Wuthering Heights And Mary Shelly's Frankenstein

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

Hindley hated him”’. This shows that Mrs. Earnshaw neglects Heathcliff, not loving him as much as her other children. Hindley hates Heathcliff and therefore abuses him, making him a victim. However, Mr. Earnshaw loves Heathcliff, and along with Hindley and Mrs. Earnshaw, makes him into a loved and neglected victim.

When Heathcliff returns three years later, his love for Catherine motivates him to enact revenge upon all those who separated him from her. Since he last saw Catherine, he has “fought through a bitter life”; he “struggled only for [her]” (Brontë 71). Nelly observes a “half-civilized ferocity” in Heathcliff’s brows (Brontë 70); she views him as “an evil beast…waiting his time to spring and destroy” (Brontë 79). Heathcliff’s obsessive love for Catherine becomes a menacing threat. Heathcliff reproaches Catherine because she “treated [him]

Brontë shows how cruelty passes through generations through Hindley’s mistreatment towards Heathcliff. From the moment Mr. Earnshaw adopts Heathcliff, Hindley enters a state of melancholy and loathes that his father clearly favors Heathcliff over him. Mr. Earnshaw’s adoption of Heathcliff upsets Hindley, his father clearly favors Heathcliff over him. Consequently, Hindley reciprocates this hatred when he meets Heathcliff, comparing him to satan and wishing for his death. Heathcliff, unable to act against these cruel words, silently absorbs them. This interaction reveals traits of each character: the maliciousness of Hindley’s character, who hates on the young Heathcliff without reason; and the timidity of Heathcliff, fostered by his inability to stand up for himself. Although timid at the moment, Heathcliff assimilates this cruelty so that he can inflict it upon others, just as Hindley does the same to him. This depicts how the victim of suffering develops into the bearer of cruelty. Soon after Mr. Earnshaw’s death, Hindley assumes control of his household and unleashes even more cruelty on Heathcliff. In a fit of

As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented

In this passage, Bronte uses recurring patterns in the book to show how mistreatment can last through generations. When Heathcliff first came to Wuthering Heights, he was treated like a prince; respected, loved, and favored by all but Hindley, who was jealous of the affection given to Heathcliff. When Mr. Earnshaw passes and Hindley is left in charge, Heathcliff is forced to quit his studies and is constantly degraded to a servant position. The reader can infer that his upbringing halted his emotional maturity in a major way. He was damaged by Hindley bringing him down and when Catherine admitted to Nelly she would never marry Heathcliff because of his social position. He of course left to remedy his ruggedness, but it didn’t heal the emotional

Mr. Earnshaw, the father of Older Catherine, found Heathcliff in the streets of Liverpool “where he picked it up and inquired for its owner” (p. 61-62) Bronte’s use of allusion in the quote above serves to depict Heathcliff as an “it,” (p. 62) a creature, and not a human being. However, Mr. Earnshaw favored Heathcliff and it is this built up jealousy from other members in the Wuthering Heights estate that causes Heathcliff to “bred bad feeling in the house.” (p. 55) He became the object of abuse by everyone excluding Mr. Earnshaw. From that time on and for the rest of his life it seems Heathcliff lives by an animal code, loving only one person who loves him, and seeking revenge on the others, who he feels have in one way or another mistreated him.

As soon as Hindley’s father dies, Heathcliff is taught the true meaning of hate by Hindley. As Heathcliff ages, his hate for Hindley grows inside of him, along with a need for revenge. Heathcliff’s need for revenge allows him to formulate his diabolical plan for taking over both the Grange and the Heights, upon return from his three year sojourn. Heathcliff’s ability to gamble the Heights away from Hindley foreshadows the unyielding power of Heithcliff’s hate when fueled by revenge. Thus establishing hate as the source of Heathcliff’s revenge.

In both Wuthering Heights by Emily Bronte, and Frankenstein by Mary Shelley, suffering and love cause horrific events to occur. By observing the personality, life, and actions of the Creature and Heathcliff, there is a revealing of a great similarity. Due to these items, each are categorized as the Byronic hero, which is the center of the similarity, along with love.

