Women In Susan Glaspell's Trifles

In Trifles, Susan Glaspell debates the roles between men and women during a period where a debate was not widely conducted. Glaspell wrote Trifles in the early 1900s—a time when feminism was just getting started. In this play, Glaspell shows us her perspective on the roles of men and women and how she believes the situation would play out. Trifles seems like another murder mystery on the surface, but the play has a much more profound meaning behind it. Glaspell presents the idea that men and women analyze situations differently, and how these situations are resolved based on how we interpret them. Research shows that women’s brains “may be optimized for combining analytical and intuitive thinking.” On the other hand, male brains are predominately “optimized for motor skills and actions” (Lewis). In the play, this research shows true when the women, Mrs. Hale and Mrs. Peters, analyze details rather than looking at the apparent, physical evidence, and they find out the motive of the murder. The men, on the other hand, look at broader evidence that does not lead to any substantial conclusion. When Glaspell was writing this play, she wanted the women to be the real instigators, the ones that would end up solving the mystery. While the men in the story laugh at the ‘trifles’ that women worry about, these details mean a great deal in Glaspell’s eyes. Glaspell presents the idea what men and women are different in the way they live their lives through detail.

“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights that among these are Life, Liberty, and the pursuit of Happiness.” (United States Congress, The Declaration of Independence: A Transcription). As you can see there is no mention of women in the declaration. Throughout history there have always been gender stereotypes and roles between men and women. People have always viewed men as the more dominant gender that have the most power and make the most money. It took a while for woman’s equalities to happened and really kick in. The one act play/story “Trifles” by Susan Glaspell, illustrates the lack of woman rights in the early 1900’s and the enslavement of women by their male partners. Glaspell tells the story of a murder mystery involving a woman named Minnie Foster Wright who is being accused of murdering her husband, John Wright. Through the use of conflict, setting and symbolism, Glaspell reveals the inequalities of woman in the early 1900’s.

Susan Glaspell’s one-act play, Trifles, weaves a tale of an intriguing murder investigation to determine who did it. Mrs. Wright is suspected of strangling her husband to death. During the investigation the sheriff and squad of detectives are clueless and unable to find any evidence or motive to directly tie Mrs. Wright to the murder. They are baffled as to how he was strangled by a rope while they were supposedly asleep side by side. Glaspell artfully explores gender differences between men and women and the roles they each fulfill in society by focusing on their physicality, their methods of communication and vital to the plot of the play, their powers of observation. In simple terms, the play suggests that men tend to be assertive,

“A Jury of Her Peers” is a short story written by Susan Glaspell in 1917 illustrates early feminist literature. The two female characters, Mrs. Peters and Mrs. Hale, is able to solve the mystery of who the murderer of John Wright while their male counterparts could not. This short story had been adapted from Glaspell’s one-act play Trifles written the previous year. The play consists of the same characters and plotline as the story. In both works, Glaspell depicts how the men, Sheriff Peters and Mr. Hale, disregard the most important area in the house, the kitchen, when it comes to their investigation. In the end, the women are the ones who find clues that lead to the conclusion of Minnie Wright, John Wright’s wife, is the one who murdered him. Both of Glaspell’s female characters illustrate the ability to step into a male dominated profession by taking on the role of detective. According to Critical Theory Today: A User-Friendly Guide, written by Lois Tyson, a reader-response critique “focuses on readers’ response to literary texts” and it’s a diverse area (169). Through a reader-response criticism from a feminist lens, we are able to analyze how “A Jury of Her Peers” and Trifles depict how a patriarchal society oppresses women in the early twentieth century, gender stereotypes confined both men and women and the emergence of the New Woman is illustrated.

From beginning to end, Susan Glaspell’s 1917 short story “A Jury of Her Peers,” has several repetitive patterns and symbols that help the reader gain a profound understanding of how hard life is for women at the turn-of-the-century, as well as the bonds women share. In the story two women go with their husbands and county attorney to a remote house where Mr. Wright has been killed in his bed with a rope and he suspect is Minnie, his wife. Early in the story, Mrs. Hale sympathizes with Minnie and objects to the way the male investigators are “snoopin’ round and criticizin’ ” her kitchen. In contrast, Mrs. Peters, the Sheriffs wife, shows respect for the law, saying that the men are doing “no more than their duty”. However, by the end of the story Mrs. Peters unites with Mrs. Hale in a conspiracy of silence and concealing evidence. What causes this dramatic transformation?

