Women In Lysistrata

Agency is a term describing one's ability to reason and to act freely. Back in the time of the Trojan War, women were not considered to possess full agency as Aristotle once illustrated in his Politics “The deliberative part of the soul is entirely missing from a slave, a woman has it but it lacks authority.” In Book 3 of the Iliad, Homer illustrated the enticement of Aphrodite luring Helen to the bed of Paris and Helen’s corresponding resistance. From Helen’s dispute with Aphrodite, we can see that women in the Homeric world attempted to achieve agency through defying their fate of being materialized as mere sex partners, but eventually all the attempts were conquered under the mental compulsion from gods.

For centuries men have been finding ways to gain control over everything and everyone. One group that has been oppressed by men throughout history are women. Men have placed rules and regulations upon women making them seen as unequal and inferior. Was it fear? Was it the hunger for power? Was is the highness of superiority? Whatever the reasons were, men had to be seen as the highest being next to whom they worshiped. In the play Antigone by Sophocles, the audience is exposed to the roles of men and women in an ancient Greece society known as Thebes. Although ancient Greece was a male-dominant society where women had as much freedom as a slave, Sophocles’ main character in the play, Antigone, is an example of a brave, strong-minded woman who goes against the limitations that were unfairly set upon women during that time to do what she believes is right. In this play, gender roles assists in the process of portraying the story since it affects some of the decisions of the characters and helps lead the story into the climax.

Euripides was one of the most well-known playwrights of ancient Greece. He was known as a modern playwright because he wrote with realism, and had a doubtful way of portraying the gods in his plays. Euripides’s plays had women as the main character because he had a sympathetic way of portraying women. The women were mainly strong and are passionate in their motives for their actions. Although Euripides is well known now, during ancient Greece Euripides wasn’t an appreciated playwright. When there were play performances men would be the audience since women weren’t allowed to take part in or watch the plays. So with the focus of women in his plays, he gave them a voice, which would throw men off, mainly because they would be terrified if their wives did and said the same things. Euripides supplied a philosophical thought to the women he has written about.

Ultimately, she chooses to use manipulation and temptation to her advantage to sway the minds of men. “If we sat there at home in our make-up, and came into their rooms wearing our lawn shifts and nothing else and plucked down below delta-style, and our husbands got all horny…but we kept away and didn’t come to them—they’d make peace fast enough I know for sure” (Aristophanes 80) Lysistrata urges that the women avoid sex by any means, even if they must fight against physical force by their husbands (Aristophanes). By using this tactic of a sex strike applied all over mainland Greece, Lysistrata remains confident that women can persuade men to keep peace as opposed to war. Therefore, evidence suggests in Aristophanes’ play that women such as Lysistrata derives power and authority over men through sex and temptation. Women can only attempt to persuade them due to the fact that men hold too much power to be outright forced to anything.

Aristophanes paved the way for comedy and how it would be viewed by citizens in ancient Greece. By incorporating satire and comedy, Aristophanes portrayed the social and political climate of the time. More specifically, Lysistrata, a play by Aristophanes, gives insight into the role women have in the Athenian society. The theme of gender roles in the play, Lysistrata, has evolved to parallel the social norm of feminism by women today. Lysistrata is a satirical comedy and portrays the women are at odds with man regarding several different matters, most notably the waging war on itself. The role Aristophanes embellishes within the characters are reversed between man and woman. The women, who were largely subservient to the needs and whims of

Studies concerning the lives of women in classical Athens have sparked much controversy because, despite the apparent fascination with femininity manifested in art and drama, we have no evidence voicing the opinions of the actual women themselves. This presents a

Aristophanes and Agathon were peers in Ancient Greece. Aristophanes was the master of comedy, and Agathon was the master of tragedy. They traveled in the same circles and are present in the same works. In looking through the comic lens at Agathon in Aristophanes’ Women at the Thesmophoria, the reader is presented with a portrayal of an effeminate man with a flair for the dramatic and a queenly attitude. Aristophanes’ Agathon is a comic character to be laughed at, a man that is more female than male. In looking at this view of Agathon, Greek views of homoeroticism are brought up and Agathon’s reputation and character in the world of Ancient Greece is brought into question. How much of

