Women in The Lone Ranger and Tonto Fistfight in Heaven by Sherman Alexie

Native Americans make up less than .9% of the United States population. With this trivial number, it is difficult to keep its culture and traditions alive as generations progress. In the short story “War Dances,” author Sherman Alexie morns the loss of Native American identity through a deprecating tone which illustrate a divide between generations.

Egstrand 1 Alyssa Egstrand Professor Sewell ENG: The Literary Experience 1331 28 September 2011 Investigating the Impact of History on Modern Society within Natasha Trethewey’s Native Guard Rooted in the shadows of history, Native Guard by Natasha Trethewey intertwines personal and historical accounts to scrutinize the impact of the past on the present. Trethewey’s Native Guard is divided into three sections, which chronicle her mother’s life and death, the erased history of the Louisiana Native Guard, and Trethewey’s childhood in Mississippi. These different stories amalgamate, and open a dialogue about the impact of history on today’s world. Throughout Native Guard Trethewey infuses emotion into these untold stories by including personal

She is the central figure in the upcoming feature documentary Warrior Women directed by Elizabeth Castle on the history of Native women's activism in the Red Power Movement intended for

“Trauma is a fact of life. It does not, however, have to be a life sentence.” - Peter A. Levine, Ph.D. In Sherman Alexie’s collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, we read stories of Native American struggles for survival in an American society designed to keep Native Americans locked in the cycle of intergenerational trauma. Alexie illustrates the importance of rejecting intergenerational trauma as a method of survival, by isolating the two main causes intergenerational trauma becomes inescapable and giving examples that showcase the impact of attempting to survive the cycle. Through the interpretation of multiple sources, it becomes clear that the inescapability of intergenerational trauma is the outcome of internalized oppression and pessimism.

The theme of “voiceless woman” throughout the book “the woman warrior” is of great importance. Maxine Kingston narrates several stories in which gives clear examples on how woman in her family are diminished and silenced by Chinese culture. The author not only provides a voice for herself but also for other women in her family and in her community that did not had the opportunity to speak out and tell their stories.

Maxine Kingston in “The Women Warrior” presents a traditional Chinese society that anticipates women not to decide what is best for them all by themselves. Kingston creates a woman who goes beyond this ritual culture constraint and who take up

Throughout the novel The Woman Warrior, by Maxine Hong Kingston, the past is incorporated into the present through talk-stories combined into each chapter. Kingston uses talk-stories, to examine the intermingling of Chinese myths and lived experiences. These stories influence the life of the narrator as the past is constantly spoken about from the time she is young until the novel ends and she becomes an adult. Kingston incorporates two cultures. She is not a direct recipient of Chinese culture, but she has her own sense of talk-story, that she learns from her mother, which tells the old Chinese stories with a sense of myth, in a new American way. This is a way of weaving two cultures together, bringing the Chinese past into her present American life.

She argues that women face many institutional and societal barriers. In this regard, I will give examples of the institutional and structural barriers such as “The Indian Act” which have significantly affected Indigenous women in Canada in many ways including social, economic and political. While comparing feminists and Indigenous feminists, I think that Native women are different in several ways including social, cultural, historical, political and economic; therefore, Indigenous feminism is a way of practicing the values that they have been taught and inherited from their

The patriarchy that oppresses all women is addressed by feminists that demand a chance in a male dominated world. In Indigenous communities, some find it hard to grasp the concept of equality as women held integral roles. It is important to note how colonization has impacted the feminist perspective of Indigenous women before colonization. Women were respected

Barker, J. (2008). Gender, Sovereignty, Rights: Native Women's Activism against Social Inequality and Violence in Canada. American Quarterly, 60(2), 8. Retrieved fro m http://search.Proquest.com.Ez proxy.library.yorku.ca/docview/61688929?Acc ountid=15182.

To expand on the intricacy of the speaker’s life, symbolism is applied to showcase the oppression her ancestors etched on her quilt were facing for their “burnt umber pride” and “ochre gentleness” (39-40). Once again, the theme of absence is introduced as there is a sense of separation among the Native American culture as their innocent souls are forced onto reservations and taken away from their families. This prolonged cruelty and unjust treatment can be advocated when the speaker explains how her Meema “must have dreamed about Mama when the dancing was over: a lanky girl trailing after her father through his Oklahoma

Imagine a normal day. You wake up, you get ready, you probably see your mom, wife or sister. You say goodbye and head on your way. Once home, you sit down with them and talk about your day. When sad they comfort you, they love, support, care for you. Now imagine you wake up one day and they have disappeared without a trace. Gone. You are heartbroken. This is a sad reality for many Indigenous families, many women are vanishing without a trace. Between 1200-4000 Indigenous women have been missing or murdered in the last 30 years. These women are often targeted and treated as being worthless leading to little support from police and the public. After being immersed into this issue I learned lots, but I was left feeling sad,

In the short stories “A Drug Called Tradition,” “The Approximate Size of My Favorite Tumor,” and “The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore” collected in The Lone Ranger and Tonto Fistfight in Heaven, author Sherman Alexie uses humor to reflect the life on the Spokane Reservation. In “A Drug Called Tradition,” the story starts with a joke by having Thomas sit down inside a refrigerator in response to Junior’s comment as to why the refrigerator is empty. The Indians are having a party hosted by Thomas, who gets a lot of money from a corporation for leasing some of his land. Alexie’s three second selves, Victor, Junior, and Thomas, later go to the Benjamin Lake and use the drug that Victor brings with him. In “The

Second Slide: The ways in which Indigenous Women tried to resist, but were ultimately victims of colonization, and how heteropatriarchy has affected them.

Kingston begins The Woman Warrior by writing a story which started with her mother insisting that she “must not tell anyone...what I am about to tell you.” (Kingston 3). Kingston’s first written words are a defiance of this silencing. Silence is a motif that permeates the entirety of The Woman Warrior; Kingston