Women In Beowulf

In the movie Beowulf, the women are depicted differently than in the poem. The women in Anglo Saxon culture had more power than demonstrated in the movie. For example, the servant in the Mead Hall is clearly objectified. She is wearing a tight dress with her breasts showing, wanting to gain attention from the men. While she is washing the table, she is bending over so her breasts are exposed. All the men are surrounding her and staring. The main reason for the servant being at the Mead Hall is so the workingmen can look at her. The men are only interested in the servant in a sexual way. An example of this is when a working man states, “…No wonder my loins are burning.” He wants his sexual desires to be completed by the servant. He

Within Beowulf the Queen Wealhtheow shows her diplomacy as well as her ability to influence the king’s decisions without directly intervening. When Beowulf first arrives, prior to the fight with the Grendel, Wealhtheow is shown as a subservient queen doing her duty for her king. Her diplomacy is apparent in her dealings with

their husbands die the temporary peace is broken and the fighting clans resume war. The women of Beowulf also played he role of hostess. They knew there place in the Middle Age world.

As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain

Women have had many different roles in the history of European literature but have generally been restricted to the roles assigned to them in a largely patriarchal society. As a result of this society, these roles have often been powerless ones. This calls into question the constitution of a powerful woman in literature: in Beowulf, being a powerful woman means becoming the bond between families and alliances; in Lanval, power comes from assertion and control-- a powerful woman is a woman in charge. The primary difference between the representation of women in Beowulf and Lanval is that the latter transcends overarching patriarchal boundaries, and the former does not; the reason for their respective representations lies in the literary time periods in which the stories were written. From this, one can see that the introduction of romance as a central theme gave way to new representations and roles of women in predominantly heteropatriarchal English literature and gives new meaning to the analysis of stories like these.

Within the pages of the well-known epic poem are many extraordinary and warring narratives of the Middle Ages. Beowulf is important because it is one of the most ancient European epics written in the vernacular, or native tongue. The seemingly super natural heroes of this exciting and famous writing have a great impact on the typical roles of their women. As declared through out the many lines of the astonishing poem, the women have many purposes and serve a variety of roles. Wealhtheow, Hygd, Hildeburh, Freawaru, and Grendel’s Mother give examples of the historical roles that are expected of the women of this ancient time. The women in “Beowulf” have the significant roles of hostess, peaceweaver, and mother.

After the first victory, Beowulf’s “comrades willingly go with him because of their confidence in his ability to lead them and to achieve their objectives” (Loughman). Beowulf becomes a role model not only for his thanes, but for the Danes of Heorot as well. Following defeat of Grendel’s mother, Hrothgar gives a sermon before the celebration honoring Beowulf begins. Hrothgar says “Beowulf, my friend, your fame has gone far and wide, you are known everywhere….forever you will be your people’s mainstay and your own warriors’ helping hand” (McArthur). King Hrothgar informs Beowulf of his significance to the Danes and how he serves as the backbone of his group of warriors.

Beowulf is an epic tale written over twelve hundred years ago. In the poem, several different female characters are introduced, and each woman possesses detailed and unique characteristics. The women in Beowulf are portrayed as strong individuals, each of whom has a specific role within the poem. Some women are cast as the cup-bearers and gracious hostesses of the mead halls, such as Wealhtheow and Hygd, while others, Grendel's mother, fulfill the role of a monstrous uninvited guest. The woman's role of the time period, author's attitude, and societal expectations for women are evidenced throughout the poem.

