Women, Cultural Appropriation, Racial And Gender Differences, And African Americans Essay

The Jazz Age was a period of radical behavior and care free living. This new music structure started the crazy decade that would change American life. “In the US during the 1920s, jazz was far more than a new musical style or genre”. A Focus on culture, fashion, and mostly freedom became huge. “The Jazz Age became a touchstone for a wide range of social and cultural issues.”1 Also the freedom during the period allowed for many different ethnicities, including African Americans, to gain freedom within society. This new music

Many Renaissance writers felt some hesitancy about the use of the black lingo as well as an onus to maintain the separation between high and low art, an issue that continues to be debated. How to confront questions of race commonly had to be more nuanced and subtle as well. Advances in black music were somewhat more efficacious because of the high demand for black talented artistes like Count Basie, Ethel Waters, Ella Fitzgerald, Billie Holiday, and Louis Armstrong. New York nightclubs regularly featured black musicians, whose innovations in jazz embodied America 's first original music form. Black women vocalists also found success as the music industry quickly discovered the commercial advantages of race music.

Jazz to me is one of the inherent expressions of Negro Life in America: the eternal tom-tom beating in the Negro soul—the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. Yet the Philadelphia clubwoman… turns up her nose at jazz and all its manifestations—likewise almost anything else distinctly racial…She wants the artist to flatter her, to make the white world believe that all Negroes are as smug as near white in smug as she wants to be. But, to my mind, it is the duty of the younger Negro artist …to change through the hidden force of his art that old whispering “I want to be white,” hidden in the aspirations of his people, to “Why should I want to be white? I am Negro—and beautiful.”

Jazz to me is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul-the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. Yet the Philadelphia club woman , turns up her nose at jazz and all its manifetations-likewise almost anything else distinctly racial... She wants the artist to flatter her, to make the white world believe that all Negroes are as smug and as near white in soul as she wants to be. But, to my mind, it is the duty of the younger Negro artist, to change through the force of his art that old whispering "I want to be white, hidden in the aspirations of his people, to "Why should I want to he white? I am Negro-and beautiful"

African Americans are largely credited for the creation of the jazz style due to their use of woodwind instruments and African genes. For example, the Charleston, a 1920’s era dance, was popularized by African Americans. However, many middle class white Americans adopted jazz as their own. Due to racial prejudice, white American jazz artists received more credit on radio stations and shows opposed to African Americans, who originally idolized jazz. Jazz exacerbated racial tensions during the post war period. Due to white Americans receiving credit for jazz, African Americans grew angry, thus increasing tension between the two races. Despite the tension, jazz still influenced all aspects of society. Young people especially were largely impacted by the jazz age. Many families moved into cities or towns opposed to staying outside of town in the country. Farming became less popularized as people wanted to rebel against their old ways (A New Jazz

Jazz and the culture surrounding its history has evolved into one of the worlds most widely known art forms and eras of American music. It is distinguished by its variety of musical characteristics; as well as its evolution in New Orleans, its early performers, the instruments that make it, where it was performed, and the infusion of African and European musical elements. This paper will examine the origins of this unique musical identity along with its characteristics and the cultural history surrounding it.

It impacted upon and contributed materials to new music, as well provided the long sought-after musical link to cultures that had been considered “primitive,” cultures from the African continent and the American South. Jazz music also served as a very effective way for American composers to accomplish their long-desired goal of gaining acceptance in Western Europe. “The vogue for jazz among American concert composers reached its peak between 1924 and 1926, yet it had ongoing implications profoundly affecting the musical language of Americans for decades to come.” Jazz was born in the United States, specifically, in New Orleans. “New Orleans had a great tradition of celebration.

While these wonderful male greats propelled jazz into the mainstream culture, it is also vital to note that women also played a marvelous role in the popularity and bliss of jazz. This is the unfortunate classism that plagued such a colorful era in genre. Even though these female wonders projected phenomenal talent, women largely struggled to detach themselves from the identity the male-dominate society generated for them. Ms. Magazine writer Sherrie Tucker even goes as far as to suggest that many related women to “the extravagant brothels that are as much a part of the popular imagination of New Orleans as gumbo and Mardi Gras.” These negative dogmas limited the potential for many of these talented women who pursued success in the

The origins of jazz music and dance are found in the rhythms and movements brought to America by African slaves. The style of African dance is earthy; low, knees bent, pulsating body movements emphasized by body isolations and hand-clapping. As slaves forced into America, starting during the 1600’s, Africans from many cultures were cut off from their families, languages and

The creation of jazz at face value is normally credited to the minorities in the United States, mainly the African Americans, but was modified and adapted to be culturally and socially acceptable to the middle and upper classes of white Americans. While the jazz movement was eventually dominated by the middle class white population in the US, the conception of this music form was influenced and inspired by African traditions and the ideals of the Europeans. How did factors such as socioeconomic status, race, and gender contribute to the creation of Jazz? Why was the era of the Roaring Twenties crucial to the development of Jazz as a mainstream art form in America? These are two of the many questions historians and music theorists have brainstormed while studying the creation period and golden age of Jazz in America.

Music is essential to the African American culture experience in the United States. Even though African Americans were faced with racism, they were always inspired by music to live in peace. Even though jazz was a game changer for culture acceptance with whites, there were still negative aspects that created new barriers of blocking the true form of music. And so, white folk did what they do best and that’s to point fingers and make their own solutions. White bands and soloist players started forming and taking up slots in which were originally already for African Americans. Black jazz musicians were less credited for their invention and innovation of jazz music. Jazz music created a sense of identity, originality, and social blend among black musicians, but they weren’t credited for there work. White people like to see other white people win…and they can’t win when it comes to jazz…because black people created this” . There is the believe that black jazz musicians experienced a lot of resentment because they felt that they did not always receive acknowledgement for their accomplishments, while whites were granted titles such as “King of Swing” and “King of Jazz” Again, this social effect of jazz was a result of greed by whites of every class, and it created anger among black jazz musicians.

Topic #1 Development of Jazz music in New Orleans Jazz music was originated from African American communities. The African American community is responsible for developing jazz as they used their culture as an influence in it. In the nineteenth century, jazz music had reached New Orleans. The history of the music can be traced back to the slave trading. In Africa, Slaves used music as a means of entertainment just as they did and the music was also affected by the new culture that they found in America leading to the development of jazz.

Different cultural elements were combined to create jazz. These elements include the different ethnic groups and different types of music. “New Orleans were awash in blues music, ragtime and the native brass-­‐band fanfares.”

Throughout history, jazz started to become very well known among diverse groups of individuals Jazz began developing in New Orleans and thoroughly established at the beginning of the 1920s. A plethora amount of slaves were Africans when imported into the new world which was New Orleans. However, they were not allowed to bring their musical instruments. Indeed, they didn’t leave behind their musical tastes and rhythmic sensibilities. There was an area in New Orleans where slaves would unite to make music, practice their religious beliefs, and communicate which was known as Congo Square. African slaves would add their taste in jazz changing European Church Hymns, folk songs, and dance music. In effect, causing the blending of African aspects

The Harlem renaissance changed a popular culture as black musicians became increasingly successful and gained a great amount of recognition by white America. Although black musicians could play in Jazz clubs racism and segregation still existed in the 1920’s as clubs were all if not predominately