After perusing Emily Brontë’s novel Wuthering Heights, it becomes blatantly obvious that every character in the book is motivated to behave in a specific way. Although Heathcliff’s motivation is easily identified as revenge, and Cathy Heathcliff is motivated by fear to reside at Wuthering Heights, it would seem that two characters, Edgar Linton and Hindley Earnshaw, encounter similar circumstances, yet respond to them in completely different ways. By comparing and contrasting these two perplexing characters, perhaps the reason behind them acting so distinctly from one another can be revealed. In order to identify differentiations between Earnshaw and Linton, first it is necessary to closely examine each character, starting with Edgar Linton. Like most other characters in the novel, Linton despises Heathcliff, which is why he later becomes the victim of Heathcliff’s wrath. His wife, Catherine Earnshaw, dies of mental illness ignited by Heathcliff, causing Linton to enter a state of temporary depression. However, he is able to channel this wretched energy into …show more content…
Earnshaw was an affectionate husband and father until the day his wife died of a mysterious illness, causing him to become a sullen drunkard devoted to playing card games with strangers. Unlike Linton, Earnshaw began to despise his only child, Hareton, and so he tried unsuccessfully to place him under the care of a clergyman. Although Linton had tried to prevent Heathcliff from encountering his family, Earnshaw was so desperate for money that he willingly let Heathcliff take shelter within his own home. By this time, Earnshaw had turned almost everyone in Wuthering Heights against him, and being as miserable and wretched as he was, “he died true to his character--drunk as a lord” (Brontë 178). Thus, Hindley Earnshaw and Edgar Linton led very distinct
This cold treatment only progressed and became abusive when Mr. Earnshaw, one of the few people to ever care about Heathcliff, dies and his son who loathes the protagonist becomes the master of Wuthering Heights. “He drove him from their company to the servants, deprived him of the instructions of the curate, and insisted that he should labour out of doors instead; compelling him to do so as hard as any other lad on the farm” (Bronte 71).
Cruelty compels one to inflict cruelty upon others. In her novel, Wuthering Heights, Brontë illustrates the rough life of Heathcliff, conflicted with whether he should focus his life on loving Catherine Earnshaw or inflicting revenge on those who tortured him as a child. Mr. Earnshaw adopts Heathcliff into the Earnshaw family as an orphan gypsy, a social class that most of the Earnshaw did not care for. The eldest child of Mr. Earnshaw, Hindley, abuses Heathcliff horribly, shaping the way Heathcliff perceives the world around him. Catherine Earnshaw, Hindley’s younger sister, motivates Heathcliff to endure this pain through their affectionate relationship. With his heart focused on revenge, Heathcliff devises a cruel plan to retaliate those who hurt him; he returns to Wuthering Heights as a refined, powerful man. He takes some of his anger out on Hareton Earnshaw, Hindley’s son; this parallels Hindley’s abuse towards Heathcliff. Through Hindley’s and Heathcliff’s abusiveness in Wuthering Heights, Brontë asserts that cruelty cycles from its perpetrators to its victims.
In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.
Emily Brontë, in her novel, Wuthering Heights, suggests that children, in their very nature, exhibit traits from their parental influences. However, these traits are not always represented at the same time and can come out in different situations. For instance, as Cathy Linton grows up, her personality is a mixture of her calmer father, Edgar, and her more fiery mother, Catherine. She shows both these personalities, but she limits each to the correct time and circumstance. Also, the same goes for Linton Heathcliff, who has become a mixture of both his mother, Isabella, and his father, Heathcliff. Lastly, this is shown in Hareton Earnshaw, who, because he has little to no relationship with his biological parents, has turned into a man more
The social classes in Wuthering Heights are an insight to the society that Emily Bronte experienced. The British society of 1770 wasn’t accepting of a person with darker features which is reflected in how Heathcliff is treated in the novel. Orphans were also never meant to rise from their station below the servants. This is an insight into why Hindley Earnshaw hated Heathcliff and referred to him as a usurper of his father’s affections. When Hidley became master of Wuthering Heights he returned Heathcliff to his “rightful” place.
Through self-centered and narcissistic characters, Emily Bronte’s classic novel, “Wuthering Heights” illustrates a deliberate and poetic understanding of what greed is. Encouraged by love, fear, and revenge, Catherine Earnshaw, Heathcliff, and Linton Heathcliff all commit a sin called selfishness.
