Wuthering Heights by Emily Bronte and Pride and Prejudice by Jane Austen

Elizabeth Bennet states, “I do, I do like him,” she replied, with tears in her eyes; “I love him. Indeed he has no improper pride. He is perfectly amiable. You do not know what he really is; then pray do not pain me by speaking of him in such terms (364).” During this quote, Elizabeth is talking to her father about Mr.Darcy; she tries to explain how she feels about him in order for her father to approve of them getting married. This quote is an example of a major theme in the novel; appearances are not dependable. When Elizabeth first meets Mr.Darcy she thinks he is extremely proud and condescending, and Mr.Darcy believes Elizabeth to be tolerable. Throughout the course of the novel, both characters get to learn more about what is behind the deceiving exteriors that

Jane Austen’s Pride and Prejudice was first published in 1813(Gary vii) a time when women had “few legal and economic rights or even receiving little respect, women can be seen as oppressed victims of a patriarchal society, subordinate first to their fathers and, then, to their husbands who had, of course, been selected by their fathers” (Swords, 76-82). At first glance one might think that Pride and Prejudice reinforces sexist stereotypes, however upon further examination of Jane Austen and her heroine Elizabeth it is clear that Pride and Prejudice in fact erodes the sexist stereotypes of women.

Mr. Darcy, handsome gentleman’s son from Pride & Prejudice by Jane Austin, can be seen as a different role model when compared to Heathcliff in Wuthering Heights by Emily Bronte. Both novels have a similar background but with a different twist. Austin’s description of writing is seen to be related to a more realistic and satire approach, whereas Bronte’s style seems to be a bit gothic. Furthermore, both novels have a romantic presentation of two very unique genders that fall deeply in love with one another.

Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).

His sense of her inferiority–of its being a degradation of–the family obstacles which judgment had always opposed to inclinations were dwelt on...” (Austen 12). These words reflect Mr. Darcy’s excessive pride and heightened awareness of social status, while inducing him to recount all the ways in which he and Elizabeth are an illogical union, rather than relaying anything complimentary. In response to this insult-ridden proposal, Elizabeth proclaims that if he had acted in a more “gentlemanlike manner,” she would have been more inclined to express sympathy following her rejection of his advances. Despite Elizabeth’s clear message that she will not observe his insensitive words in submission, Mr. Darcy endures in the conviction that his prideful manners toward Elizabeth are well-justified and merely detail the truthful, adverse nature of her inferior social standing with the utmost sincerity.

Upon hindsight following the two novels, Wuthering Heights by Emily Bronte and Mary Shelly’s Frankenstein, one would label the monster and Heathcliff to be nothing short of villainous characters. Throughout each individual novel the two leads perform heinous actions that should leave readers feeling repulsed, and with no ounce of sympathy towards the principal characters; nonetheless, it is impossible not to. Heathcliff and the monster are not evil but rather characters to sympathize, both are the products of their environment and correspondingly, although for divergent reasons, are motivated by the supereminent emotions—love and hate.

During his early years Heathcliff didn’t deceive those as much, but towards his teenager years his adopted sister Catherine shows how deceitful she can be. Catherine is attacked by a dog and is required to stay at this family called the Lintons for five weeks. While she is there she meets a young man named Edgar and hides her “wild side” to impress Edgar. “Catherine

Introduced to Jane Austen's Pride and Prejudice as a tall, handsome, self-absorbed aristocrat, Darcy experiences a change in personality and character. In order to dispose of his existent views on money and marriage, Darcy needed to feel something, to fall in love. Although he was well mannered, he did not know how to treat women with respect, especially those of a lesser economic status. The love of Elizabeth Bennet, however, changed his behavior.

After Heathcliff’s heart had been broken by Catherine Earnshaw, he could not bear the pain that he was enduring. Heathcliff became vile and full of vengeance. Edgar Linton was the motive behind the vengeance that filled him. Catherine, Edgar’s new wife, loved both Edgar and Heathcliff. Unfortunately for her marrying both of the men was not an option; therefore, she chose Edgar. Catherine overlooked Heathcliff because she thought that marrying Heathcliff would degrade her image. When Heathcliff heard the heart wrenching news, he ran away and returned three years later.

Mr. Darcy`s pridefulness and arrogance depressed his true feelings for Elizabeth Bennet, however, Mr. Darcy 's pride deflates when Elizabeth Bennet rejects Mr. Darcy 's proposal. Austen demonstrates Mr.Darcy`s pridefulness and arrogance when she writes “‘ In such case as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned’” (186). Mr. Darcy insults Elizabeth Bennet while proposing marriage. This directly shows how pridefulness and arrogance of society interfer with love. Elizabeth Bennet can be considered inferior to Mr. Darcy because her family does not have the same socioeconomic status as Mr. Darcy. The rejection of Mr. Darcy`s proposal diminishes his pride. The letter Mr.Darcy writes to Elizabeth explains why he removed Mr. Bingley from

Elizabeth thinks of Darcy as being “the proudest, most disagreeable man in the world” (15). After Darcy discomfits Elizabeth, “She is tolerable, but not handsome enough to tempt me” (13), she herself becomes prideful and prejudiced against him. Prejudice also is an issue for Darcy because he dislikes Elizabeth in the beginning for her low social status, for being impecunious and socially inept family: “Their struggle is as much as against each other as it is against the pressure of society or family. The novel presents a balance of power not only between two characters but between two conflicting modes of judgment” (Bloom 50), but Darcy is forced to deal with his pride and prejudice when he falls in love with Elizabeth. Elizabeth rejects Darcy’s first proposal based mostly on his pride and condescension.

This essay analyzes the two most influential characters in "Pride and Prejudice" and Elizabeth's self-realization.  We are working under the presumption that two other characters serve as catalysts to boost the final changes of the protagonist.

Heathcliff overhears this conversation between Nelly and Catherine and leaves Wuthering Heights after hearing Catherine say that it would degrade her to marry him. Heathcliff tries to make himself more presentable to Catherine by moving up the social system. However, he does this by cheating and taking advantage of people. Heathcliff takes advantage of Hindley's state of alcoholism and takes over Wuthering Heights. Heathcliff also takes advantage of Edgar Linton's will my making young Catherine (the daughter of Catherine Earnshaw and Edgar Linton) marry Linton (the son of Heathcliff and Isabella Linton)

The confinement that characters within the texts experience can be translated into modern values based on equality. In the novel, Catherine Earnshaw is constantly controlled by the circumstances that control her; she’s ruled by her father and Hindley throughout her childhood, restricted by her injury at Thrushcross Grange, and forced to marry Edgar because of her isolation from the rest of the world. Even in her passionate relationship with Heathcliff, which reflects the spontaneous, exciting nature of the Romantic period, Heathcliff

Elizabeth’s pride causes her to be reserved and drives her to prove that she is different from her boisterous younger sisters who take any opportunity to dance with a male (Austen, 26). Elizabeth’s aloofness further hinders her from developing a relationship with Darcy. Darcy continues to be enamored by Elizabeth’s charm and he does not stop pursuing her even though excessive pride causes Elizabeth to discourage him from her. In response to Elizabeth’s conceit Darcy who is generally polite does however become rude and haughty to Elizabeth as a defense mechanism. As a result of Elizabeth’s haughtiness, Darcy’s positive character is stymied and can only reveal itself in the middle of the novel (Nardin, 6).