Women In Vathek

In this paper, I am going to analyze the female characters that caught my attention the most in the three stories The Epic of Gilgamesh, Thousand and One Nights, and Candide. They all are important characters in each of the stories and their influence in the story is to help. These stories also depict how women were being treated during these times such as being used for their bodies or their wisdom. The characters that I will be analyzing in the paper are Shamhat, Shiduri, Sharazad, the Old Woman, and Cunegonde. In all three stories, they mostly share the same depictions of the role of women and how women weren’t really important besides their bodies.

Voltaire attacks the corruption within the church and its officials as well.  The Grand Inquisitor, a significant clergyman, makes Cunegonde his mistress at a Mass service.  Even more ironic is that he shares her with a Jew.  It was a Franciscan priest that robbed Lady Cunegonde of her money and jewels.  The old woman identifies herself as the bastard daughter of a pope, and the papacy is also identified as keeping soldiers for private use.  When Candide is ill in France, a clergyman is one of the many that harasses him in attempt on his wealth.  Ironically, the disease that Pangloss catches from Paquette, originated from a Franciscan priest.  Voltaire portrays the church as violent and corrupt and the clergy as parsimonious fortune hunters.

For many years, women have been oppressed and treated as property. The opinion of a woman did not matter, being obedient to her husband was all that is required. Even if they were obedient to their husbands, women were property and only for the pleaser and likening to the husband. Mariam did all the her husband required of her, however there was one thing should could not. Which was give her husband, Rasheed, a son or any child. In the novel A Thousand Splendid Suns by Khaled Hosseini, Hosseini reveals the social issue of physical abuse and mental abuse by his use of imagery, diction, and dialogue.

The author agrees with the idea of women as victims through the characterisation of women in the short story. The women are portrayed as helpless to the torment inflicted upon them by the boy in the story. This positions readers to feel sympathy for the women but also think of the world outside the text in which women are also seen as inferior to men. “Each season provided him new ways of frightening the little girls who sat in front of him or behind him”. This statement shows that the boy’s primary target were the girls who sat next to him. This supports the tradition idea of women as the victims and compels readers to see that the women in the text are treated more or less the same as the women in the outside world. Characterisation has been used by the author to reinforce the traditional idea of women as the helpless victims.

Cunegonde was a beautiful young woman, she was the daughter of the Baron, and is constantly being pursued by Candide throughout the whole story-which really is about him finding his way back to her the whole time. Cunegonde grew up in the Castle of Baron Thunder-Ten-Tronckh which was located in Westphalia. She grew up rich, getting all the nicer things in life, and didn’t have to worry about anything until one day, Candide got banished from the castle and that’s where it all started going downhill. Cunegonde was separated from Candide, her home got attacked, and her family was murdered. From there, Cunegonde is passed around through a couple of men: The Bulgarian, Captain Don Issachar, The Grand Inquisitor, Don Fernando, and others. Candide ends up feeling like she isn’t as beautiful after he gets her back in the end, and really just is not attracted to her like he used to be. In fact, in the end, there is a description of how ugly she really is while she is running to Candide after their time apart. There is also a line that says “in fact, Candide had no real wish to marry Cunegonde” (Voltaire 411) when in the beginning he talks about his love for her non-stop. But now that she’s been raped, abused, and used for whatever, he thinks she’s ugly and really doesn’t want to marry her but thinks that it is a good decision. At the same time, Cunegonde understands that she isn’t very powerful and doesn’t have a lot of options. So, if she wishes to survive, she must use her beauty to her advantage. Women in the 18th century didn’t have a lot of options if they wanted a “good” life after marriage. They married someone who could take care of them since they legally couldn’t have jobs. This quote “A women’s gender and marital status were the primary determinants

Sadly, to this day, women are still treated like objects in various parts of the world. Whether forced into marriage or used for inhumane acts, it is a shame that changes towards the treatment of women are only starting to take place now. An insightful look into the worlds of poorly treated women is seen in the short stories “Another Evening at The Club”, and “The Leaving”. Alifa Rifaat, the author of “Another Evening.” depicts the life of an eastern teenager that was forced into marriage and is controlled by the actions of her husband. While the main character, Samia, seems to act as an evil accomplice of her husband, her actions are driven by the need to serve a purposeful life for the sake of survival, and their image together. Similarly,

Enlightenment philosophers wanted concrete, tangible proof to back their ideas. Pangloss, Candide’s friend and teacher, is a character that depicts the metaphysical side of the Old Regime. He is an optimist who believes that there is no effect without a cause and that everything is made for a reason and with a purpose. Voltaire portrays Pangloss as naive. Pangloss finds himself in trouble for studying and exploring the world before he becomes sure of himself and his ideas. Even after Pangloss’s troubles, he still refuses to stray from his thoughts and would rather believe his ideas than face reality. Another character that is depicted as naive and optimistic is Cacambo, Candide’s servant. Cacambo consoles Candide after his loss of Cunegonde. Cacambo claims that God takes care of all women and that they will never be at a loss. But Candide knows the sufferings that Cunegonde and the Old Woman have experienced. Cunegonde was bought, sold, and objectified throughout the novel, along with the Old Woman, who was beaten, raped, and treated with