In Susan Glaspell’s play Trifles, written in 1916, two female characters are left in the kitchen of a house where a murder has been committed, while the menfolk search around for clues. The men largely ignore the women and are mocking of them and their petty concerns on the occasions that they do speak to them. While the men are about looking for the “cold hard facts” of the murder, the women are in the kitchen bothering with “trifles” that display all of the details about the wife’s life and, most probably, her motivation for the murder. In this play, Susan Glaspell has written male characters that clearly display the “Ethics of Justice”, a sort of right is right and wrong is wrong view; while the women clearly embody the “Ethics of Care”, a view that takes relationships and feelings into account when judging the morality of actions.

The men?s prejudice is blatant and although it was easy for Mrs. Hale and Mrs. Peters to pick up on it, they react to it in a variety of ways. Defensively, Mrs. Hale, replies rigidly to the County Attorney?s remark by stating that "there?s a great deal of work to be done on a farm," (958) offering an excuse for Minnie?s lapse in cleaning. Later, he brushes her off when she explains that John Wright was a grim man. To the County Attorney, the women are just there to collect personal items for Minnie, they are not going to give him any valuable insight into the murder. To their credit, the women do not force their thoughts or feelings on the men when biased statements are made in their direction. They hold back and discuss the remarks later after the men go upstairs. Mrs. Peters observes that "Mr. Henderson is awful sarcastic in a speech and he?ll make fun of her sayin? she didn?t wake up" (960). The fact that she believes the men would laugh if they heard the two women discussing the dead canary reveals how sure she is that the men think of them as concerned with the

Even with only assumptions, the “comprehension” of Wrights treatment of Minnie “makes the murder totally understandable”, meaning that without any true evidence, the audience and characters find Minnie guilty of and justified in committing murder (Alkalay-Gut 6).

Crying over spilled milk is silly, right? Worrying about the little, mundane things is pointless and a waste of time. In Susan Glaspell’s one-act play Trifles, she demonstrates how being sensitive to the subtle details can be vital to solving a mystery. Throughout the one-act play, Glaspell highlights the theme of gender roles through the women’s worries, irony, and symbolism.

Susan Glaspell challenges society’s set ideas of gender roles through her one-act mystery play “Trifles”. At first glance, Glaspell creates a seemly innocent metaphor comparing Minnie Foster to a bird, however as the play progresses a darker tone of the metaphor unravels – one that illustrates how easily women can be trapped into their gender roles, as birds can be in cages. This theme becomes clear, when Mrs. Hale and Mrs. Peters discover a broken birdcage and a strangled canary while gathering things to bring to her in prison. Upon discovering the birdcage with a missing door hidden in the cupboard, Mrs. Hale cannot recall whether Minnie had a bird or not.

Minnie Wright, the main character in Trifles, is a woman whose intelligence is measured by men based upon Minnie’s ability to keep house, preserve foods and perform other traditional female roles. Her husband, Mr. Wright, is unable to see how truly smart she is because he convinces himself she is capable of being nothing more than a naïve housewife. In Susan Glaspell’s Trifles, predetermined status based upon gender roles stifles a person’s true abilities, resulting in dismissal of intellect despite kinesthetic achievements. The first thing the reader notices in regard to gender roles is the title. Trifles, by definition, means something of insignificance, which is how the men see the women in the story.

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.

The story of “Trifles” exposes the sexism that women dealt with then, and still to some extent deal with today. The men show major examples of diminishing and downplaying the women’s intelligence when ignoring them throughout examining the crime scene. Mrs. Peters and Mrs. Hale find incriminating evidence against Minnie, but the men never think to ask them their opinion; they are too preoccupied searching for solid tangible, evidence. Although the women find evidence to believe Minnie is the killer, I believe they feel somewhat responsible for her. This concluding that both genders are somewhat sexist. The men on the husband’s side, and the women on Minnie’s side. Perception differs with their gender. While the men look for “something to show anger, or sudden feeling”, something more obvious; the messy kitchen is labeled as bad housekeeping, instead of being used as evidence. The clues are presented but their male perception enables the men from seeing them. (Glaspell’s)