Women's Portrayal In The Odyssey

Penelope was left behind when Odysseus left for the trojan war, but he didn’t come back after that. Penelope had to take care of their son, their estate, and their servants for 20 years. On top of all of that she had suitors demanding her attention. In all of this she stayed strong and independent, and despite the pressure of the suitors she stayed loyal to Odysseus, even when she didn’t even know if he was alive or not. Penelope’s character is also very clever and sly. She told the suitors that she would remarry after she finishes her weaving project, but each night she undoes everything she did that day. When the suitors find out about it they demand she choose someone to remarry. Penelope uses her intelligence and slyness again as she tells them whoever wins an archery contest using Odysseus bow, which only he could use, she would marry. Penelope is also very kind, which we see when she interacts with the servants and her son. Penelope is a very well portrayed character and she is needed in the story to be someone Odysseus could always be someone to come back

In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.

The cultural role of women in the Odyssey In Homer’s Odyssey the cultural relevance of a preferred woman’s role in society generally stands out in the roles of the female characters of Athena and Penelope simultaneously rejecting the negatively viewed characteristics of Calypso and Circe. The entire structure of Ancient Greek culture boasts its men in more superior roles than that of women. Greek society was largely built upon an idea that good women were only around to faithfully serve and support their husband and that it was very important not to stray from those essential traits. Athena is a very involved character from the beginning of the book when she wants to help Odysseus get back home to Ithaca. However, as fate would put it

For thousands of years it can be considered debatable on the true view of women over the years but one thing is for sure, many women suffered one commonality - discrimination. For decades women have been told the classics; “you can’t”, “you’re not strong enough”, “stay in the kitchen”, and because of this, young women today believe this is what they are viewed as. In “The Odyssey” there are many characters that share their disgust with the female gender and many who worship them,just like today. There is a possibility, even though it’s 2017, that there may be some men who believe men were given certain jobs to do and women should stick to what they were “meant to do”. It’s an issue - it’s teaching young men and women that women cannot do the same as men. It teaches women the true heroes are men, that women cannot be the ones to sail across the sea, to fight monsters, or even to simply be in charge of themselves. Since specific roles are assigned in “The Odyssey” to both men and women, it can teach women that while times have changed, in society it’s somehow important for women to be second next to men, when in reality that is not true.

The Odyssey, by Homer, was written with the Greek mindset that women were supposed to be submissive. If the woman in question was not submissive enough, she was depicted as cruel, selfish, a monster, or a whore. This is true for both mortal women, such as Penelope, and immortal goddesses, such as Calypso. Mortal women were expected to be good faithful wives who listened to everything the head of the household said, while goddesses were expected to follow the gods every order and were called sexist slurs if they ever got involved with a mortal man.

Greek society is highly stratified, one where the distinctions between Nobles, peasants, and slaves are explicit. While many people consider women oppressed in the ancient hierarchy, this notion is somewhat contradicted in the Odyssey, where many women act as powerful figures. Penelope separates herself from the suitors that plague her palace, who are relentless in their pursuit for her hand in marriage. Circe has the capability to seduce an entire unit of Odysseus’ men and turn them into pigs. Athena benevolently guides Telemachus over the many obstacles he faces on his quest to seek out his father. Helen defects from Sparta, rallying all of Troy for her cause. Clytemnestra deceitfully plans Agamemnon's death for her new love interest, Aegisthus. Women in the Odyssey show that through seduction, trickery, and wisdom, women of Ancient Greece are able to obtain significant power.

In the poem written by Homer, "The Odyssey", there is evidence of these views as pointed out by Sue Blundell. In her book, Women in Ancient Greece, she gives many examples but I would like to just touch on a few. Sue suggests many of the monsters encountered in The Odyssey are unmistakably female. Woman are to be seen as having a sexual power to engulf and obliterate men if they become to closely involved with them (Blundell, 51). This might explain why women are kept in check in Greek society and why men are not to be blamed for their

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

Does Homer exhibit gender bias in the Odyssey?  Is the nature of woman as depicted in the Odyssey in any way revealing? Upon examining the text of the Odyssey for differential treatment on men and women, it becomes necessary to distinguish between three possible conclusions.  One, differences in treatment reflect the underlying Homeric thesis that  women are "different but equal in nature,"  Two, different treatment  of men and women in the text reflect a thesis that women are "different and unequal in nature" -- arguments about misogyny fall in here but a host of other interpretive possibilities are possible too. Three, the different treatment reflects simple ignorance. How much do we attribute what we discover to male authorship -- or

Homer wrote the classic epic The Odyssey more than 2,500 years ago. At that time in ancient Greek society, as well as in the whole of the ancient world, the dominant role was played by men. Society was organized, directed, and controlled by men, and it was accepted that women occupied a subservient and inferior position. Women, of course, were valued, but were expected to possess certain traits and perform certain tasks that men demanded of them. Does Homer's writing in The Odyssey support or refute the common belief of his time regarding women? Homer endorsed the dominating belief of his time concerning women by treating the female characters unequally and differently compared to the male characters in

Though Penelope at times seemed to utilize her seducing power, she was much more than that; she was clever--in distinguishing the beggar to be Odysseus (when she laid down the challenge to the men in chapter twenty-one). She showed strength when she confronted the mob of suitors after having heard that they were plotting on Telemachus.

Religion, literature, and art have historically illustrated a virtuous woman as a submissive, fragile being. Her moral purity is desirable compared to the contrasting dangerous depiction of a woman that deviates from this male contrived ideology. Sexually liberated and independent characteristics in a female figure are often accompanied by malicious and cunning intentions. When femininity is used as a seductive tool of destruction, the concept of the femme fatale, or fatal woman, is introduced. Her attraction is irresistibly detrimental. Written works often utilize this archetype as a literary device to symbolize a threatening temptation. This concept is represented in the Epic of Gilgamesh and Homer’s The Odyssey. Both exploit luring women

   Ancient Greek society treated women as secondary citizens. Restrictions were placed on the social and domestic actions of many aristocratic women in ancient Athens.  The women depicted in Homer's Odyssey, on the other hand, are the ideal.  Penelope, Clytaemestra, Athena, and Helen are all women with exceptional liberty and power.

Some women in the epic poem serve as the “partner” of the male hero, like Helen of Troy to Paris and Andromache to Hector. Although they don’t have the power to dominate over their lovers, these characters are sometimes used by Homer to portray a more human side to the male characters – Paris is vulnerable with Helen, Hector is both a sympathetic husband to Andromache and a heroic father to their son. These women does not wholly affect the male characters (even Andromache fails to convince Hector not to fight Achilles) but with their presence, the male character assumes a multidimensional persona (Paris, a coward who indulges on pleasures than fighting in the war).

The epic poem 'The odyssey' was recorded in the 8th century BCE or c.750 BCE which was during the Homeric time period. The Odyssey began 10 years after the Trojan war ended which is during the Mycenaean time period. Homers telling of the odyssey has the main audience of males that lived in this time period as females and males were not equal in Homeric society. Male characters were more important and written with more description than the female characters which was shown throughout the epic poem in the events of Odysseus returning home to Ithaca and his son Telemachus becoming the paterfamilias.