From a young age, Candide had been taught by Pangloss to have an optimistic philosophy, and he kept those ideas with him throughout his life. Even when the people around him feared the worst and complained about their misfortunes, Candide kept going back to the idea that “everything is linked in a chain of necessity, and arranged for the best” (9). And by no means was he left untouched by various trials: he was flogged, penniless, driven from his home, shipwrecked, robbed, and doomed to leave his loved ones. Although these misfortunes make him question the necessity of tribulation, he nonetheless hoped for the best. Part of his optimism might stem from the fact that he was young and healthy, but it’s also because he cared about the welfare of those apart from himself. For instance, when he heard that Cunegondé was dead and Pangloss hanged, he cried, “If this is the best of all possible worlds, what must the others be like? …Mademoiselle Cunegonde…was it necessary for you to be disembowelled?” (16) Clearly, the reason he questioned the “rightness” of the world is because it took away the people he loved. His mourning for those who have died shows his tender innocence, but it also shows his selflessness. In fact, the reason he was so optimistic throughout the story was because of his longing for Cunegondé, his beloved, and his only wish was to be with her and keep her safe. In other words, he lived for something outside of himself, and that caused him to have hope.

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

Egalia’s Daughters and “Sultana’s Dream” both portray examples of what it would be like to have gender roles reversed in societies. They both criticize gender roles and show people how gender discrimination leaves the submissive gender in suppressed conditions. Poking fun at gender role reversal was one way these books helped in educating the readers. “Sultana’s Dream” has a time of setting of the early twentieth century.

Views on people are all based on biases. These biases may come from the idea that the space a person or even a civilization occupies influences their perception of the world. Hence extending to their own construction and affinity to a normality that may easily ‘other’ what they do not consider their own. In the video Reel Bad Arab women were described as inferior and characterized with the role of objectification of sexual desires and entertainment. Often portrayed as belly dancers and at the beckon calling of men. The consideration of women intelligence is placed to be a subject of trickery and negative sorcery.

Throughout the novel we follow, the main character, Candide, through his journey of reuniting with his beloved Cunegonde. The journey was very dangerous because throughout the novel, Candide was flogged, forced into an army, shipwrecked, betrayed, robbed, and separated from his love Cunegonde, and tortured by the Inquisition. Most of Candide’s misfortunes was mostly of robbery and abuse. Throughout the journey, Candide was able to acquire love and wealth. Though, both things were taken away from him. Cunegonde and Candide were separated frequently ever since that kiss they shared. As for the wealth, Candide kept flaunting it around and spent a lot of it unwisely. Therefore, the villainous characters in the novel were able to notice that Candide was a fool and noticed that robbing some of his wealth would be an easy task for them. Though, it was at this moment that Candide was fed up

Contemplating the relationship between gender and power, one undoubtedly notices that tradition regards men as the holders of official office and power. Historically, men have also always been the leaders of their families, and turned to in times of trouble or need. Making generalizations is normally a weak approach to any task; in this case however, it is necessary to do so in order to illustrate how drastically opposite the situations prove in various selections from "1001 Arabian Nights." Rather than men taking critical roles of power, the women characters, especially at crucial moments in the plot, empower themselves far beyond the male figures, and, consequently,

The directing force of the journey in this novel is Candide’s love for Cunégonde. He goes to irrational lengths to chase his love which includes deserting paradise of El Dorado, numerous murders, and barely avoiding imprisonment and death sentence, mocked by the realism that once he can get married to Cunégonde, he is no longer fascinated to her.

When reading Veiled Sentiments, I got the impression that the existing social hierarchy among the Awlad' Ali was based on gender, age, wisdom, and wealth, "Women are always dependent," and "…the powerful have obligations and responsibilities to protect and care for the weak. The weaker members epitomized by the helpless infant, and by extension all children. (p.80-81)" Abu- Lughod did a good job depicting the ways that the social hierarchy works, by including terminology such as wliyya, and by vividly describing situations where women, and children seemed weaker than the adult males in the community, who in most situations appeared to be the head of households. The author also goes further into the ideals of the Awlad' Ali by discussing the relations between female modesty (hasham), "natural inferiority", and sexuality. She depicts the ideal woman in the eyes of the Bedouin people, describing her as soft spoken, and "well-behaved," and with no open thoughts on sexuality. Apart from discussing the importance of hasham in a woman, Abu- Lughod points out that emotion of love and affection between men and women is a taboo. Men that show emotion towards a woman are seen to be weak and are shunned upon by their male peers, as well as women in the community. "Women claim, for instance, that "real men" control all their dependents and beat their wives when the wives do stupid things ( p.89)". In