Wrong Choices In Flannery O Connor's Good Country People

Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her

Thesis Statement: In Flannery O'Connor's short story "Good Country People," the expulsion of the outside world allows for more emphasis on the symbolic nature of each of the active characters.

Life is full of challenges. In the stories, “Breaking Through Uncertainty-Welcoming Adversity” and “Neighbours,” written by Jim McCormick and Lien Chao, the main characters illustrate benefits derived from taking risks. Even though both people in these texts undergo personal challenges, in “Neighbours” the character, Sally, receives greater benefits from taking risks than McCormick in “Breaking Through Uncertainty-Welcoming Adversity”.

Flannery O’Connor was an American author who often wrote about characters who face violent situations. These situations force the characters into a moment of crisis that awakens or alters their fate. Her short stories reflect her Roman Catholic faith and frequently discuss questions of morality and ethics. O’Connor’s Catholic upbringing influenced most of her short stories, often accumulating criticism because of her harsh portrayal of religion. O’Connor incorporates the experience of a moment of grace in her short stories to contribute to the meaning of her works and to represent her faith.

The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.

According to Marian Erickson, “Most of life is choices, and the rest is pure dumb luck.” Real people’s lives depend on this quote everyday, which leads to the outcome of each problem individuals face. In the passages, characterization of the main personas helps one understand the theme. Conflict and symbolism also help lead to the overall idea that life is not always guaranteed to be full of success. The book The Other Wes Moore, the poem “If,” and the informational text “The Art of Resilience” all share a common theme of how choices and luck contribute to the success of life.

Flannery O’Connor was a short story author from Savannah, Georgia. She has produced many critically acclaimed pieces and has won several awards for them. Two distinct pieces she wrote are titled The Life You Save May Be Your Own and Good Country People. While both of her stories are unique, the underlying storyboard and character creation process that O’Connor used is the same throughout her stories. Her stories usually involve one or more self-centered woman, a younger person who become the victim of egregious crime, and a conniving male driven by his own motives. Good Country People and The Life You Save May Be Your Own do not stray from this rule. In either story, the narrative is driven around a shocking tragedy that is very unexpected. Even though in the tragedies committed in the book always have a belligerent and a victim, it is not easy to discern who amongst the two are the antagonist and the protagonist. In either of these narratives, the tragedy that occurred within the stories blurs the line between antagonist and protagonist.

conveys to manifest how people perceive themselves is not always the reality which they are

In most of Flannery O’Connor’s short stories a number of characters have a hard time seeing an ultimate reality in their life. They tend to have a distorted grasp on reality but not all in the same way. In the story “A Good Man is Hard to Find,” the Misfit and the Grandmother are prime examples. The actions and the way of life of the Misfit and Grandmother are mostly due to the fact that they are living in an false reality where they are in their own little world, where in the Misfit’s world everything goes with no worry of repercussion in the Grandmother’s case she can do no wrong because she has a false perception of what is right.

The omniscient narrator allows the reader to see that Hulga?s stereotyping of the other characters is flawed; she never bothers trying to get to know the others as real people. If she had, she would have realized that there was more to them than meets the eye. Hulga?s lack of interest in the other characters effectively isolates her character from any meaningful relationships with other people. Her superior attitude towards the other characters is manifested in her disrespect for all of them. It never occurs to her to do unto others, as she would have others do unto her. Another theme emerges from her contemptuous behavior: Treat others with disrespect and eventually you too will be treated that way. This might also be stated through two well-known clichés: ?you reap what you sow? or ?what goes around comes around.?

Hulga did not care about anyone else but herself. She lived in self-pity. There are many disabled kids, adults and veterans in the world. There are professional runners and people without limbs that work and do amazing things. Even though she had these issues she thought she was better and too good for everyone else. Mrs. Hopewell states that Hulga, “was brilliant but she didn’t have a grain of sense.”(O’Connor 558) Hulga even

Joy-Hulga, who had grown cynical and cold as she grew up with only one leg and heart ailment, creates an image that she is smarter and better than the rest of the characters in the story. Her education and self-absorption seemed to instill this attitude in her to greater extent than if she hadn’t studied and read so much. Her weakness is the feeling of power she believed she gained from her studies. She refers to herself as a person who “sees

A life lived under someone else’s expectations is no life at all. Many people live their lives allowing others to tell them what to do. They allow others to put them down, and to make them feel less of a person. There have been stories about man versus man, man versus nature and most importantly man versus self. In “The story of an Hour” by Kate Chopin and “The Cask of Amontillado” by Edgar Allen Poe we see how each writer uses setting, characterization, and dramatic irony to show how allowing others to dictate ones life can lead to disastrous ends.

O'Connor's use of violence holds a similar yet restrained quality in "Good Country People", although there is a shift in its use and context. Hulga, like the grandmother, has her anti-social qualities, which, in Hulga's case, protect her from the world in which she feels vulnerable. The conflict/resolution to "Good Country People" comes at the end, when Hulga leads the Bible salesman to an abandoned barn with the hopes of seducing him. Little to her knowledge, the salesman is not a "good country" guy as she would like to believe. Hulga receives the salesman's kisses with no real passion, but as kind of a bitter curiosity. As the old saying goes though, ‘curiosity killed the cat.' Hulga indulges in Manley Pointer's apparent ease by responding to his requests of her to say "I love you." This allows the Bible salesman to confirm Hulga's overconfidence and take advantage of the weakest point in her life, her leg. The

"The representation of the grotesque is a characteristic of much 20th century writing" (Holman 61). Almost all of O 'Connor 's short stories usually end in horrendous, freak fatalities or, at the very least, a character 's emotional devastation. People have categorized O 'Connor 's work as "Southern Gothic" (Walters 30). In Many of her short stories, A Good Man Is Hard To Find for example, Flannery O 'Connor creates grotesque characters to illustrate the evil in people.