Women 's Movement : Escape As A Post Feminism

Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.

A number of the stories, graphic memoirs and poems we discussed in class have introduced us to women who have been trapped in some way in their lives. Henrik Ibsen’s A Dolls House (1879) and Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892) both demonstrate women being trapped by men in a patriarchal society in the nineteenth century. However, Joyce Carol Oates’ “Where are you going, where have you been?”(1974), Jamaica Kincaid’s short story “Girl” (1978) and Marjane Satrapi’s graphic novel Persepolis (2005) are about social norms and girls being sexualized at a young age in the 20th century.

Lingering inequalities and other social trends from previous decades brought forth the modern feminist movement in the 1960s. These feminists campaigned for gender equality with causes such as equal pay for equal work, abortion rights, and social parity. In 1963, author Betty Friedan published The Feminine Mystique, which contained reports from a study conducted on female college graduates during the 1950s and early 1960s, which uncovered that most women labelled themselves exclusively as mothers and housewives, and were unsatisfied with the roles forced upon them. Friedan argued fervently that women needed to discover their own identities outside the roles of a wife and mother. Many believe that the arguments made in The Feminine Mystique marked the start of the modern feminist movement (Loveday, 1)

The role of strong female roles in literature is both frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them, while trying to create their own as women without an ethnic landscape. In Sandra Cisneros’ stories “Woman Hollering Creek: and “Never Marry a Mexican” the role of female identities that

Throughout our history, there have been many incidents that have helped shaped American culture. Many of these incidents have substantially affected women. To counter these phenomena, women work as shapeshifters. That is to say, they shift and morph their ethics and endeavors in order to adapt to their external, social environment. From the glamorization of woman’s confinement in Cotton Mather’s “The Captivity of Hannah Dustan” to overcoming political and social exclusion in Elizabeth Cady Stanton’s “Declaration of Sentiments” and, finally, to the emersion of female sexual liberty in Harriet Jacobs’s Incidents in the Life of a Slave Girl, we can observe how women become different iconic symbols of America through using religion and moral persuasion as methods to fight the tyrannies that oppress them.

In “A Jury of Her Peers” by Susan Glaspell and “A Rose for Emily” by William Faulkner, both authors introduce female protagonists that are confined by men’s authority. By displaying the protagonist's transformation, Glaspell and Faulkner highlight the repercussions of gender roles, to show that when women are trapped, they will go to great lengths to retaliate against their oppressors.

Cobble, Dorothy Sue. The Other Women's Movement: Workplace Justice and Social Rights in Modern America. Princeton, N.J.: Princeton University Press, 2004. Thesis: Cobble argues that the "forgotten" women of labor feminism made a larger impact on "widespread change in social and economic order (4)" than previous studies have concluded.

In Laura Esquivel’s Like Water for Chocolate and John Steinbeck’s The Grapes of Wrath, the female characters are presented in nontraditional ways for the times in which the novels are set. Each novel shows a clear distinction between the male and female characters, and it would make sense to feel a feminist vibe from the authors at certain points in the novels. In these novels, the female characters use the traditional distinction between gender roles to change the dynamics of their families and function within the novel.

The struggle to conceive an identity that is individual from the societal and cultural boundaries is an experience shared by the female protagonists of Thomas Pynchon’s The Crying of Lot 49 and Sandra Cisneros’ “Woman Hollering Creek”. Both works feature women who are characterized as outsiders to the societies in which they find themselves. Cléofilas struggles to transcend the cultural, class and gender constraints inflicted upon her due to her identity as a Mexican-American woman. Oedipa Maas’ occupation as a housewife and American citizenship mark her as an “insider” to American society, but

The subject of feminism has evolved into various complex theories. In addition, feminism has also been a heavily debated issue that has been around for numerous years. The argument of feminism is that women are, and always have been throughout history, treated differently than men by society. Therefore, women are being stripped down of opportunities to their benefit economically, socially, politically, and culturally. Since there are multiple theories on feminism, Donald Hall’s definition of cultural feminism, from his “Feminist Analysis” of Literary and Cultural Theory, will be used to explore the cultural aspects of the texts from Kate Chopin’s novel The Awakening, Charlotte Gilman’s short story ”The Yellow Wallpaper,”

A common theme that can be seen in feminist literature is that a woman’s identity is defined by the patriarchal culture of the era as well as the men in their lives. This theme can be seen through pieces such as “The Yellow Wallpaper” by Charlotte Perkins Gilman, “My Ringless Fingers on the Steering Wheel Tell the Story” by Laura Boss, and “The Story of an Hour” by Kate Chopin.

Throughout history, Canada’s identity has changed in many ways and there have been many historical events that have greatly shaped and impacted Canada’s history and identity. The Women’s Movement and women’s contribution in the past and throughout history has had the greatest impact on shaping Canada into what it is today. Among many identifying qualities like being multicultural, bilingual, and world leaders, Canada is also country that has changed immensely in the way of becoming a country that has learned to accept women, move towards providing them with equal opportunities and treating them equally. Through economic, social and political movements and actions, the contribution from women and the women’s movement have increased, changed and improved women’s rights and equality greatly. Women worked to create independence and equality economically through their contributions to war on the homefront in WWI resulting in greater workplace equality, socially through the actions of the Flappers in the 1920’s giving women currently, the confidence and strength that they need to speak up, and politically, through the work of the Suffragists including the Famous 5 to allow women to have the same political rights as men.

In order to properly view a story from a feminist perspective, it is important that the reader fully understands what the feminist perspective entails. “There are many feminist perspectives, and each perspective uses different approaches to analyze and interpret texts. One is that gender is “socially constructed” and another is that power is distributed unequally on the basis of sex, race, and ethnicity, religion, national origin, age, ability, sexuality, and economic class status” (South University Online, 2011, para. 1). The story “Girl” is an outline of the things young girls

The typical conventions of the western genre included a male lead that fought crime while simultaneously saving the hopeless damsel in distress. Novels comparable to “True Grit” was revolutionary for female protagonists in accordance to the role females play in society. This novel shows that women are no longer expected to take care of the household, raise the kids or expect men to save the day. Even if the novel is a fictitious account of what the wild west was today’s readers are able to identify with a protagonist who questions the norm of society. The protagonist, Mattie, revealed she had “true” grit by vanquishing gender stereotypes to avenge her father’s death.

The Women’s Liberation Movement greatly impacted Australia and the United States throughout the 60’s and 70’s carrying on to the 90’s. Without the Women’s Liberation Movement women wouldn’t have received changes in laws primarily regarding employment impacting on them moving forward in terms of equal opportunities. However there is still a there is still process to be made concerning employment and social roles for women to have equal rights as men. The Women’s Liberation Movement started in the 60’s during the second wave of feminism. Even though the 70’s were a time of change, both Australia and the United States saw women remaining in low status roles and staying primarily in the domestic sphere. The 90’s however saw a dramatic change in the amount of women employed and working more so in the domestic sphere.