallpaper, Gilman presents readers with a story of a woman suffering from depression, possibly post-partum, but whose remedy is “rest cure,” a treatment invented by Silas Weir Mitchell for neurasthenia involving isolation and rest as a cure for hysteria in all its forms. The Yellow Wallpaper is a narrative concerning the gradual demise of the mental stability of an unnamed, newly married upper-middle class woman in late nineteenth century rural America. Gilman uses psychological terror to not only portray the narrator’s fall to insanity, but also to shed light on the rather unfortunate role of women in the institution of marriage. The narrator’s husband, John, is a physician who firmly expresses disbelief in his wife’s claims of depression. From the beginning of the story, the reader can tell immediately that the narrator has absolutely no voice. John assures her and others that nothing is wrong but “temporary nervous

Ann Wood Douglas suggests that a significant number of number in America during the early nineteenth century considered themselves ill. Many of these women, Douglas asserts, were self-diagnosed. However, these diagnoses were both encouraged and stimulated by the culture surrounding them. These women were not just sick, instead, they were sick because they were women. Their anatomy, specifically the uterus, was viewed as an inherently erratic and troubled organ that

In her first journal entry Kaysen tells how the decision for her to go to McLean Hospital was based on a twenty minute conversation with a psychiatrist. Kaysen had been picking at her acne and been acting out in ways which would not be considered unusual for teens today, but at the time it was a sufficient excuse for commitment to an institution. In an interview, Kaysen further develops the idea that her illness was influenced by outside factors saying, “ [Her] retrospective account of her confinement at McLean Hospital makes a cultural intervention that challenges the notion that mental illness is rooted solely in the individual.” (Kaysan, 18). Being surrounded by girls with serious illnesses forced Kaysen to assume the role of a girl with a real mental illness. Society forced her to find something wrong with herself in an attempt to fit in. Kaysen questions what mental illness truly is. She asks,“Was everybody seeing this stuff and acting as though they weren't? Was insanity just a matter of dropping the act?” (Kaysen 41). Because Kaysen was labeled as being mentally ill although she was not, it became hard for her to tell what truly pronounced someone as mentally ill. Was everyone slightly crazy or were just some better at hiding it then others? Living in such an uptight society, people had no choice but to put on an act of perfection. When someone began to “drop the

In the late eighteenth century hysteria was large in women that which may have made them been perceived a little different in society. In Nellie Bly’s excerpt she says “…. greatly dampened by the look of distress on the faces of my companions. Poor women they had no hopes of a speedy recovery.”(190) This saying says the women had no idea what they were getting into. The were nervous about going to this so called “mad house” and nervousness can lead to hysteria as it is said in Laura Briggs article. “As a description, “nervousness” did historic labor, and accounted for the most various disease of body and mind.” Even though most of the patients inside the asylum were

In Charlotte Gilman’s short story "The Yellow Wallpaper," Jane, the main character, is a good example of Sigmund Freud’s Studies In Hysteria. Jane suffers from symptoms such as story making and daydreaming. Jane has a nervous weakness throughout the story.

What comes to mind when you hear the words “insane asylum”? Do such terms as lunatic, crazy, scary, or even haunted come to mind? More than likely these are the terminology that most of us would use to describe our perception of insane asylums. However, those in history that had a heart’s desire to treat the mentally ill compassionately and humanely had a different viewpoint. Insane asylums were known for their horrendous treatment of the mentally ill, but the ultimate purpose in the reformation of insane asylums in the nineteenth century was to improve the treatment for the mentally ill by providing a humane and caring environment for them to reside.

Unfortunately, asylum founders could only guess at the causes of insanity. Patient after patient was admitted into the state hospitals, but the cause of their disturbance was often a mystery. Many were inflicted with various organic diseases, like dementia, Huntington’s disease, brain tumors, and many were in the third stage of syphilis. With no treatments available, providing humane care was all that could be done. In the years following the civil war American cities boomed and the asylum began struggling to keep up. Soldiers, freed slaves, and immigrants were stranded in a strange land. The asylum became organized more like a factory or small town. There were upper and lower classman, bosses and workers, patients with nothing, and patients with privileges. Sarah Burrows, a schizophrenic and daughter of a wealthy doctor had a ten bedroom house that was built for her on the hospital grounds. Burrows home was just a stone’s throw away from the hospital’s west wing, where over sixty black women slept side by side. (Asylum: A History of the Mental Institution in America). The hospital began to rely on the free labor the patients provided. However, isolating the hospital from the community meant there was no way of knowing what was happening inside the asylum. The asylum became a world apart. In the 1870’s, Elizabeth Packard, a former patient of St. Elizabeth’s, wrote about her mistreatment and abuse

In 1901, a fifty one year old woman named Frau Auguste D. was admitted to a psychiatric hospital in Frankfurt, Germany. She had an unusual bunch of symptoms. While she had no history of prior psychiatric illness, her husband had noticed that Frau D. was becoming increasing paranoid, hallucinatory, agitated, disoriented, and having increasing difficulties with language functions and memory.

In her book Women's Madness, Misogyny or Mental Illness, Ussher notes that in the Victorian era, hysteria was diagnosed primarily in strong, outspoken women: in other words: women who transgressed the ideal of true womanhood and thus challenged patriarchy. This is

Freud continued his work on repression, memories, and past experiences of trauma to be the motive for all neurotic symptoms. Trauma in past experiences was not always the key determinant for hysteria cases, there needed to be another component for the cause. The combination of past trauma and present trauma awakened memories of the earlier trauma which constituted the true aggravation (Storr, 1989, p. 15). However, he began to see a common factor in his work. Next Freud noticed that a common denominator of all his hysteria cases was premature sexual experiences. Sex encompasses many emotions through mind, body, and spirit that can influence a great deal of character if repressed. Storr pointed out that, “Freud became more and more convinced that the chief