Wuthering Heights Animals Quotes

Mr. Earnshaw, the father figure at the Wuthering Heights estates, upon returning from a trip to Liverpool, has brought a young orphan boy in place of the gifts he promised his children. Despite Mr. Earnshaw’s kind heart, the family refuses to accept the boy. Wuthering Height’s maid, Ellen “Nelly” Dean, narrating the family’s history to Lockwood, tells him the family’s first impressions and their treatment of the boy. She states, “they entirely refused to have it in bed with them, or even in their room; and I had no more sense, so I put it on the landing of the stairs, hoping it might he gone on the morrow” (Brontë 40). Both children are upset at Heathcliff for have crushing the gifts their father has promised to bring back to them. Neither let him room with them, resulting in Heathcliff sleeping on the floor outside of Mr. Earnshaw’s room for the first night of his arrival. Aside from being an orphan, this was Heathcliff’s first experience with rejection at Wuthering Heights. Not only did the children dislike Heathcliff for have ruining their gifts, but the adults did not appreciate his arrival either. Nelly claims she hopes “it might be he gone on the morrow” (Brontë 40). In addition to wishing the boy would disappear, she refers to Heathcliff as not the pronoun “he,” but with the word “it,” degrading him to a “thing” as opposed to a human being. Nelly then descripes Mrs. Earnshaw’s opinion on the boy, “Mrs. Earnshaw was ready to fling it out of doors: she did fly up, asking how he could fashion to bring that gipsy brat into the house, when they had their own bairns to feed and fend for?,” (Brontë 39). She is just as welcoming as the children and maid, Nelly, are. She refers to him as a derogatory, gypsy boy,

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

The Development of Heathcliff’s Character in Wuthering Heights Heathcliff is a character who is ever present in “Wuthering Heights” and throughout the novel his character changes. At first he is a poor, homeless child, then he becomes a loved and neglected victim, then he is a degraded lover, and finally he transforms into a vicious, lonely master. Heathcliff is introduced into the novel as a homeless child. He is a ‘“dirty, ragged, black-haired child”’ who Mr. Earnshaw brings to Wuthering Heights from Liverpool. He is constantly referred to as ‘it’ and a ‘gypsy’.

When Heathcliff returns three years later, his love for Catherine motivates him to enact revenge upon all those who separated him from her. Since he last saw Catherine, he has “fought through a bitter life”; he “struggled only for [her]” (Brontë 71). Nelly observes a “half-civilized ferocity” in Heathcliff’s brows (Brontë 70); she views him as “an evil beast…waiting his time to spring and destroy” (Brontë 79). Heathcliff’s obsessive love for Catherine becomes a menacing threat. Heathcliff reproaches Catherine because she “treated [him]

This cold treatment only progressed and became abusive when Mr. Earnshaw, one of the few people to ever care about Heathcliff, dies and his son who loathes the protagonist becomes the master of Wuthering Heights. “He drove him from their company to the servants, deprived him of the instructions of the curate, and insisted that he should labour out of doors instead; compelling him to do so as hard as any other lad on the farm” (Bronte 71).

Cruelty compels one to inflict cruelty upon others. In her novel, Wuthering Heights, Brontë illustrates the rough life of Heathcliff, conflicted with whether he should focus his life on loving Catherine Earnshaw or inflicting revenge on those who tortured him as a child. Mr. Earnshaw adopts Heathcliff into the Earnshaw family as an orphan gypsy, a social class that most of the Earnshaw did not care for. The eldest child of Mr. Earnshaw, Hindley, abuses Heathcliff horribly, shaping the way Heathcliff perceives the world around him. Catherine Earnshaw, Hindley’s younger sister, motivates Heathcliff to endure this pain through their affectionate relationship. With his heart focused on revenge, Heathcliff devises a cruel plan to retaliate those who hurt him; he returns to Wuthering Heights as a refined, powerful man. He takes some of his anger out on Hareton Earnshaw, Hindley’s son; this parallels Hindley’s abuse towards Heathcliff. Through Hindley’s and Heathcliff’s abusiveness in Wuthering Heights, Brontë asserts that cruelty cycles from its perpetrators to its victims.

