Write About the Ways Fitzgerald Tells the Story in Chapter 7 of "The Great Gatsby"

The relationship that Tom and Myrtle’s yield allows Fitzgerald to critique the life’s of the wealthy, old-money class in 1920s New York. By showing Tom’s affair with a working-class woman, Nick reveals Tom’s ugliest behavior as well as the brutality of class divisions during the roaring twenties. Critics Ian and Michelle McMechan in their article ‘Gatsby’s women’ identify how the tones in which Fitzgerald draws Myrtle are mainly grey and brown and she hails from a ‘valley of ashes’. Myrtle’s appeal, in contrast to Daisy’s, is raw and earthy: ‘She had changed her dress to a brown figured muslin, which stretched tight over her rather wide hips’ as Nick notes on first meeting her. Her ‘intense vitality’ expands in Tom’s presence until ‘she seemsto be revolving on a noisy creaking pivot through the smoky air.’ Myrtle appears as some form of marionette in fact a grotesque fairground attraction doll. This ‘doll’ who is used by Tom with a purpose of comfort, but such desires lead Tom to cheat on the mother of his child and react with brutality to the women who he carries out the

In F. Scott Fitzgerald’s novel, “The Great Gatsby,” he mirrors his life and the people in

Nick Carraway is the primary voice in chapter 5 of Fitzgerald’s 20th century tragedy. This means that all opinions and points of view are portrayed through Carraway’s first person, retrospective and fallible narration. Carraway is presented as fallible in this chapter, as the gaps in the narrative reveals Nick as a fallible narrator. He states that ‘I don’t know whether or not Gatsby went to Coney island’ yet he speculates what Wilson is thinking at the end of Chapter 8 exposing his narration to be fallible as it shows that a lot of the narrative could be speculative and therefore unreliable. Nick also speculates at the end of the chapter, ‘there must have been moments even that afternoon when Daisy tumbled short of his dreams’, however

One of the ways in which Fitzgerald tells the story in Chapter 1 is through the characterisation aspect of narrative, using symbolism in order to better exenterate character features. One of the ways Fitzgerald uses characterisation is through description of character appearance, as seen with the description of Daisy whom wears a white dress.

Throughout the novel, The Great Gatsby, Jay Gatsby’s unrequited love for Daisy is evident, as well as George Wilson’s love for his wife, Myrtle. Unlike Gatsby, Wilson is the least important character in the novel due to his important role in F. Scott Fitzgerald’s unique plot scheme that led to Gatsby’s murder. However, both characters have similarities and differences the reader is incapable of detecting due to Wilson’s brief mentions in chapter two and seven. Gatsby and Wilson’s love is similar due to their love murdering them both and their affection by remaining loyal to their women, but Gatsby was more ambitious to obtain a wealthy girl like Daisy and Wilson was forcing Myrtle to move west.

We begin our introduction to Gatsby in a fantasy of mansions and money. However, the film 's progression unravels Gatsby’s superficial layer of wealth to reveal a delusional man who has built himself on a futile dream. Together we will explore the religious and sociological views upon Gatsby’s failure as dictated by McLennan (2014) and Islam (2014).

F. Scott Fitzgerald uses his life experience in his works. He explains, ‘that was always my experience-- a poor boy in a rich town; a poor boy in a rich boy 's school; a poor boy in a rich man 's club… However, I have never been able to forgive the rich for being rich, and it has coloured my entire life and works.’ The short story of Winter Dreams was written around the same time that Fitzgerald was developing ideas for The Great Gatsby. Whilst this wasn’t published until 1925, Winter Dreams débuted in 1922 and the similarities between the novel and short story were intentional. Winter Dreams became a short draft, which Fitzgerald based The Great Gatsby on. Both resemble Fitzgerald’s real life; although both were written before most of the comparable events occurred. Preceding this, The Jelly Bean, a short story from Fitzgerald’s Tales of the Jazz Age (published in 1922) invited the reader to follow Jim Powell through his dreams of social advancement and love, which parallel Fitzgerald’s later stories and life experiences. In addition, Fitzgerald’s The Rich Boy, a short story published in 1926 in All the Sad Young Men suggests that the author’s life experiences shaped his work up to and even after The Great Gatsby, which is considered to be Fitzgerald’s greatest work.