Despite the fact that the women were almost treated as "slave," the men were almost treated as "king" in the eighth-teen century. Likewise, in Beowulf's story, Wealhtheow, who is the queen of Hrothgar, devoted herself to honor and benefits Hrothgar as his wife. Even though She was honored and dignified character,

However, as queen, Wealhtheow shows her intelligence and ability to control men, to some degree, despite her limited powers; accordingly, the author expands her role from that of a traditional Anglo-Saxon woman to include gift-giver and guardian of the throne. Following Beowulf's fearless victory over Grendel, Wealhtheow offers a toast to the Geats and gives Beowulf rewards for his heroism. She tells Beowulf, "Have luck with this neck-ring beloved Beowulf / accept these gifts gold-gleaming treasures / and use them well&emdash;may you win always / make known your strength and save for these boys / wise counsel-words&emdash;I'll reward you for that" (ll.1216-20). Wealhtheow cleverly uses this opportunity to safeguard her two children from Hrothulf, their mischievous older cousin. Should the king meet an untimely death, Wealhtheow needs to guarantee that Hrothulf

The major women that appear in Beowulf are: Wealhtheow, Hildeburh, Freawaru, Thyrth and Grendel’s mother. Wealhtheow and Hygd are the only two female characters whom are royalty. Wealtheow and Hygd are seen as hostesses; rather she is the instrument that reaffirms social customs and publicly establishes the status of the men who are in the presence of the king

In Beowulf, Wealhtheow and Hygd were both queens and hosted functions and events for the kings and the tribesman. Queen Wealhtheow, wife of Hrothgar, was well known as the mistress of Heorot Hall. Her main concern was that her son 's, Hrethric and Hrothmund, became the rightful heirs to the throne in the possibility of the king 's death. Wealhtheow was fearful that Beowulf would attain the throne for himself. Hygd, wife of Hygelac, was wise and intelligent in her role as queen, but was worried about the ability of her heir to rule the kingdom after her husband 's death. Queen Hygd offered Beowulf the crown, but he convinced her to award her son, Heardred, the honor of becoming King

Another female character in the poem is Wealhtheow, and without a doubt we notice that she is a female who is respected and admired, being the wife of King Hrothgar, Queen of the Danes: “Applause filled the hall./Then Wealhtheow pronounce in the presence of the company” (1214-1215). There is a great contrast between Grendel’s mother and Wealhtheow.

The most prominent role of women throughout the poem is devoted wives and queens, which is reflected in the portrayal of Queen Wealtheow. When she is first introduced, Wealtheow “went on her rounds, queenly and dignified, decked out in rings, offering the goblet to all ranks, treating the household and the assembled troop” and then “with measured words she welcomed the Geat and thanked God for granting her wish that a deliverer she could believe in would arrive to ease their afflictions” (lines 620–28). The anonymous poet paints a picture of Wealtheow as gracious, regal, and put together, everything that an ideal queen should be. Not only is she physically perfect, but she is also an ideal hostess – one who tends to everyone, welcomes guests warmly, and ensures that everything is running smoothly for her husband. Later in the poem, Wealtheow gives a toast, “enjoy this drink, my most generous lord; raise up your goblet, entertain the Geats duly and gently, discourse with them, be open-handed, happy and fond” (lines 1168–71). Similar to this one, Wealtheow often gives speeches or toasts throughout the poem, something that, though not entirely masculine, is usually reserved for kings to give to his

Wealhtheow is very honorable, having the respect of their guests and is able to address them directly. She speaks eloquently and scholar-esque as she addresses the hall and it is noted by the acknowledgment from Beowulf. As the cupbearer, she must designate the hierarchy, and at first, she passes on the cup to Beowulf last, as he is a newcomer to the hall. Beowulf is then asked a favor from the court, to defeat Grendel, who has been terrorizing them. After Beowulf agrees to the terms and defeats Grendel in a laborious fight, the queen says, “‘Enjoy this drink, my most generous lord;/ raise up your goblet, entertain the Geats/ duly and gently, discourse with them,/ be open-handed, happy and fond.’”( Lines 1168-1171). This quote shows her own hospitality, offering gifts and dignity to a great soldier and praising him by putting him on a pedestal. The offering of the gifts show that they’re praising the great works of Beowulf the Geat, but Wealhtheow is also speaking with confidence, protecting her own assets from being taken over by praising Beowulf, taking the offer to take Hrothgar’s nephew under his wing, while still being generous enough to bestow a beautiful