Wonderland Research Paper

But he understood that Wonderland’s future depended on Alyss’ survival.The queendom was more important than any single queen.He lifted his eyes to Genevieve, ”I promise,”he said”(650) Hatter took many risks for Alyss due to his determination to find her.”But what if his theory was wrong?What if this puddle led to some unknown destination instead of back to Wonderland? Stepping into it is a serious risk. For Alyss’ sake,and for that of the queendom,it was one he had to take.”(147).Hatters determination to find Alyss is the reason the queendom peace was

A caterpillar that smokes from pipes and eats tarty-tarts is only the beginning of Frank Beddor’s first book in his trilogy The Looking Glass Wars. Many of us are familiar with the infamous fairy tale of Alice who stumbles upon a hole that leads her to Wonderland and meets strange characters like the Cheshire Cat and others. Now there are many differences in Beddor’s tale; not only is the Cat an assassin with nine lives but Alice-the character we grew up knowing-has a different name, Alyss Heart. She is a young girl whose kingdom of Wonderland is taken over by her blood thirsty and cruel Aunt Redd, who is truly the incarnation of evil. This book is one with many

By Frank Beddor’s The Looking Glass Wars, he retells the story of Alice in Wonderland by putting it in the perspective of Alyss as the princess of Wonderland, when she is forced to flee Wonderland when her Aunt Redd (Queen Genevieve’s sister) comes to retake her throne. Alyss ends up in Victorian London and is separated from her keeper Hatter Madigan. Beddor changes the story to provide good significance and inspiring themes to give good imagery throughout the story. For example, in the story Queen Genevieve, Hatter, and Alyss forget their own survival to sacrifice themselves for the good of others.

Wonderland. All starting with Alyss, the princess of wonderland. Alyss ends up in a quarrel with her Aunt Redd so she had to escape, which led to her stuck in England alone. With help from Hatter Madigan, Alyss goes back to Wonderland and wins back her Queendom. With the wonderful, entertaining, and page turning story Beddor also provides many grasping themes by twisting the story such as, evil versus good in the actions of Redd, Alyss, and Hatter.

Issues concerning her size, identity, and her social exchanges with both Wonderland and its creatures spur and characterize Alice’s development towards becoming a young woman.

Witches have been feared by man since the 14th century in Europe when they believed women were given evil powers for loyalty to the devil. Although some others believed it was the result of consuming the fungus “Ergot” which was found in rye, wheat and other cereals. According to Jess Blumberg multiple people were caught using witchcraft as he mentions in her post “More than 200 people were accused of witchcraft and twenty were executed”. Later in colonial times there was a widespread of witchcraft throughout the new pioneer villages. People believe that it became worse from all the anxiety from the fear of death from disease, savages, smallpox and the after war effects of the British war with France. All this anxiety was driving the Puritans

Next, the Cheshire cat is a supernatural aide as well for Alice. The Cheshire cat is rather poetic with everything he says and his advice to Alice gives off a poetic vibe. The supernatural part about the cat is that he enjoys disappearing and reappearing at random times. In Tough Alice, the Red and White Queens symbolized supernatural aides for Alice. There’s no such thing as a red or white queen which indicates that Alice is dreaming. Second, the red and white queens were seen as guidance this time around in Wonderland by saying things like “We are only present, not truly here,” “And you are your own future,” “You are a tough child” and “You figure it out (page 7-8, Yolen)”. This considered the queens to be aides towards Alice. To make it out of Wonderland this time, she had to learn to fight her own demons.

In the 16th century, different societies with distinctive social and common religious views have assisted in the harsh treatment towards witchcraft. The accounts in Salem provided its reasoning on the unexplainable acts and questions being associated with the devil producing an execution of hanging. Whereas in Europe implemented its action of persecution and torture on the influential publication of Nicole's Remy and Jean Boldin. Depending on the social and religious components in a particular community, contributes to how one perceives a witch and how they will communicate and administer the participant of witchcraft.