Thesis: The pursuit of the American Dream is a dominant theme throughout The Great Gatsby, which is carried out in various ways by F. Scott Fitzgerald, how the author represents this theme through his characters and their actions is one small aspect of it.

Chapter seven of The Great Gatsby is crucial to the plot. In chapter seven, the author utilizes Nick, to illustrate, the environments and the characteristics. The author illustrates the environments and the characteristics going on in chapter seven by using rhetoric. F. Scott Fitzgerald, the author of The Great Gatsby, uses diction, figurative language, and selection of detail to impact the audience.

In chapter 2 Tom takes Nick to meet Myrtle, his lover, in the Valley of Ashes, where her home is. They all then go to New York, to the apartment bought by Tom for Myrtle, and Myrtle organises a ‘party’, during which she argues with Tom, which ends with him punching her.

I wonder why Nick thinks that Gatsby is sick since the lights in his house are off. Maybe Gatsby did not feel like having a party, he might be tired. Once it was mentioned in the metaphor that everything fell as there was disapproval in her eyes it felt like Gatsby had to fire the servants. They would only make him and Daisy look bad. The second paragraph away from the metaphor has numerous words giving imagery into the scene. It states that it was the hottest day; “simmering in the edge of combustion”; people perspired delicately and despairingly into deep heat. Continuing, the author repeats the word “hot” to emphasize passion or anger. We have found out that Tom does not like Gatsby since he mentions his “well connected dislike”. Then he continues to welcome him however he cuts off and goes to Nick. It looks like the heat is affecting everyone. Daisy starts to slow down saying words as the heat is affecting her. I predict that the heat will affect people in a negative way. The author in an odd way makes Nick reveal that Gatsby did not “really believe in its existence” in Daisy’s child. This dehumanizes the little girl by making her a possession. There is a contradiction afterwards. Nick refers to the child as in a dream. This is directly related to the beginning chapters where Daisy says her daughter is a fool in a dream. Daisy also shows off her daughter in nice clothes to Gatsby. This shows that both Gatsby and Daisy are committed by showing off and impressing each

In the novel, The Great Gatsby, by F. Scott Fitzgerald, about half of the main characters present themselves as something they are not. Throughout the novel, the theme of passing is apparent in Nick, Jay Gatsby, Daisy, and Myrtle Wilson, although they are all passing, each does it for a very different reason. Many scholars have touched on the idea that these characters are not who they appear to be and that their passing is associated with social class issues of the 1920s. Fitzgerald’s characters are built around the idea of passing and social class restrictions.

“And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”

An Austrian physician by the name of Sigmund Freud, a well renowned psychologist, aside from his studies, was once rumored do have done enough cocaine to kill a baby horse. Other than his cocaine addiction he also developed the theory of Psychoanalysis, which in short means that he studied the longstanding difficulties in the ways that people think and feel about themselves, the world, and their relationships with others. Sigmund Freud’s ideals of psychoanalysis was translated to in a way where we are able to analyze media in all it’s shapes and forms. Psychoanalytic media analysis argues that literary texts, like dreams, express the secret unconscious desires and anxieties of the characters within a movie, and the literary work is a manifestation of the Id, Super-Ego, and Ego. The text that I will analyze using the psychoanalytic media theory will be the film The Great Gatsby, originally a novel by F. Scott Fitzgerald. I will be using Freud’s primary psychoanalytic theory of the ID, Ego, and Super-Ego to analyze the movie The Great Gatsby, and also analyze the potential cultural and societal impacts of an authors use of psychoanalytic theory.

How came people did not respect Fitzgerald’s writing in the twentieth century, but why people are respecting and valuing Fitzgerald work in the twenty-first century? Fitzgerald had a hard time to profiting from his writing, but he was not successful after his first novel. There are three major point of this essay are: the background history of Fitzgerald life, the comparisons between Fitzgerald and the Gatsby from his number one book in America The Great Gatsby, and the Fitzgerald got influences of behind the writing and being a writer. From childhood to adulthood, Fitzgerald faced many good and bad experiences that inspired him to achieve his own American dream in a short amount of time.