Writing and Literature is the Best Way of Expressing Emotions

Our cohort is nearing the end of its secondary education and therefore it is important that we reflect on the ways in which it has shaped our attitudes, values and beliefs. For example, over the past five years, we have read, analysed and evaluated various literary works such as novels, plays, poems and films in our English studies. These texts have expressed various ideologies, explored interesting themes and introduced us to fascinating characters. These elements have left a lasting impression on our attitudes, values and beliefs. In addition to this, English literary texts have provided us with historical knowledge as well as a thorough understanding of the role that aesthetic devices

Donne conveys how religion is a central idea through the use of many religious references throughout the holy sonnets. In ‘Death Be Not Proud’, Donne makes a religious reference to Jesus, ‘Die not, poore death, nor yet canst thou kill mee’, expressing how religion was an underlying theme when handling many issues. When the two texts are studied in alliance, it allows the responder to draw a better understanding of the themes presented in ‘W;t’. This theme, science VS religion, has been emphasised due to the contrasts between Vivian and Donne and their context.

The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The

Literary works that explore core human experiences are able to retain their textual integrity through a range of contexts, despite the dynamic nature of prevalent social constructs and moral viewpoints. Playwright William Shakespeare whose works were originally composed during the Elizabethan era encompasses this idea, but they have been appropriated through different mediums, as the exploration of universal concepts is still relevant to contemporary responders. This is particularly evident in Shakespeare’s “Othello” (1603).

John Donne’s diction, detail, point of view, metaphysical format, and tone used in “Holy Sonnet 10” convey both a feeling of cynical and domination, and also a sense of mockery of death. The effects on the reader include assurance and confidence in facing death.

When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the

The poem, ‘The Ecstasy” is one of the more well-known works written by John Donne. In the poem, Donne seems to agree with the philosophy that true love can only be available on a spiritual level and explains what the process is to get there. The purpose of this essay is to analyze how the poem expresses the unique ideas of love and how two people make connections through different pathways, aside from just the physical bonds.

John Donne's 'Holy Sonnet 2' is primarily written in the traditional Petrarchan sonnet form. One way in which Donne applies this traditional form is through the use of an octave, in which the narrator establishes a problem that causes anxiety and personal turmoil. The octave is then followed by a sestet, where the narrator attempts to organise and present a solution to the issue given in the octave, or there is a change of tone in the narrator's voice. "Wisheth that still he might be imprisoned; / Yet grace…" [1] Although there is a change in tone with the narrative voice, Donne's use of punctuation and enjambement between lines eight and nine suggests that Donne does not rigorously adhere to the traditional Petrarchan form, as the poem becomes detached from this tradition and increases the narrator's conflict and feeling of entrapment and suppression. This, in turn, might indicate that the narrator has no solution for his "black soul" [2] and reflects the narrator's anxiety and fear about not being able to repent, or, at least, not being able to repent in the way which would correspond to the narrator's personal religious beliefs. Anne Coles Kimberly argues that the "Calvinist doctrine held that man is resistant to God (due to sin), but that God will draw his elect to him. Donne, however, is not always convinced that the offer of salvation through grace will act irresistibly upon him." [3] The conflicting feelings about grace and what possible salvation it can offer are

George Herbert (1593 - 1633), born later than John Donne (1572 - 1631), largely followed Donne’s poetic style, however incorporating slight changes: the diction that is evident in Herbert’s poetry is much simpler than Donne’s diction, and the metaphors are also easier to comprehend. What both have in common, is the colloquial manner, the logic arrangement of the poems argument and therefore the persuasive nature of the poetry. In Donne’s poetry, this logical arrangement

In “Holy Sonnet 14” by John Donne, dramatizes the conflict between contradictions and a relationship with God.

By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.

This week’s lecture is about John Donne. This essay is going to cover the differences between Donne and Jonson, metaphysical poetry, Donne’s life, his work, techniques, religious poems & sermons, and the final poems. John Donne was very close with Ben Johnson and sometimes they were compared. However, they are extremely different people. These two men had different temperaments, personalities, and world outlook, etc.. During his time, Johnson was the more popular and influential between the two men. His was able to continue this popularity to other generations. Donne was only able to expand throughout a private group but he was well-known during his time and he was even admired by people. However, he was never able to compete against Johnson. He reputation even faded over several years but his work was able to make a comeback.

By using metaphysical conceits in "A Valediction: Forbidding Mourning," Donne attempts to convince his love (presumably his wife) that parting is a positive experience which should not be looked upon with sadness. In the first stanza, Donne compares

Metaphysical poets use startling juxtapositions in their poetry to create a greater significance in their arguments and intended meanings throughout the poem. John Donne is said to be the unsurpassed metaphysical poet, metaphysical poetry being poetry relating to a group of 17-century English poets whose verse is typified by an intellectually arduous style, admitting extended metaphors and comparing very disparate things. In 17th century England new discoveries were being made and social customs such as men being the dominant over women still applied. Through Donne’s poetry we can see that he is goaded and confused by the new discoveries and the social customs avert him from reaching his desires. This is incalculably recognized in his

In this essay I will mainly focus on two poems written by John Donne, The Rising Sun and Death be not proud. These poems were written during the Elizabethan era, which was an era mainly characterized by love and colonialism, on separate terms of course. These principles often influenced poets who lived during this period. Their poetry acts as testimonies of their underlying thoughts and desires. Furthermore, metaphysical poets deliver a more divine and profound perspective to their poetry. Within their conceits, they manage to engage and delight themselves in deeper movements. This essay will further discuss how John Donne used death and the sun to his disposal. I will also critically analyse the two poems as well grasp on external aspects