Women In Edith Wharton's The Age Of Innocence

Throughout this course, we learned that women’s studies originated as a concern at the time that “women and men noticed the absence, misrepresentation, and trivialization of women [in addition to] the ways women were systematically excluded from many positions of power and authority” (Shaw, Lee 1). In the past, men had more privileges than women. Women have battled for centuries against certain patterns of inadequacy that all women experience. Every culture and customs has divergent female

Anne Roiphe’s “Confessions of a Female Chauvinist Sow” first appeared in the magazine New York in 1972. In this essay Roiphe aims to convince her readers that women must put faith in the idea that they are equal to men, not superior. “Women who want equality must be prepared to give it and believe in it . . . .” Personal anecdotes, contrast, and comparison are techniques Roiphe skillfully uses to create a strong, convincing essay.

Women in society sometimes are subject to objectification, meaning they are treated as a mere object; unequal to men. In the novel, The House of Mirth, by Edith Wharton, this holds true, except, women are said to be equal to men, but are not treated in this exact manner. Lily is apart of the upper class society of New York and attends parties, gambles all her money, and throughout the whole book tries to marry a rich man. Wharton’s feminism is apparent in the way she treats Lily; Lily gets through society, merely by keeping up her appearances. Beauty and appearance are everything in this society, if you are beautiful you will get far in society, however, the only thing Lily is lacking is wealth. In the novel, feminism is present with the idea of appearances and the symbol of money is used to convey that men are needed to control a women’s social stability.

At the turn of the 20th century, the social and economic climate of urban America saw a boom in industry and productivity. Within this microcosm of economic prosperity, social elites participated in a constant exchange of opportunities, ideas, and social exploitations. In Edith Wharton’s The House of Mirth, the atmosphere of high society deeply emulates the atmosphere of the market itself. Wharton utilizes economic terminology and vocabulary in this novel to establish the principles of courtship in post-Victorian society. In this society, women, marriage, and social favors serve as commodities which are traded back and forth between the masters of both the monetary and social economies.

The balance of power has been one of mankind’s most prominent and fought-over issues, particularly among the two sexes. Men are biologically predisposed to be more powerful, and humans have historically associated a male’s physical strength with authority. At the same time, women have been conditioned to yield to a man’s power, and have been taught that men are meant to hold economic, societal, and domestic control, as displayed by New York’s high-society in Edith Wharton’s timeless novel The Age of Innocence. Yet, power is an unquantifiable, metaphysical idea completely unrelated to one’s gender. Power is held in the eye of the beholder, and over time, women have used this idea to manipulate and control men without them even knowing. In doing so, women have been creating their own power for centuries, though society does not recognize it nor give them credit for having as much control as they do. Despite its setting in a patriarchal 19th century society, Wharton manages to defy even modern gender roles by contrasting the influence of resolute Ellen Olenska—a presumably promiscuous noblewoman—with lawyer Newland Archer’s submissiveness so as to suggest that women truly hold power over men during this time.

Two-hundred years is a sizeable gap of time that allows plenty of room for change. American society had been rapidly changing from the early seventeenth century to the late nineteenth century, but despite this, the roles and rights of women have remained locked in place. There were many factors to consider as to why women were not allowed to flourish in their time and exceed these boundaries, and while some accepted it, there were many that opposed and faced these difficulties head on. Two female authors, one from colonial times, and one from nineteenth century America, have written about the obstacles and misogyny they’ve overcome in a male dominated literary career. Despite the two-hundred-year gap between the lives of Margaret Fuller and Anne Bradstreet, they both face issues regarding the static stereotype that women are literarily inferior and subservient handmaids to men.

