Women Writers: Restoration and 18th Century

“ The belief that women were inherently inferior in intelligence, strength, and character was so persuasive that for men like Knox, a woman ruler was almost a contradiction in terms” (“Documents for Chapters 5&6”). In the 16th century, women were looked upon as a gender that should stay in the house and work, not have power and rule over a country. Discussing the govern of Queens during the 16th century, such as Mary Tudor, Lady Jane Grey, Mary, Queen of Scots, and Elizabeth I, allowed prejudices to be lessened but never completely be erased. No matter how these four notable ladies came into power, the accomplishments they overcame, achieved and wrote about proved to be great and substantial in making history as it is written today.

In 17th century Euro-America Puritan society believed that men played a patriarchal role upon women, and that this role was instituted by God and nature. The seniority of men over women lay within both the household and the public sphere. The household, immediate family living in the same dwelling was subject to the male as head figure of the house. The public sphere also known as the social life within the Puritan community consisted of two echelons. These echelons consisted of formal and informal public. The formal public consisted of woman and indentured servants. Women were to stay within the informal public and stay in the shadows of the men. The government held large ties with the church in the 17th century. Though women were

In the 1700s women were supposed to play the role of doting woman standing by her man virtuous and loving. However, one can say that gender power dynamics could easily be turned when the idea of sex and prostitution in placed in the dynamics. The two texts to support this thesis will be Eliza Haywood’s short story Fantomina: Or, Love in a Maze. Being A Secret History of an Amour between Two Persons of Condition, and Lady Mary Wortley Montagu’s poem “The Reasons that Induced Dr. S to write a Poem called ‘The Lady’s Dressing Room’”.

When on the topic of feminist writing, understanding the time period in which the author’s writing takes place persists as vastly important. Historically speaking, western culture follows a model thoroughly dominated by men. That commonality remains

In many ways, Bradstreet was remarkably successful in trying circumstances. She was often sickly, worried early in her marriage because she seemed unable to have children, and lived in an unforgiving environment in which mortality rates, especially for women and children, were high. Nevertheless, she persevered and had eight children, all of whom lived to adulthood and all but one of whom outlived their mother. This was a considerable accomplishment for the time and place in which she lived. Besides family good fortune, she was also unusually successful in her poetic career. Few in the colonies of New England had time to compose poetry, especially women with eight children. In fact, few women at all wrote and published poetry in the seventeenth century. Yet Bradstreet so prevailed in her art that she is credited with the first published book of poetry from the New World: The Tenth Muse Lately Sprung Up in New England: Or, Several Poems Compiled with Great Variety of Wit and Learning, Full of Delight (1650).

Presenting literature to the public that is meant to be a commentary on social or political issues, masked under the guise of entertaining and fictional, is a tool implemented by authors and activists for centuries. While not all satire is as overt as Jonathan Swift’s suggestion that we eat the babies, it does not diminish the eyebrow raising suggestions that are conveyed once the meaning has been discovered. In Aphra Behn’s The History of the Nun and Eliza Haywood’s Fantomina, the established expectations of the female role within society are brought into question then directly rejected. These expectations establish that women should be deferential to men, morally unblemished, and virtuous at all times. Men, however, are not held to these expectations in the same way. The masculine roles assumed by Isabella and Fantomina demonstrate a private rebellion against the established patriarchal society as it warns against the under-estimation of women and proves that women exist independently.

Some of the most influential women authors of all time lived in the 19th century. These women expressed their inner most thoughts and ideas through their writings. They helped to change society, perhaps without knowing it, through poetry, novels, and articles. Emily Dickinson, Harriet Jacobs, Kate Chopin, Louisa May Alcott, and Elizabeth Oakes Smith are the best-known controversial and expressive women authors of their time.

In the small town of Northamptonshire, England, Anne Dudley was born in 1612. At the age of 16, she married a Cambridge University graduate named Simon Bradstreet. Bradstreet moved to the New World two years later with her parents, husband and the Winston Puritan group and they settled in Ipswich, Massachusetts. The Bradstreet’s were blessed with eight children. Bradstreet’s brother-in-law took her poems; which she had written in the American colonies using English verse, and he had them published in England supposedly without her knowledge or consent. They were published with the title The Tenth Muse, Lately Sprung Up in America, in 1650. (Poets.org, para 1)

Romanticism (also called Romantic Era or Romantic period) was a complex artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe, and developed in reaction to the Industrial Revolution. In part, it was a movement against various social and political norms and ideas of the Age of Enlightenment. It strongly influenced the visual arts, music, and literature, but it had impact on education and natural history as well.

We all commonly assume that we act freely, that we make our own decisions without regard to the opinions of those around us. We all like to think we create our own stories, and choose the way we tell them. However, many of us are probably at least tempted to wonder if this a thing completely within our control, how much of it is, and how we can resist attempts of others to write our stories for us, regardless of what we actually desire. Particularly when it comes to women, the society around us is very sure of what it wants our stories to be, and who should tell them and when. This is, of course, a process that begins early. As Foss,

Woolf demonstrates how women writers have often failed in this because of our frustration and bitterness with a world that presented to us and our writing not welcome, or even indifference, but hostility (41). She makes it clear that if there is ever going to be a “Shakespeare’s sister,” we must---at least while we are writing---swallow that sense of having been wronged, for it stands as an impediment to our creativity. This is the mental freedom that women writers must attain.

Throughout history, female artists have not been strangers to harsh criticism regarding their artistic works. Some female artists are fortunate to even receive such criticism; many have not achieved success in sharing their works with the world. In Virgina Woolf’s third chapter of her essay “A Room of One’s Own,” Woolf addresses the plight of the woman writer, specifically during the Elizabethan time period of England. Woolf helps the reader appreciate her view on how stifling and difficult this time period was for women and how what little creativity emerged would have been distorted in some way. Through a number of claims, examples and other literary techniques, Woolf is able to

Anne Bradstreet, an eighteen-year-old educated upper-class English woman, arrived in Salem in 1630 (Cowell 418). Two hundred years after Bradstreet’s arrival in America, in 1830, in a town about a hundred miles from Salem: Amherst, Emily Dickinson was born to a prominent local family that had established itself in the “new

Women in the 18th century were looked at as voiceless objects in a world ruled by men. Women and men did not always have equal rights. In the 18th century women were mainly defined by their family and household roles. The woman did not really have legal identity apart from their husbands. Women were look at as slaves because all they did was be at the house and satisfy their husbands in what they wanted. Men would have total control over his wife’s property. The woman also did not have the right to vote unlike men. Some things that women did not have the right of was to vote, own property, could not sit in a jury trial, and could not be a part of a lawsuit. In 1830, a number of women in the United States argued for the right of woman to own their property and to divorce. In the 18th century gothic literature was happening. Gothic literature was in fiction, art, music, poetry, film, and television. Gothic tradition also includes sense with extreme emotion, fear, madness, and death. Death as a tomb, entombment was also used which is to be placed in a tomb be buried. A feminist writer, publisher, social activist, public lecture, Charlotte Perkins Gilman, said that women depending on men made them unquestionable slaves to them in the United States society. Perkins married the artist Charles Stetson in1884, which then both had a daughter named Katherine. A story that she wrote that can illustrate how women were like in the 18th century is “The Yellow Wallpaper”. The story “The

Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women and fiction. Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and