Since the beginning of time, women have always been looked down upon mentally. During the time period of The Odyssey and Lysistrata, women were known as less powerful gender. They have never had much say about what goes on around them. Some women were recognized as a sex symbol. In The Odyssey, some women were goddesses that just wanted sex and other women had to stay at home to help raise their kids and do all of the feminine work. Compared to The Odyssey, in Lysistrata, women denied sex against their men to get what they want. In addition, they did not have many political rights and a say so on what goes on in their country. In comparing both of these stories, women show similarities toward each other.

Athenian society was very dynamic in many areas while it was strict in regard to the treatment of women. Although Athenian women were protected by the state and did not know a different way of living, they were very stifled and restricted. The only exception was slaves, and heteria, prostitutes, and this was due to the fact that they had no male guardians. Since these women were on there own they had to take care of themselves, and therefore were independent. In a more recent and modern way of viewing the role of a woman, independence and freedom to do as one likes is one of the most important aspects of living. In Athens the wives had none of this freedom and the prostitutes did. Who then really had a “better”

As shown, women were considered naturally submissive as in most other old cultures. This is somewhat understandable as women were the ones who bore children and men provided for the family unit. As time progressed, this stereotype was over emphasized into what is portrayed in these plays and poems. Despite this submissive image, Greek women were not considered naïve, but a pleasurable if a bit foolish kind of a creature. In Aristophane?s play, Lysistrata, this concept is amply portrayed. Most of the women are portrayed, as impulsive individuals while men are carnal gluttons. Notwithstanding this facet of their image women could also be wily as Medea and Lysistrata:

“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an

The poetic tone of Aristophanes' Lysistrata differs greatly from the poetic tone of the Greek tragedies we have read in class. However, after analyzing this Greek comedy, it seems to share some of the main characteristics of Euripides' Medea. Within these plays, we meet shrewd, powerful masculine women who use the art of manipulation to get what they want from others and to accomplish their goals. This theme of manipulation is employed through various means and techniques. The women of these plays also seem to contradict the stereotypical woman and have characteristics similar to the Homeric Greek warrior.

Compared to the way Athenian women were presented in Lysistrata, Aristophanes sticks to the now known facts of their lifestyle fairly closely. In the play’s opening, Lysistrata, our female protagonist, calls women from not only her home of Athens, but as we all the Spartan enemy and other places to meet in and is upset at their untimely arrival. Her neighbor Calonice appears and reassures her they will come eventually, but they are simply delayed due to having to care for their husbands, household, and children. In contrast, Spartan women were educated, participated in sports, and had little to do with the upbringing of their children. In fact, they only had contact with their husbands for sexual relation purposes. When the women finally arrive, Lysistrata inquires how many of their husbands are gone away to war. Some of the women reply their husbands have been gone for months. Lampito, a beautiful Spartan girl, expresses she is unhappy because her husband comes home and no sooner grabs his shield and chargers off again. Though according to our textbook, Spartan women were free to remarry if her husband was gone away to war for too long. Thus begins the flaws in Lysistrata’s plan of how the women will force the men to claim peace.

The different portrayals of female characters Antigone and Lysistrata illustrate the fundamental nature of the proper Athenian woman. Sophocles' Antigone allows the reader to see that outrage over social injustices does not give women the excuse to rebel against authority, while Aristophanes' Lysistrata reveals that challenging authority in the polis becomes acceptable only when it's faced with destruction through war. Sophocles and Aristophanes use different means to illustrate the same idea; the ideal Athenian woman's ultimate loyalty lies with her polis. This Greek concept of the proper woman seems so vital when considering Athenian society because both a tragedy and comedy revolve around this concept. The differing roles accorded to

The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”