Emily Bronte’s Wuthering Heights display of cultural and physical features of an environment affecting one’s character and moral traits is showcased through the first Catherine’s development throughout the novel. Catherine is forced to “adopt a double character”, as she lives as a rebellious, passionate woman on the turbulent Wuthering Heights, while behaving politely and courtly on the elegant Thrushcross Grange(Bronte, 48). Each of these environments also contains a love interest of Catherine’s, each man parallel with the characteristics of their environments: Heathcliff, the passionate and destructive, residing in Wuthering Heights, while the civilized and gentle Edgar inhabits Thrushcross Grange. Catherine’s development in character due to her setting significantly contributes to the theme that pursuing passionate love is dangerous, such as the love shared by Heathcliff and Catherine.

In this passage of Wuthering Heights, Brontë expresses the moment of Heathcliff's reaction to Catherine Linton's death. In this particular passage, Emily Brontë utilizes syntax to illustrate Heathcliff's obsessive love for the late Catherine Linton. Brontë expresses Heathcliff's deep, hidden emotions through the use of syntax. In the beginning, few questions are asked by Heathcliff, such as if "she died like a saint," to convey his curiosity about his true love's death (Brontë 164).

Wuthering Heights by Emily Bronte was published in 1847 and received many contradictory judgements. One main judgement that criticized the novel was how multiple characters can have a change in characterization depending on the reader. Many of the novel's characters, such as Heathcliff, possess positive values, but readers tend to focus on their negative qualities which allows these characters to change. Growing up poor and homeless, Heathcliff’s character changes many times throughout the novel as he grows older and possess negative qualities towards other characters. Later residing as an old, lonely master, Heathcliff’s change in character at the end of Wuthering Heights signifies that he has gone mad and leads to intentions that Heathcliff has not committed suicide, but lost all will after all he has been through.

Heathcliff is introduced in Nelly's narration as a seven-year-old Liverpool foundling (probably an Irish famine immigrant) brought back to Wuthering Heights by Mr. Earnshaw. His presence in Wuthering Heights overthrows the prevailing habits of the Earnshaw family, members of the family soon become involved in turmoil and fighting and family relationships become spiteful and hateful. Even on his first night, he is the reason Mr. Earnshaw breaks the toys he had bought for his children. "From the very beginning he bred bad feelings in the house". Heathcliff usurps the affections of Mr. Earnshaw to the exclusion of young Hindley-: "The young master had learnt to regard his father as an oppressor rather than a

“My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff!” (Brontë, 82)

The novel of Wuthering Heights involves passion, romance, and turmoil but most significantly carries cruelty as an overarching theme. Cruelty is apparent throughout the work most importantly when dealing with relationships between Heathcliff and Hindley, Heathcliff and Hareton, and even the emotional cruelty between Heathcliff and Catherine.

In the first part of Nelly’s narration, she begins by telling how Heathcliff comes about the house. ‘We crowed round, and, over Miss Cathy’s head, I had a peep at a dirty, ragged, black-haired child.’ Such language explores that he is no ordinary child. The other children - Hindley and Cathy, couldn’t believe what their father had bought home. ‘Mrs Earnshaw was ready to chuck it out of the doors…asking how he could fashion to bring that gipsy brat into the house.’ Such a phrase would imply that if they were seen with the ‘gipsy’ they would be looked down on. They don’t understand Mr Earnshaw’s reason to bring him home. Cathy and Hindley rejected Heathcliff ‘they entirely refused to have it in bed with them, or even in their room..I put it on the landing of the stairs, hoping it might be gone on the morrow’ Nobody wanted it to be part of the household. This first introduction to Heathcliff already explores the view he is socially beneath the other inhabitants of Wuthering Heights. He is typically described as outside of the family structure. This would make him self conscious about himself and could be a reason for his actions later on in his life.

The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.

The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic