Women's Roles In The Ramayana

Ramayana, translated by William Buck, is an ancient Indian epic telling the story of a prince named Rama who fights against his adversary, Ravana. Although there are many important female characters throughout the book, they are often seen as subordinate to their male counterparts where intelligence and strength are concerned. One character who proves this stereotype wrong is Sita, Rama’s wife, who often shows that she has the capacity of being just as powerful as the men of the story. By being more mindful than most people around her, Sita defies the expectations that many characters have placed on her. Sita lets the reader see another side of women’s power and shows us the strength that women could have. The reason that Sita proves to be powerful is that she seems to have an understanding of the deeper meaning of her life; precisely the quality that men don’t expect her to have.

The original The Ramayana is a great epic that has stood the test of time, and has been influential yet controversial throughout history. R.K Narayan’s version has been the same; his composition of stories adds another layer to the already plentiful themes, leaving the reader satisfied with his brilliant description and insight. Through Narayan’s constant comparison that parallels Rama to a perfect specimen, he is demonstrating a “Straw Man” argument. Its effect illuminates Rama’s flaws rather than his seemingly perfect composure. Narayan consciously chooses moments at Rama’s darkest hours to transform him into the relatable human figure he was meant to become.

To better understand the role of women in this epic, we need to recognize the impact that each female character has on this story. The first woman we meet, Shamhat, is a smart and beautiful woman held in high regard in the city of Uruk. She is a temple priestess/prostitute and her sexuality is the link between civilization and wild that causes Enkidu to become a normal person. Shamhat having sex with Enkidu changes him right away

This paper attempts to examine the fictional projections of Indian girls, to see how they emerge in ideological terms. Their journeys from self-alienation to self-adjustment, their childhood struggles against the hypocrisies and monstrosities of the grown-up world, eventually demolishing the unjust male constructed citadels of power that hinder their progress- are the highlighted issues. The point of comparison between the two novels focused on here is the journey of Rahel in The God of Small Things and Sai in The Inheritance from a lonely childhood to a tragic adulthood passing through a struggle with the complex forces of patriarchal society. Both the novels portray the imaginativeness, inventiveness, independence, rebelliousness, wide-eyed wonder and innocence associated with these young girls.

In today’s society men are expected to have only wife and not multiple and it is also the same for a woman and if that is broken then it is considered cheating which is a unacceptable thing. That was not the case in the Ramayana. In our current time men and women rule. An example of this is the ruler of England Queen Elizabeth II is the current leader of England and is a female. Also America had a women run for president and even though she didn’t win there is out to be a time soon that a female will become the next president for the United States. This would of never been heard of in the time of the Ramayana. For war and battle it is acceptable for a women to be enrolled into the army with men now. There are quite a bit of women

After a fight with Rama, Vali, an impassioned king, is stuck down. As Vali lays dying, Rama imparts his knowledge to him, chastising the reckless king by expressing that “even after fully realizing that he had committed no wrong, [Vali] let [his] temper carry [him] on and on; [Vali] could afford… to indulge [his] anger luxuriously, however unwarranted” (Ramayana 103). Rama, who is often considered the ideal leader, scolds Vali by referencing Vali’s emotions and how they dictated how he reacted. In this scene, it is obvious to the reader that Rama is in the right since he keeps a calm and collected mind, while Vali is portrayed as an irrational and careless king. Later in The Ramayana, the reader is introduced to Ravana, an evil king. In his court, the seemingly adoring subjects stand around him, and “[t]he kings of this earth whom he had reduced to vassaldom stood about with their hands upraised in an attitude of perpetual salutation, lest at any moment Ravana should turn in their direction and think that they were not sufficiently servile” (Ramayana 74). This show of obedience and continued servitude seems to show appreciation and awe from the subjects. However, due to the worry about Ravana turning to look at the kings appears to come from a fear-related place. Because of this, the reader can infer that Ravana rules with an iron fist, punishing those who disobey him. As Soorpanaka, Ravana’s sister, attempts to gain favor with Rama, she describes the subjects of Ravana’s kingdom, saying they are “hostile to ascetics… they observe no rules or disciplines” (Ramayana 65). The kingdom that Ravana governs does not follow his rules, having little respect for his strategy of ruling by fear. The hostility Soorpanaka mentions correlates with Ravana’s lack of morals, showing that a strong,

The Book of Genesis and The Ramayana represent women differently and at the same time in the same way. In the Book of Genesis, the construction and representation of genders in general is presented in a unique way but thoroughly follows ideology, one of them is: the man will lead the woman.

Heroism and the concept of a hero have been subject to many changes, especially with respect to changes over time and in terms of how heroism is viewed by different cultures. The thing being explored in this chapter, primarily through the analysis of major heroic archetypes and characters, is how the ancient Indian heroic society takes the ideas of heroism, with specific focus on the epic poem ‘The Ramayana’. Along with the examining of the major characterstics of heroic archetypes, specifically the hero who works with a partner or companion, the hero who works alone and the figure of the hero who plays a background role in the context of the epic, there will also be a brief focus on the importance of the ability of

Kaikeyi is King Dasharatha’s third wife and also Rama’s step mom (mom). She is also an evil queen that can easily be manipulated. Queen Kaikeyi allowed Manthara, her maid to manipulate her into exiling Rama from his kingdom. Manthara knew Queen Kaikeyi’s weakness and used it to mislead her from the path of dharma. The Queen allowed her anger to get the best of her; as a result, she becomes her servant’s pet. Therefore, the Queen’s lack of autonomy makes her dangerous because whenever she feels attacked she will react like a wounded dog. The narrator writes, “Manthara’s words had the desired effect, for Kaikeyi was jealous of Kausalya” (Amar Chitra Katha 16).

Women have frequently been one of the victims of the stereotypical and judgemental society. Every action and step that’s taken by them are critiqued by society. If women are seen to be involved in such activities that violate modesty, they get shunned and negatively viewed, whereas if a man commits the same action equal amount of critique isn’t given. In many places around the globe, women are considered inferior. They are underestimated and are always seen to be dependent on men. What some often fail to acknowledge is their significance. The Epic of Gilgamesh was widely subjected on the heroism of two friends and the journey of transformation of a mighty king, but it did convey the significance of women and the important roles that were played by them nonetheless. Without the assistance and vision of women, the Epic of Gilgamesh wouldn’t have been so epic.

There is no hint of displeasure on her face as she diligently carries out her duty as an ‘ideal wife’. Also why should she have any objection for ‘as long as she lives, a woman’s God and master is her husband’. This scene emphasises the nature of a traditional marital relationship in Indian culture and the presumed duties of a woman as a wife. The text of the Ramayana is considered to be sacred and is followed religiously by people. If it happens to call a woman’s husband her master and God, its influence on the psyche of the people, especially the women, is self

An often controversial issue within politics is how woman are viewed and treated in the Hindu religion. The role of woman in Hinduism is often disputed and positions range from quite reasonable to highly antagonistic. An often overlooked aspect is that, Hinduism is more of a way of life then a Religion. This is because Hinduism requires that we see the same reality in all the diversity of creation; that we see the same Self in all beings. Hindu women within this religion would view themselves as an important part of the family, but this is not shown through the contents of the Manusmriti. The Manusmriti directly translated is “Laws of Manu,” or “Institutions of Manu,” is regarded as the foundational

Dharma is the duty that people must fulfill in order to achieve their life’s purpose. In the Hindu religion, it is what guides the followers’ life choices and actions. Only the utmost just decisions and choices will lead down the path of obtaining dharma. At first glance, the Indian epic, The Ramayana, is a love story about a prince who is banished to the forest and an evil creature subsequently kidnaps his wife. However, it serves a much greater purpose in the Hindu culture. The Ramayana serves as a guide to living a life of moral righteousness. Rama and Sita are role models of how men and women should interact with each other and with society. There is multiple times throughout the epic that Rama faces morally difficult decisions that he flawlessly surpasses, a feat that his human peers surely would not have had the mental strength to accomplish. Rama is the supreme example of how to live a moral life. Rama’s dharma is to destroy evil, and throughout the book the difficult choices he makes and the heroic actions her performs are what guide him in his quest to fulfill his duty. Other characters in the epic, such as Ravana, are faced with the same moral dilemmas and chose incorrectly, which ultimately lead to their demise. Rama’s profound greatness is a result of his ability to place dharma above all other humanly desires and personal interests.

The role of women in the Mahabharata makes an interesting and fascinating study providing insight into the strengths and weaknesses of their character. In the Mahabharata, four women play pivotal role in the course of events. The men play dice and wage wars in Mahabharata, as anywhere else; but it is the women who hold power and influence. It is the women who direct the course of events and unconsciously determine the fate of men and their generations to follow. The women are the true leaders of the Epic. These women displayed that the truly powerful do not cling to power. They knew when and how to wield it but also, even more important, to when not to use it.

     “So it is naturally with the male and the female; the one is superior, the other inferior; the one governs, the other is governed; and the same rule must necessarily hold good with respect to all mankind.” This quote, spoken by the famous Aristotle, proves to be timeless. The words express knowledge concerning gender that proves to be centuries ahead of its time. Aristotle however, may not have even realized the amount of truth expressed in these few, simple words. Men are commonly thought of as the dominant of the two sexes, but as we have seen through many of the literary works studied, this is most certainly not the case. In dealing with books such as Macbeth written by