From the moment she sees the White Rabbit taking his watch from his waistcoat pocket, Alice tries to understand the logic of Wonderland. None of the rules that she has been taught seem to apply in Wonderland. The characters in Wonderland have no sense of manners and respond to her questions with answers that make no sense. For example, the Mad Hatter asks the questions, “Why is a raven like a writing desk?” (Alice 51). Alice assumes he is asking a riddle and she begins to try to answer it, thinking the Hatter would not ask a riddle without knowing the answer. When Alice is unable to figure out the riddle, the Hatter explains that there is no answer. He does not explain why he asked the riddle, he simply says, “I haven’t the slightest idea” (Alice 53). In which Alice replies, “I think you might do something better with the time, than waste it in asking riddles that have no answers” (Alice 53). The Hatter then responds with a lecture on Time, which he depicts as a person. Time being depicted as a person makes no logical sense to Alice. In the end, Alice rebels during the trial scene when the King said “Rule Forty-two. All persons more than a mile high to leave the court” (Alice 88). Alice objects to the absurd nature of the trial saying, “Who cares for you? You’re nothing but a pack of cards!” (Alice 91). This final scene is the end of her dream, and she wakes up with her head in her sister’s lap.

The White Queen prances around in her graceful white gown, portraying her as sensitive, pure and an innocent soul. However, her lip colour, eyebrows and nail polish is in contrast to her skin tone; but then again, isn’t everything a little twisted in the nonsensical and intriguing world of Wonderland! The White Queen’s kind-hearted and good-natured charm is evident as the Red Queen jealously remarks, “You think you can blink with those pretty little eyes and I’ll melt just like mummy and daddy

The change in nature of the construction of the Salem witch trials from Cotton Mather’s traditional recount of the 1692 witch crisis, The Wonders of the Invisible World: The Devil in New England, written in 1693, to postmodern writers of history, has resulted in the absence of objective truths that is merely manipulated to satisfy the historiographers’ purpose. Karlsen’s 1987 work, The Devil in the Shape of a Woman: Witchcraft in Colonial New England, attempts to rediscover women’s history by shedding light on the “systematic violence against women” and preserving what she believes as ‘self-evident truths’. Therefore, her consultation of sources seeks to be truthful by acknowledging major reinterpretations made by John Demos and Paul Boyer

Alice begins by startling at the sight of the Cat sitting on a tree bough, while the Cat only grins at Alice. As dear Alice asks for advice on which way she ought to continue, the Cat claims, “if you do not know where you want to end up, then surely it does not matter which way you go” (Carroll 49). This simplistic view of decision making plays on the complexity that humans weave into simple decisions of everyday life. Alice’s confusion is spotlighted by this overtly simple take on decisions, and her confusion can then be tied to the absence of a concrete identity. The Cat proceeds to reveal that in Wonderland, “we’re all mad here. I’m mad. You’re mad,” and this awareness and acceptance of “the fury” within himself further serves to bold Alice’s insecurity (Carroll 49). Perhaps, if Alice knew who she was to others – and to herself – in Wonderland, she would not deny the madness of Wonderlands creatures, including

Alice's Adventures in Wonderland shows us how a child's innocence can create an imaginative world that would be considered abnormal and insane through the eyes of an adult. Alice dreams of creatures and animals that have the ability to talk, and she constantly shifts in shape and size, perverting the proportions of Wonderland around her. She also has conversations with other characters that the are full of nonsense and odd remarks. Perhaps Alice's irrational personality is best displayed during the scene "A Mad Tea-Party" when Alice encounters a Hatter, March Hare and Dormouse sitting down for teatime. She walks up to the crew nonchalantly and sits down to join them. Immediately, the Hatter begins to make remarks about Alice's appearance and her manners. He is rude and snappy, having a criticism for everything that Alice

Alice in Wonderland by Lewis Carroll endures as one of the most iconic children 's books of all time. It remains one of the most ambiguous texts to decipher as Alice 's adventures in Wonderland have created endless critical debate as to whether we can deduce any true literary meaning, or moral implication from her journey down the rabbit hole. Alice 's station as a seven year old Victorian child creates an interesting construct within the novel as she attempts to navigate this magical parallel plain, yet retain her Victorian sensibilities and learn from experience as she encounters new creatures and life lessons. Therefore, this essay will focus on the debate as to whether Alice is the imaginatively playful child envisaged by the Romantics, or a Victorian child whose imagination has been stunted by her education and upbringing.

When one thinks of the world of Faerie, they tend to imagine wondrous and fantastical places, however while they make occurrences they are rarely the bulk of the tale. In order to contrast the wonder and goodness there have to be places where it is absent or darkened and perverted. The true magic of the stories lies in the consolation, the restoring of these desolations, as J.R.R. Tolkien says in his essay “On Fairy Stories,” “I would venture to assert that all complete fairy-stories must have [the Consolation of the Happy Ending]” (“On Fairy” 85). Throughout the works of J.R.R. Tolkien, specifically “Leaf by Niggle,” “Farmer Giles of Ham,” and The Hobbit, both desolations, and the restoration of them are central motifs.