Heathcliff is introduced in Nelly's narration as a seven-year-old Liverpool foundling (probably an Irish famine immigrant) brought back to Wuthering Heights by Mr. Earnshaw. His presence in Wuthering Heights overthrows the prevailing habits of the Earnshaw family, members of the family soon become involved in turmoil and fighting and family relationships become spiteful and hateful. Even on his first night, he is the reason Mr. Earnshaw breaks the toys he had bought for his children. "From the very beginning he bred bad feelings in the house". Heathcliff usurps the affections of Mr. Earnshaw to the exclusion of young Hindley-: "The young master had learnt to regard his father as an oppressor rather than a
Edgar Linton, normally gentle, also uses physical violence when he fights with Heathcliff over Catherine Earnshaw, now his wife Catherine Linton. Like Hindley, Edgar does not realize that violence cannot produce love. His fight with Heathcliff results in Catherine’s insanity and her eventual death. Catherine, too, is not flawless. When Nelly, under Hindley’s orders, chaperones Edgar’s visit with Catherine Earnshaw, Catherine is furious and strikes Nelly. When her nephew Hareton weeps at this abusive display, Catherine seizes the child and shakes him. She then strikes Edgar when he tries to stop her. The root of Catherine’s violence is not the same as the one that plague Hindley and Edgar: she does not physically hurt her family because she wants to be loved. She feels that she is already loved by everyone, but she
Earnshaw became his adoptive father. “A dirty ragged black-haired child” the triplication of pre-modifying adjectives carry pejorative connotations as Heathcliff had been living on the streets of Liverpool therefore as he had been a homeless beggar, Nelly and the Linton’s believed that he was not fit for decent, well respect homes such as Wuthering Heights or Thrushcross Grange. The vocative “gypsy brat” (Ch.4) also carries pejorative connotations as young Heathcliff is condemned by religious folk and because he seemed to have no parents or a stable home, he was considered a ‘bastard’ child and a devil that “bred bad feeling in the house”
Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly
His wife, Mrs. Earnshaw, is furious that Heathcliff has been brought into the house and the Earnshaws’ son, Hindley, is jealous of the apparent love his father
In her novel Wuthering Heights, Emily Brontë uses a formal style of writing to portray the language of those used during the early 1800s. Throughout the majority of the novel, Nelly Dean is telling the story of how Wuthering Heights came to be the place that it currently is. Throughout Dean’s narration, characters are voiced differently due to their role in society. An example of this is shown when Brontë would use fragments of words to represent the speech of Hareton, one of the servants of Wuthering Heights. In contrast, Catherine, being well educated, would use sophisticated grammar and an extensive vocabulary whenever she spoke. Heathcliff was revealed as a two-sided character in this reading. On one hand, the author would use negative
The confinement that characters within the texts experience can be translated into modern values based on equality. In the novel, Catherine Earnshaw is constantly controlled by the circumstances that control her; she’s ruled by her father and Hindley throughout her childhood, restricted by her injury at Thrushcross Grange, and forced to marry Edgar because of her isolation from the rest of the world. Even in her passionate relationship with Heathcliff, which reflects the spontaneous, exciting nature of the Romantic period, Heathcliff
Hareton Earnshaw, a victim of Hindley, Heathcliff, and Cathy, stands up for himself, shocking the reader’s perception of his character. Hareton is a victim of his father’s alcohol abuse and gambling addiction. These addictions are a result of Frances’ death and the reader becomes sympathetic towards Hindley; however, Hareton is the innocent victim affected by the lack of care from his father. Hareton is a toddler when Hindley holds him over the railing of a staircase, threatening his life. Once Hindley dies, Heathcliff takes on the responsibility to care for young Hareton. He does not know that he is being used as part of Heathcliff’s plan to get revenge on Hindley for abusing him as a child. Heathcliff wishes to keep Hareton ignorant and uneducated in an effort to degrade him. When describing Hareton, Nelly, the house servant, says, “He appeared to have bent his malevolence on making him a brute: he was never taught to read or write; never rebuked for any bad habit which did not annoy his keeper; never led a single step towards virtue, or guarded by a single precept against vice” (Bronte 152). Hareton is a victim to society because he is kept an uncivilized and ignorant young man. The reader feels sympathetic towards him because he is made to be an inferior
Emily Bronte’s Wuthering Heights display of cultural and physical features of an environment affecting one’s character and moral traits is showcased through the first Catherine’s development throughout the novel. Catherine is forced to “adopt a double character”, as she lives as a rebellious, passionate woman on the turbulent Wuthering Heights, while behaving politely and courtly on the elegant Thrushcross Grange(Bronte, 48). Each of these environments also contains a love interest of Catherine’s, each man parallel with the characteristics of their environments: Heathcliff, the passionate and destructive, residing in Wuthering Heights, while the civilized and gentle Edgar inhabits Thrushcross Grange. Catherine’s development in character due to her setting significantly contributes to the theme that pursuing passionate love is dangerous, such as the love shared by Heathcliff and Catherine.