The next requirement for being a “true woman” was submissiveness. According to society men were superior to women by “God’s appointment.” If they acted otherwise they “tampered with the order of the Universe” (Welter 105). A “true woman” would not question this idea because she already understands her place. Grace Greenwood explained to the women of the Nineteenth Century, “True feminine genius is ever timid, doubtful, and clingingly dependant; a perpetual childhood.” Even in the case of an abusive husband, women were sometimes told to stay quiet

Throughout history, gender roles have been an important barrier in society. Women are forced to satisfy expectations established by men and society. “My Last Duchess,” by Robert Browning, focuses on the powerful Duke establishing certain expectations of the Duchess, and attempting to control her. Hamlet, by William Shakespeare, concentrates on Laertes establishing certain expectations of Ophelia, and seeking to control her. A Room of One’s Own, by Virginia Woolf, centers on societal expectations of Judith, and her father trying to control her. In all three texts, men have the ability to control women and have the freedom to do as they please. Women must conform to the expectations of faithfulness, attentiveness, and chastity.

The pressure of conformity affects individual expression and varies in degrees in which it impacts an individual’s life. Regardless of time period, conformity is able to force individualists to abide by the social standards inculcated into society and deemphasize the importance behind individualism. In the 1920s, New York City adopted a structure parallel to conformity in its figurative hierarchy after the grief and devastation of World War I. With fear of the unknown, a reestablishment of tradition and routine followed, including an adaptation to the use of silences. The individuals with class and power used silence as a vehicle to conform and unify but, free-willed individuals gave another purpose to silence. It became a tool to express

It must be said that men of power create the structure of life--which is not necessarily profitable or fitting to women, nor to the human race in its entirety. Women do not live in this structure:“They lead beautiful lives--women. Lives not only divorced from, but irrevocably excommunicated from, all reality” (156).

Newland Archer desires to be a free soul in old New York, differing from those around him. May Welland’s actions and naivety help Newland realize he wants to break away from the norm of society. Ellen Olenska arrives in New York to stay with family during her divorce with a Polish Count. Ellen and Newland are formally introduced by May, beginning Ellen and Newland’s odious relationship. Ellen offers a fresh change to Newland’s monotonous lifestyle; she shows Newland the excitement of going against the moral code. After Ellen’s arrival, Newland briefly believes he wants to be with someone who is not like women from New York, and when given the chance to be with Ellen, Newland turns it down, showing he is truly an old-fashioned man at heart.

American Literature has always been about men and for men. In this essay, we are going to analyze the women’s role in the book, as inferior and weaker gender.

The Age of Innocence, written by Edith Wharton, is about the upper-class society of New York City in the 1870’s. The novel follows the life of an upper-class lawyer named Newland Archer. He is going to wed May Welland, who comes from another upper-class family. As the novel progresses Newland starts to become intrigued with May’s cousin, the poor Ellen Olenska. Ellen is called “poor” because she is shameful in the eyes of the society that surrounds her. Ellen left her husband and moved back to New York City to be with her family. Divorce is not acceptable in the 1870’s high society like it is today. Newland tries at first to protect Ellen from the bad reputation that she will perceive if she divorces

Fulfilling the image of a corrupt and sinful world, society devalues women and demeans their existences, oppressing them into a world of submissiveness and destruction. The patriarchy not only have detrimental effects on women, but the entire world as well. However, women have always exhibit strength and development despite the lack of opportunities, and they reveal the virtuousness of moral character. In the 19th century dark romantic novel, The Scarlet Letter, Nathaniel Hawthorne reveals the atrocities of the patriarchy and masculine hegemony in society and thereby perceive women as the current redeemer of humankind’s sin. He, thereby, urges individuals to deter from the idea of women solely carrying the burdens of humankind’s sin and to

During the 19th century, women were controlled by a male dominated society. The women were in pure agony knowing that there was no faith for them to have a crucial change in civilization. This could often lead to “clinical depression” in which a human could feel lonely, empty, confounded and miserable. In this time period, women’s role in society was to be simply mothers and wives. A world where women had rights, control, and power was a fantasy. According to Hall, he states, “Key to all feminist methodologies is the belief that patriarchal oppression of women through history has been profound and multifaceted” (Hall 202). In other words, it is known that the male takes complete cruel supremacy over the years in our history. In The