Earnshaw and raised as his own son. There, he endures daily torment from his step-brother Hareton who abhors Heathcliff and regards him “as a usurper of his parent's affections and his privileges” (Brontë 37). The display of cruelty, ranging between stinging pinches to violent beatings, between such young children appalled readers. Moreover, after Mr. Earnshaw’s death when Hindley became the head of the manor, he further ill-treats his brother by relegating him to the position of a mere servant and by forcing him labor extensively. Retorting to the mistreatment he faces, Heathcliff vows to “pay Hindley back” (Brontë 54). Hence, Hindley initiates a cycle of maltreatment that influences Heathcliff’s future treatment of others. The author opts to include detailed accounts of violence between the young boys, invoking readers to label her as vile for creating the gruesome story while they ironically remain reading the “repelling” novel. As the book progresses, Heathcliff becomes the main perpetrator of hostility, as a result of the vicious rotation of abuse. First, he deceptively marries an innocent girl, Isabelle Linton, to exact revenge upon her brother, and he impairs both her mind and body. He, even, murders her precious dog, seeking to wound her. Heathcliff’s willingness to kill demonstrates his borderline sadistic inclination to receive pleasure from inflicting pain on others. His

This leads to him running away from the heights entirely, leaving Catherine to marry Edgar. “He had listened till he heard Catherine say it would degrade her to marry him.” (81). Upon his return (two years later), Heathcliff marries Isabella to get back at Catherine, and her speech about how marrying him would degrade her. Isabella is also taken against her and her family’s will. Heathcliff kidnaps her and locks her away at the heights. In a letter written to Nelly, Isabella confirms that it was truly against her will for her leaving, and that she cannot return in the time of crisis in her brother’s life. “… an entreaty for kind remembrance and reconciliation, if her proceeding offended him: asserting that she could not help it then, and being done, no power to repeal it.” (140). In the act of kidnapping Isabella, Heathcliff’s intent is to hurt Catherine. Catherine would develop almost a jealous-like temper towards the whole situation, as Heathcliff knew it would. Even on Catherine’s deathbed, there is a constant push and pull (in almost a literal sense) of the cruelty that goes on between the two of them. Between the crying, the vexing, and the constant apologies, comes the brutal cruelty of the words Catherine speaks to Heathcliff. “I shall not pity you, not I. You have killed me – and thriven on it, I think.” (164)

The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic

The following piece of writing will explore factors of a gothic novel. It will exclusively do so in regards of the two novels Wuthering Heights and Frankenstein. These very famous novels will be looked at in a very in depth piece of writing. Each novels main themes and their background will be presented. The morality and the gothic novel with specific reference to Frankenstein and Wuthering Heights will be assessed. The second aspect will be the social and cultural of the genre, the genre being the gothic novel. Thirdly, the monster as punishment and the punishment of the monster in both novels. The final aspect that will be analysed is the constructed nature of boundaries in both texts.

Wuthering Heights, a well know classic novel that incorporates romantic aspects, gothic horror, and tragedy to create an intense and opaque plot. Indeed, Emily Bronte’s novel Wuthering Heights, challenged the concepts of the Victorian era, by using the notion of Romantic novels. In the other hands Bronte uses overflow of senses and emotion along with the awe of nature to create an eerie novel. The novel Frankenstein by Mary Shelley, is characterized by the use of romantic aspects to object which is a common fact of novelist in the Victorian era. Certainly, both authors incorporate romantic characteristics into their novels to show the impression of how intense each character’s emotions

In the novel “Wuthering Heights” by Emily Bronte, the character Heathcliff is a very controversial figure that has been discussed about through generations of readers. Most readers feel disgusted by his actions, however some feel like it was an incarnation of retribution and justice. The author’s sister Charlotte Bronte described the character as a “man’s shape animated by demon life - a ghoul”. No one can deny the vile actions of Heathcliff as they are an integral part of the story and although he does have reasons behind his deeds, it must not be mistaken that his actions are justifiable in any way but they are rather undeniably unacceptable.kplm